Simon Sinek is naturally shy and doesn’t like speaking to crowds.At parties,he says he hides alone in the corner or doesn’t even show up in the first place.He prefers the latter.Yet,with some 22 million video views under his belt,the optimistic ethnographer also happens to be the third most watched TED Talks presenter of all time.

Sinek’s unlikely success as both an inspirational speaker and a bestselling author isn’t just dumb luck.It’s the result of fears faced and erased,trial and error and tireless practice,on and off stage.Here are his secrets for delivering speeches that inspire,inform and entertain.

Don’t talk right away.

Sinek says you should never talk as you walk out on stage.“A lot of people start talking right away,and it’s out of nerves,” Sinek says.“That communicates a little bit of insecurity and fear.”

Instead,quietly walk out on stage.Then take a deep breath,find your place,wait a few seconds and begin.“I know it sounds long and tedious and it feels excruciatingly awkward when you do it,” Sinek says,“but it shows the audience you’re totally confident and in charge of the situation.”

Show up to give,not to take.

Often people give presentations to sell products or ideas,to get people to follow them on social media,buy their books or even just to like them.Sinek calls these kinds of speakers “takers,” and he says audiences can see through these people right away.And,when they do,they disengage.

“We are highly social animals,” says Sinek.“Even at a distance on stage,we can tell if you’re a giver or a taker,and people are more likely to trust a giver — a speaker that gives them value,that teaches them something new,that inspires them — than a taker.”

Speak unusually slowly.

When you get nervous,it’s not just your heart beat that quickens.Your words also tend to speed up.Luckily Sinek says audiences are more patient and forgiving than we know.

“They want you to succeed up there,but the more you rush,the more you turn them off,” he says.“If you just go quiet for a moment and take a long,deep breath,they’ll wait for you.It’s kind of amazing.”

Turn nervousness into excitement.

Sinek learned this trick from watching the Olympics.A few years ago he noticed that reporters interviewing Olympic athletes before and after competing were all asking the same question.“Were you nervous?” And all of the athletes gave the same answer: “No,I was excited.” These competitors were taking the body’s signs of nervousness—clammy hands,pounding heart and tense nerves—and reinterpreting them as side effects of excitement and exhilaration.

When you’re up on stage you will likely go through the same thing.That’s when Sinek says you should say to yourself out loud,“I’m not nervous,I’m excited!”

Say thank you when you’re done.

Applause is a gift,and when you receive a gift,it’s only right to express how grateful you are for it.This is why Sinek always closes out his presentations with these two simple yet powerful words: thank you.

“They gave you their time,and they’re giving you their applause.” Says Sinek.“That’s a gift,and you have to be grateful.”

Passage outline

Supporting details

1.to Simon Sinek

·He is by 2.shy and dislikes making speeches in public.

·Through his 3.effort,he enjoys great success in giving speeches.

Tips on deliveing speeches

·Avoid talking 4.for it indicates you’re nervous.

·Keep calm and wait a few seconds before talking, which will create an 5.that you are confident.

·Try to be a giver rather than a taker because in 6.with a taker, a giver can get more popular and accepted.

·Teach audience something new that they can 7.from.

·Speak a bit slowly just to help you stay calm.

·Never speed up while speaking in case you 8.the audience.

·Switch nervousness to excitement by 9.the example of Olympic athletes.

·Express your 10.to the audience for their time and applause to conclude your speech.

Most musicians agree that the best violins were made in Cremona, Italy, about 200 years ago. They even sound better than violins made today. Violin makers and scientists try to make instruments like the old Italian violins. But they aren’t the same. Why are these old Italian violins so special? Many people think they have an answer.

Some people think it is the age of the violins. But there is a problem here. Not all old violins sound wonderful. Only those from Cremona are special. So age cannot be the answer.

Other people think the secret to those violins is the wood. It must be from certain kinds of trees. It must not be too young or too old. Perhaps the violin makers of Cremons knew something special about wood for violins.

But the kind of wood may not be so important. It may be more important to cut the wood in a special way. Wood for a violin must be cut into the right size and shape. The smallest difference will change the sound of the violin. Musicians sometimes think that this is the secret of the Italians.

Size and shape may not be the answer either. Scientists make new violins that are exactly the same size and shape. But the new ones still do not sound as good as the old ones. Some scientists think the secret may be the varnish (清漆), which covers the wood of the violin and makes it look shiny. It also helps the sound of the instrument. Since no one knows what the Italian violin makers used in their varnish, no one can make the same varnish today.

There may never be other violins like the violins of Cremona. And there are not many of the old violins left. So these old violins are becoming more and more precious.

1.What would be the best title for the passage?

A. The Secrets of Cremona Violins

B. The History of Italian Violins

C. Special Musical Instruments

D. How to Make the Best Violins

2.The main purpose of the first paragraph is to _______.

A. list some facts B. raise a question

C. give an opinion D. offer an answer

3.What is still unclear about Cremona violins according to the writer?

A. The shape. B. The size.

C. The wood. D. The varnish.

4.What can we learn from this passage?

A. Modern things are always better than ancient ones.

B. Ancient things are always better than modern ones.

C. Once a cultural relic is lost, it can never be recovered.

D. Varnish for violins will become more and more precious.

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