【题目】阅读理解。

The story is about two mice. Theyare friends. One mouse lives inthe country. The other lives in the city. One day they meet each other. The one in the country says, “Come and havelook at my house.” They come to a house in a field. The country mouse gives the city mouse nice food. But the city mouse says. “This food is not good. You must come and live with me in the city.”

So they go to the house of the city mouse. It is a very good house. Nice food is ready (准备)for them to eat. But just when they begin to eat, they hear a great noise. “Run! Run! The cat is coming!” the two friends run away quickly. After some time, they go out. The country mouse says to the city mouse, “I don’tlike to live in the city. It’s dangerous.”

根据短文内容,选择正确答案。

( ) The two mice live__________.

A.in the same place

B.in different places

C.in the cityD. in the county

( ) The city mouse__________.

A.wants to live with the country mouse

B.lives with the country mouse for a long time

C.gets nothing to eat from the country mouse

D.doesn’t like the food of the country mouse’s

( ) They city mouse asks the country mouse to his house, doesn’t he?

A.No, he isn’t.

B.Yes, he does.

C.No, he doesn’t.

D.I think so.

( ) Which sentence is true (正确的)?

A.They are helpful.

B.They are not well.

C.They are good friends.

D. They don’t know each other.

( ) When a cat is coming, the two mice__________.

A.stay there quietly

B.run away quickly

C.say “hello” to it

D.want to make friends with

【题目】李凭箜篌引

李 贺

吴丝蜀桐张高秋,空白凝云颓不流。

湘娥啼竹素女愁,李凭中国弹箜篌。

昆山玉碎凤凰叫,芙蓉泣露香兰笑。

十二门前融冷光,二十三丝动紫皇。

女娲炼石补天处,石破天惊逗秋雨。

梦入神山教神妪,老鱼跳波瘦蛟舞。

吴质不眠倚桂树,露脚斜飞湿寒兔。

12.对这首诗的分析,不正确的一项是( )

A.在描绘李凭箜篌弹奏的乐声给人们的感受、描绘乐声艺术效果时,诗人李贺没有按一般的思维轨迹去叙述;而驰骋自己大胆的幻想和丰富的联想,形成神奇变幻、令人应接不暇的艺术境界来表现乐声。

B.在这里我们可以看到,诗人李贺如同一位神奇的魔术师,他驱使着大自然的静物、动物,调动了神话传说中众多的神人的形象,写出了乐声强烈感人的艺术效果,表现了李凭弹奏箜篌的高超艺术。

C.芙蓉哭泣、香兰笑,这样的描写也不一般。我们这里可以看到李贺想像奇异,描绘意象新奇的艺术特色。诗人在这首诗中的幻想、联想,还有一个很鲜明的特点,那就是它的跳跃性。

D.诗人的思维活动时而地下,时而天上;时而动物,时而植物;时而神人,时而天帝。他叙述的脉络没有一定的次序,而是随着诗人想像的流动,想像所至,笔之所至,故而使人难以把握诗中描写的音乐美。

13.试比较《琵琶行》《听颖师弹琴》与《李凭箜篌引》在音乐描写上的异同。

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