I’ll be late home tonight because something has just at work. A. come up B. come out C. come over D. come across 题目和参考答案——青夏教育精英家教网—

I was born in Korea, and my family came over to America when I was 10. I’m the middle child of three girls, and my parents moved so we would experience a different life. They did it for our education and to give us more of a chance than they had. We moved to Staten Island, and I went to the High School of Performing Arts in New York City. My parents didn’t agree with me when I told them I wanted to be an actress. My father suggested I try premed(医学预科). But after they saw me in plays they were really proud.
I graduated from Boston University and was doing theater in New York when I got cast in a Korean miniseries(电视连续剧). We started shooting the show in New York, and then went to Korea to finish it up. They said I would be there for three weeks, but it ended up being two months. The miniseries took off, and overnight, I became recognizable. It was sort of like Lost. It blew up. Then amazing projects were offered to me. I kept thinking, “ I’ll do one more and then go back to the US.” I ended up staying for seven years.
Some people described me as the Julia Roberts of Korea, which is a bad comparison because she’s the queen of romantic comedy. I became famous in Korea for a dramatic role in a film called Shiri. I played a “La Femme Nikita” type of role. I was the girl with gun—all action．
(   )65. The writer’s parents moved to America so as to _________.
A. offer a good chance to their children.
B. receive a good education in performing
C. seek a good life in America
D. film a Korean miniseries
(   )66. When the writer announced her decision to become an actress, her parents_____.
A. were both in favor of her   B. felt very ashamed of her
C. didn’t agree at first         D. took it for granted
(   )67. What is the second paragraph mainly about?
A. The author’s performing life in America.
B. The difficulties of filming abroad.
C. The popularity of the miniseries Lost.
D. The author’s first performing breakthrough.
(   )68. The writer referred to the Julia Roberts of Korea as a bad comparison to show______.
A. she looked down upon Julia Roberts.
B. she disliked to compare with others
C. she had a different style of performing
D. she was better at dramatic roles than Julia

I met him first in 1936. I rushed into his ugly little shop to have the heels of my shoes repaired. I waited when he did it. He greeted me with a cheerful smile. “You’re new in this neighborbood, aren’t you?”

I said I was. I had moved into a house at the end of the street only a week before.

“This is a fine neighborhood,” he said. “You’ll be happy here.” He looked at the leather covering the heel sadly. It was worn through because I had failed to have the repair done a month before. I grew impatient, for I was rushing to meet a friend. “Please hurry,” I begged.

He looked at me over his spectacles. “Now, lady, we won’t be long. I want to do a good job. You see, I have a tradition to live up to.”

A tradition? In this ugly little shop that was no different from so many other shoe repair shops on the side streets of New York?

He must have felt my surprise, for he smiled as he went on. “Yes, lady, I inherited a tradition. My father and my grandfather were shoemakers in Italy, and they were the best. My father always told me, ‘Son, do the best job on every shoe that comes into the shop, and be proud of your fine work. Do that always, and you’ll have both happiness and money enough to live on.’”

As he handed me the finished shoes, he said: “These will last a long time. I’ve used good leather.”

I left in a hurry. But I had a warm and grateful feeling. On my way home I passed the little shop again. There he was, still working. He saw me, and to my surprise he waved and smiled. This was the beginning of our friendship. It was a friendship that came to mean more and more to me as time passed.

Every day I passed his shop, we waved to each other in friendly greeting. At first I went in only when I had repair work to be done. Then I found myself going in every few days just to talk with him.

He was the happiest man I’ve ever known. Often, as he stood in his shopwindow, working at a pair of shoes, he sang in a high, clear Italian voice. The Italians in our neighborhood called him la luce alla finestra—“the light in the window”.

One day I was disappointed and angry because of poor jobs some painters had done for me. I went into his shop for comfort. He let me go on talking angrily about the poor work and carelessness of present-day workmen. “They had no pride in their work,” I said. “They just wanted to collect their money for doing nothing.”

He agreed. “There’s a lot of that kind around, but maybe we should not blame them. Maybe their fathers had no pride in their work. That’s hard on a boy. It keeps him from learning something important.” He waited a minute and said “Every man or woman who hasn’t inherited a prideful tradition must start building one.”

