The most frightening words in the English language.as it is.are Our computer is ． ( )A．downB．upC．onD．off 题目和参考答案——青夏教育精英家教网—

题目内容

17．The most frightening words in the English language，as it is，are"Our computer is _______．"（　　）

A．

down

B．

C．

D．

off

分析事实上，英语中最令人可怕的一句话就是："我们的电脑出故障了．"

解答答案：A．A．down"停机、出故障、向下、沮丧"；B．up"向上的、高兴"；C．on"开着的、发生着的"；D．off"关闭、不礼貌、不热情"．结合句意"事实上，英语中最令人可怕的一句话就是：‘我们的电脑出故障了．'"可知，down符合语境，故选A．

点评本题考查形容词的词义辨析．词汇辨析题首先要掌握各个选项的词义、固定搭配、用法，然后再根据句意，结合语境，选出正确答案．

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8．Count to three and rip（撕） it off as fast as you can-this is how most people remove a band-aid（创可贴）．（33）no matter how fast you do it，it's still going to be painful．That's for sure．Or is it？
A group of American scientists from Boston have just developed a band-aid that can be taken off without causing pain，reports the journal Proceedings of the National Academy of Sciences．
Traditional band-aids are supposed to break apart （34）where the skin meets the glue，which is what makes taking them off so painful．But the new band-aid has an extra layer that sits （35）between the glue and the backing．When you tear off the band-aid，you remove the backing and middle layers，（36）leaving（leave） the glue behind．The glue （37）can then be simply rubbed off with one's fingers or left to fall off naturally．Importantly，this process is pain-free．
This is not the first time scientists （38）have tried（try） to solve this problem．But methods they tried in the past led to band-aids that were （39）less sticky（sticky） and therefore didn't stay on for long．
The Boston study was first aimed at helping babies （40）whose skin is too delicate for standard band-aids．But adults with sensitive skin might also enjoy the benefits．

5．假定英语课上老师要求同桌之间交换修改作文，请你修改你同桌写得以下作文．文中共有10处语言错误，每句中最多有两处．错误涉及一个单词的增加，删除或修改．
增加：在缺词处加一个漏字符号（　　），并在其下面写出该加的词．
删除：把多余的词用斜线（　　）划掉．
修改：在错的词下划一横线，并在该词下面写出修改后的词．
注意：1．每处错误及其修改均仅限一词；
2．只允许修改10处，多者（从第11处起）不记分．
On the hot afternoon of last Saturday，Li Yue went downtown and walk from one store to another，look for the clothes we would wear in the singing contests．While the rest of us were enjoying our leisure time in cool and comfortably rooms，she spent the whole afternoon searching and selecting．Finally she found the suitable clothes．Deeply moving by what she did，we tried our best but won the first prize in the contest．Li Yue is always cares about the class．She often devotes her spare time in helping others．She has set good example to us．Therefore，she deserves the honor and we should learn from him．

12．Many companies in Guangdong are facing a serious labor _____ following the Rabbit Year's Spring Festival．（　　）

2．I have a friend Monty Roberts who owns a horse ranch （牧马场） in San Ysidro．When he was a senior，he was asked to write a paper about what he wanted to be and do when he grew up．
The next day he handed it in to the teacher．On the front was a large red F．The boy with the dream asked，"Why did I receive an F？"
The teacher said，"This is an unrealistic dream for a young boy like you．You have no money．You come from an itinerant（四处奔波的）family．You have no resources．Owning a horse ranch requires a lot of money．You have to buy the land．You have to pay for the original breeding stock and later you'll have to pay large stud fees．There's no way you could ever do it．"
He stated，"You can keep the F and I'll keep my dream．"
The best part of the story is that two summers ago that same schoolteacher brought 30kids to camp out on his ranch for a week．When the teacher was leaving，he said，"Look，Monty，I can tell you this now．When I was your teacher，I was something of a dream stealer．During those years I stole a lot of kids'dreams．Fortunately you had enough belief not to give up on yours．"
[写作内容]
学校最近组织了一次中美学生交流活动，你参加其中的"坚守信念"的讨论．读完Monty Roberts 的故事之后，你准备写一份发言稿，题目是"Belief can change one's fate"，内容要点包括：
1．以约30个词概括Monty Roberts的成长故事；
2．然后以约120个词谈谈你对信念的看法，内容包括：
（1）坚守信念对一个人成长的重要性；
（2）举一两个例子去论证"坚守信念能改变人的命运"；
（3）你的感想．
[写作要求]
1．在作文中可以使用自己亲身的经历或虚构的故事，也可以参照阅读材料的内容但不得直接引用原文中的句子；
2．作文中不能出现真实姓名和学校名称．
[评分标准]
概括准确，语言规范，内容合适，篇章连贯．

