题目内容
阅读理解
Ralph Ellison is by no means the first writer to inlay his work with the silver and gold of Afro-American folklore(民间传说). Mark Twain, Charles Chesnutt, James Weldom Johnson, William Faulkner, Zora Neale Hurston, Sterling Brown, and Langslon Hughes used it before Ellison, often with supreme skill. But Ellison' s case is special because of the sheer virtuosity (艺术鉴赏力 )of The Invisible Man, which relate with its“inside”use of Black folklore, is also very modern in its technique. In this contemporary novel, the vital transformation from folk item to written literature seems wonderfully complete. The language is consistently active with actual Afro-American speech, as well as with the tales, songs, and games of folklore. What Ellington and Wagner achieved in music is here achieved in fiction, the transmutation (衍变)of folk materials into a fully orchestrated masterpiece.
(1)The main idea of the passage is that ________
[ ]
A.Ellison was not the first writer to use Afro-American folklore
B.Ellison transformed folk material into a masterpiece
C.Ellison collected folklore that might have been lost
D.Ellison' s work made him a very wealthy man
(2)The writer listed a group of names in the second sentence in order to ________
[ ]
A.support the argument of the first sentence
B.show that these people were mete skillful than Ellison
C.introduce another new idea
D.give the names of Ellison' s teachers
(3)The-Invisible Man is ________
[ ]
A.a long monologue
B.a collection of short stories.
C.a contemporary novel
D.a musical comedy
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