题目内容

【题目】假定英语课上老师要求同桌之间交换修改作文,请你修改你同桌写的以下作文。文中共有10处语言错误,每句中最多有两处。每处错误仅涉及--个单词的增加、删除或修改。

增加:在缺词处加一个漏字符号(^),并在其下面写出该加的词。

删除:把多余的词用斜线(\)划掉。

修改:在错的词下划横线,并在该词下面写出修改后的词。

注意:1.每处错误及其修改均仅限- -;

2.只允许修改10处,多者(从第11处起)不计分。

During my last summer holiday, I go to the countryside to enjoy myself. I saw mother bird stay in her nest in a big tree, watching some of her baby flying away. I thought she must be very proud of her children, that were able to find her own food now. But she might also feel a sense of loss since they wouldn't need of her day-to-day care any long. For my parents,things are much easier. We have set up our family blog to posting our photos and journals.Once I leave for college, we can convenient share our experiences but support each other.Their“nest" will never be empty.

【答案】

【解析】

本文是一篇记叙文。作者通过观察小鸟长大后离开鸟妈妈,想到了自己的父母。庆幸的是,因为网络父母的从来不会空。

1.考查时态。根据last summer holiday可知句子用一般过去时态,故把go改成went

2.考查不定冠词。句意:我看见一只鸟妈妈呆在她的巢里,在一棵大树上,看着她的一些孩子飞走了。结合句意可知在mother前加a

3.考查名词复数。句意:我看见一只鸟妈妈呆在她的巢里,在一棵大树上,看着她的一些孩子飞走了。some of+名词复数,故把baby改成babies

4.考查定语从句。句意:我想她一定为她的孩子们感到非常自豪,他们现在能够自己找食物了。that不能引导非限制性定语从句,此处children做先行词,文章运用拟人的手法,故把that改成who

5.考查形容词性物主代词。句意:我想她一定为她的孩子们感到非常自豪,他们现在能够自己找食物了。根据children可知用代词复数替代,故把her改成their

6.考查及物动词。句意:她可能也感到失落,因为他们不再需要她每天的照顾了。此处need“需要是及物动词,后面直接跟宾语,故把need后面的of去掉。

7.考查固定搭配。not---any longer“不再,故把long改成longer

8.考查动词不定式作目的状语。句意:我们创建了家庭博客在上面张贴我们的照片和日志。此处是不定式做目的状语,故把posting改成post

9.考查词性转化。此处share“分享是动词,由副词来修饰,故把convenient改成conveniently

10.考查并列连词。句意:一旦我考上大学,我们能很方便地分享经历,并能互相支持。前后是一种并列的递进关系,故把but改成and

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【题目】 With depressingly few exceptions, performances are dull and lack vitality…

After years of trying to convince myself otherwise, I now feel sure that ballet is dying.”

-----Jennifer Homans, Apollo’s Angels

Is ballet dead? Has the art form evolved to depression? Jennifer Homans’s conclusion to her fascinating history of ballet, Apollo’s Angels, is worrying.

It appears that ballet’s pulse continues to beat strongly, however, especially with a Tchaikovsky defibrillator attached. So why are some dance commentators arguing that ballet is dying? And do they have a point?

“Ballet is dead”----“Ballet is dying” ---all ring tones of Friedrich Nietzsche’s philosophical claim: “God is dead.” Headline grabbling, certainly. Yet can ballet be defined in such black and white terms? Surely it is more abstract, filled with shades of popular grey.

To start with, how do you define ballet? What is ballet today? Consider popular modern classics like Twyla Tharp’s In the Upper Room, where dancers wear pointy shoes and sneakers, combining contemporary and classical vocabulary together. Or closer to home, there is Graeme Murphy’s Swan Lake, which layers elements of Petipa’s choreography(编舞) with a contemporary theme and aesthetic. Many contemporary choreographers all embrace classical form and principles, then manipulate(操纵) the rules. .

The line between contemporary dance and ballet is vague. In an interview with The Telegraph (2015), British choreographer Mattew Bourne acknowledges that this “cross-fertilisation” between contemporary dance and ballet continues to grow, as evidenced by the rise in new commissions from contemporary choreographers at the Royal Ballet and English National Ballet. Referring to Homans’s book, Bourne believes what has changed is that “the dance forms are coming closer together”. Not dying, but merging. Reinventing. This has been the case amongst Australasian ballet companies for many years now. .

Homans writes that ballet’s decline began after the passing of Ashton and Balanchine. Something ahs changed, certainly. A stylisic transition----from neo-classical to contemporary ballet----has occurred.

Our art form’s evolution has always been with extinction. Prominent dance critic with The New York Times, Alastair Macaulay, says: “ballet has died again and again over the centuries,” and yet, “phoenix-like, rose again from its ashes”. History shows there were periods where ballet hibernated and lacked popularity. This coincided with the art form’s changing forums.

So here is the irony: what sells best, still, are reproductions of Petipa’s classics. A season without a Tchaikovsky score is a financial risk. And without Nutcracker(《胡桃夹子》), half the ballet companies in North America would not exist. Admittedly, as a dancer, my favourite roles---Albrecht, Prince Siegfried and Romeo----were from the classical canon; I am a traditionalist at heart (who loves to be challenged by good contemporary ballets). A part of the charm behind classical repertoire, for me, was in reproducing the glories of past greats. Classical ballet’s framework supports the modern process of bench-marking.

Perhaps Jennifer Homans’s thoughts are not completely unfounded. Perhaps ballet is dying for some. Ballet’s evolution has been delayed by its audiences. And as Homans suggests in her epilogue, perhaps also by its creatives.

Now here is a bold prediction. In line with the Royal Ballet’s programming in Brisbane this year----of Christopher Wheeldon’s The Winter’s Tale, and Wayne MacGregor’s Woolf Works----over the next 20 years, ballet’s reliance on Petipa will decrease. Contemporary ballets and merge-styled ballets will produce their box-office influence ever more.

Why?

It is simple: our audiences will be ready for ballet to change again.

1Why does the writer cite Jennifer Homans’s words at the beginning of the passage?

A. To support the writer’s viewpoint.B. To introduce the topic of the passage.

C. To highlight the theme of the passageD. To provide the background knowledge.

2The sentence ‘Is this not ballet?” should be put in ______.

A. B.

C. D.

3Which of the following statements is a fact about ballet?

A. “Surely it is more abstract, filled with shades of popular grey.” (Para.3)

B. “The line between contemporary dance and ballet is vague.” (Para.5)

C. “Our art form’s evolution has always been with extinction.” (Para.7)

D. “What sells best, still, are reproductions of Petipa’s classics.” (Para.8).

4According to Matthew Bourne, _____.

A. the dance forms remain unchanged

B. contemporary dance has reinvented classic ballet

C. ballet is experiencing growth and will continue to develop

D. a new form of ballet is widely accepted among Australians

5The writer takes himself as an example in Paragraph 8 in order to show _____.

A. classics should be promoted

B. classics are still of great significance

C. classical ballet’s framework is out of date

D. contemporary ballets attract more audiences

6What may be the audiences’ attitude to the change of ballet?

A. Supportive.B. Arbitrary.

C. Critical.D. Concerned

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