题目内容

  Tianjing Bicycle Factory will export(出口)800,000 “Flying Pigeon” bicycles this year. Of this year’s exports, 100,000 will go to the United States.

  As one of the three main bicycle factories in China, the factory exported 550,000 bicycles to more than 50 countries and regions(地区) in 1987. Its output(产量) was 3.5 million in that year, being first in the country.

  Beginning in this year the factory can take up export trade directly, with permission from the municipal (市政) government.

  The factory is making preparations to set up production centres in foreign countries.

1. This passage is mainly about _______.

  A. China’s bicycle production

  B. bicycle exports

  C. the exports to the US

  D. the three main bicycle factories

2. There will be 100,000 bikes going to the United States, taking(占) _______.

  A. one eighth of the total output B. about a half of the total output

  C. one eighth of the exports    D. one fifth of the exports

3. This passage is likely taken from _______.

  A. a newspaper         B. a popular science book

  C. the history of the factory   D. a trade agreement

4. Then next step to be taken by the factory is_______

  A. to take up export trade directly   

B. to set up production centres abroad   

C. to make another kind of bicycle   

D. to change bicycles with other countries

 

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阅读下列短文,从每题所给的四个选项(A、B、C和D)中,选出最佳选项。

  Do you know of Guo Degang? In recent months he has become well known in China as a crosstalker.He has never performed on TV before, but attending his crosstalk performance is becoming increasingly fashionable in Beijing, especially for youth and school children.

  Guo arrived in Beijing from Tianjin in 1995 and came across a teahouse where he found several young people performing crosstalk.Being a crosstalker himself, he couldn't help taking to the stage.Gradually, more and more people came to the teahouse to see him perform.He soon found himself playing to audiences numbering more than 100 in a teahouse that could only contain 80.

  As his popularity grew, Guo thought over the future of his art. “Traditional crosstalk is at least half an hour long, but performances are no longer than five minutes on TV, which kills much of the story.TV is part of the fast-food culture and crosstalk is a face-to-face art form-it needs interaction(交流), and is not suited to TV,” Guo said.He decided to bring it back to its roots:the teahouse and theater.

  In 1996, Guo and some young crosstalk actors founded Deyun Crosstalk Association.Over the next ten years, the association organized countless performances in teahouses across Beijing.Despite their growing popularity, Guo ensured(确保)that ticket prices were kept low to make the art form accessible to everyone.Tickets to his performances are still 20 yuan today.And in keeping with technology and modern times, the association set up a BBS site on the Internet where fans could download recordings and discuss performances with actors.

  He hopes that through their efforts, more young people will learn to appreciate crosstalk and perhaps train to be crosstalkers themselves.

(1)

Which of the following is the best title of the passage?

[  ]

A.

Guo Degang and his traditional crosstalk

B.

A traditional art form-crosstalk

C.

The development of crosstalk

D.

Deyun Crosstalk Association

(2)

From the passage, we can know the crosstalk originates(源于)from ________ .

[  ]

A.

the TV show

B.

the teahouse and theater

C.

the cinema

D.

the common people

(3)

According to the passage, Deyun Crosstalk Association set up a BBS site on the Internet to ________.

[  ]

A.

let fans view the pictures of performers

B.

have fans discuss performances with actors

C.

keep up with modern technology

D.

ask more people appreciate their favorite crosstalk

(4)

From the passage, we can know the following EXCEPT ________.

[  ]

A.

the crosstalk is a face-to-face art which needs interaction

B.

Guo was a crosstalker when he was in Tianjing

C.

the performances of Guo are very popular

D.

the tickets to Guo's performances may rise in future

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