9．Meizhou Island is such a beautiful place of interest______ everyone likes to visit．（　　）

2．Scriptwriters love to complain．They are disrespected by producers，regarded dispensable （可有可无的） by directors，not duly credited by critics，treated like employees by actors-although few complain about being historically and chronically overpaid．Another thing they don't complain about is"the exhaustion of narrative"，though it weighs very much on their minds．For scriptwriters to complain about the insufficiency of original ideas would be like a salesman complaining about a lack of inventory．It's not good for business．
Writers have always known there are a limited number of storylines．And it is increasingly difficult to get out in front of a viewer's expectations．Almost every possible subject has not only been covered but covered exhaustively．How many hours of serial killer plot has the average viewer seen？Fifty？A hundred？This becomes painfully clear to any writer who attempts to orally tell his story （scriptwriter is closer to the oral tradition than it is to literature）．Originality has always been in short supply．Does the proliferation （泛滥） of media mean that it is harder to be original today than it was 50years ago？Well，yea．Today's viewers live in a biosphere of narrative．Twenty-four-seven，multimedia，all the time．When a storyteller competes for a viewer's attention，he not only competes with simultaneously occurring narratives，he competes with the variations of his own narrative．That's real competition．This exhaustion of narrative is behind the rise of recent"counter-narrative"entertainments，such as：
1．Reality TV．Any regular viewer knows that reality television follows its own scripted formulas，but the appearance of being unscripted is essential to its appeal．Weary of so much predicable plot，the jaded viewer turns to reality．
2．Anecdotal narrative．The attraction of films such as Slacker and its mumblecore progeny （呢喃类） is the enjoyment of watching behavior impeded by the artifice of plot．It is not"fake"，not"designed"（although of course it is）．
3．Reenactment drama．Whether based on famous events or lesser-known ones，reenactment entertainment sells the premise that these events actually happened and were not cooked up by a staff of writers （though，again，if not actually cooked up，they were seasoned and served by writers）．
4．Video games．The ability of the viewer to participate in the storytelling process creates an illusion of non-plan．
5．Mini-mini drama．Part of the appeal of three-to five-minute stories created for cellphones，YouTube and original programming is the illusion of not being crafted narratives．Just bits of life．
6．Documentaries．A staple of filmed entertainment since its beginnings，documentaries，historically the poor cousins of commercial cinema，have grown in number and viewership，an increase owed in part to the desire of viewers to look beyond predictable narratives．
Storytelling began as ceremony and evolved into ritual．It was commercialized in the medieval times，became big business in the 19^th century and international industry in the 20^th．The traditional concept of movies，a projected image in a dark room of viewers，feels increasingly old．Narrative will mutate （变异） and endure．Audio-visual entertainment is changing and narrative will change with it．
74．According to the author，scriptwriters seldom complain of havingB．
A．been looked down upon by producers
B．suffered the exhaustion of narrative
C．been considered unimportant by directors
D．been badly treated by actors and actresses
75．In which of the following entertainment forms can the viewers take part in its narrative process？B
A．Reenactment
B．Video games
C．Mini-mini drama
D．Documentaries．
76．Which of the following statements is TRUE to the fact？A
A．Narrative became commercialized in the middle age．
B．Storytelling became commercialized after the Middle Ages．
C．Narrative became a worldwide industry in the 19^th century．
D．Storytelling grew into large business in the 20^th century．
77．Which of the following statements is NOT in agreement with the author's ideas？C
A．Scriptwriting is nearer to the oral tradition than it is to literature．
B．Narrative exhaustion is responsible for the rise of anti-narrative entertainment．
C．It is less difficult to be original today than it was half a century ago．
D．The appearance of being unscripted is important to the appeal of Reality TV．

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