“In this country, our freedom lets each of us make his own contribution. We must make it a good contribution. No matter what sort of work a man does, if he gives it his best each day, he’s starting a tradition for his children to live up to. And he is making lots of happiness for himself.”

I went to Europe for a few months. When I returned, there was no “light in the window”. The door was closed. There was a little sign: “Call for shoes at shop next door.” I learned the old man had suddenly got sick and died two weeks before

I went away with a heavy heart. I would miss him. But he had left me something—an important piece of wisdom I shall always remember: “If you inherited a prideful tradition, you must carry it on; if you haven’t, start building one now.”

1.The shoemaker looked sadly at the shoes because __________

A. they were of poor quality.

B. he didn’t have the right kind of leather

C. he thought they were too worn to be repaired

D. the author hadn’t taken good care of them.

2.The author was surprised when she heard that the shop had a tradition because the shop ________.

A. looked no different from other shoe repair shops

B. had a light in the window

C. was at the end of a street

D. was quite an ugly and dirty one

3.What does the underlined word “inherit” mean in paragraph 6 mean?

A. develop B. receive C. learn D. appreciate

4.The author later frequently went into the little shop __________.

A. to repair her worn shoes

B. only to chat with the shoemaker

C. to look at the new shoes there

D. only to get comfort from the shoemaker

5.Why was the shoemaker called “the light in the window” by his neighbors?

A. Because he always worked late at night.

B. Because he always put a light in the window.

C. Because he was always guiding the others.

D. Because he was always happy and cheerful.

6.What’s the best title of this passage?

A. A Proud Shoemaker B. A Prideful Tradition

C. The Light in the Window D. Treasure Your Shoes

I was born in Korea, and my family came over to America when I was 10. I’m the middle child of three girls, and my parents moved so we would experience a different life. They did it for our education and to give us more of a chance than they had. We moved to Staten Island, and I went to the High School of Performing Arts in New York City. My parents didn’t agree with me when I told them I wanted to be an actress. My father suggested I try premed(医学预科). But after they saw me in plays they were really proud.

I graduated from Boston University and was doing theater in New York when I got cast in a Korean miniseries(电视连续剧). We started shooting the show in New York, and then went to Korea to finish it up. They said I would be there for three weeks, but it ended up being two months. The miniseries took off, and overnight, I became recognizable. It was sort of like Lost. It blew up. Then amazing projects were offered to me. I kept thinking, “ I’ll do one more and then go back to the US.” I ended up staying for seven years.

Some people described me as the Julia Roberts of Korea, which is a bad comparison because she’s the queen of romantic comedy. I became famous in Korea for a dramatic role in a film called Shiri. I played a “La Femme Nikita” type of role. I was the girl with gun—all action．

( )65. The writer’s parents moved to America so as to _________.

A. offer a good chance to their children.

B. receive a good education in performing

C. seek a good life in America

D. film a Korean miniseries

( )66. When the writer announced her decision to become an actress, her parents_____.

A. were both in favor of her B. felt very ashamed of her

C. didn’t agree at first D. took it for granted

( )67. What is the second paragraph mainly about?

A. The author’s performing life in America.

B. The difficulties of filming abroad.

C. The popularity of the miniseries Lost.

D. The author’s first performing breakthrough.

( )68. The writer referred to the Julia Roberts of Korea as a bad comparison to show______.

A. she looked down upon Julia Roberts.

B. she disliked to compare with others

C. she had a different style of performing

D. she was better at dramatic roles than Julia

The soldiers cheered as the train crossed the border into Wisconsin.It had been a long trip from the south back to their homes in the north.

One of the men had a large red scar across his forehead. 36 had an injured leg that made it 37for him to walk.The third had 38 large eyes, because he had been sickwith malaria.

The three soldiers spread their blankets on the seats and tried to 39.It was a cold evening 40 it was summertime. George, the soldier with a fever, 41 in the night air.

His joy in coming home was 42 with fear and worry.He knew he was sick and 43 .How could he 44 his family? Where would he find the 45 to do the heavy work all farmers have to do? Morning came.The train was slowing down as it came into the town of La Crosse where they would 46 the train.‘‘I’ll get home in time for 47 ,’’George thought.“She usually has dinner about one o’clock on Sundays,”and,he smiled.

George and the other two soldiers 48 off the train together.“Well boys,”George began, “here’s where we say good-bye.We’ve marched together for miles.Now, I suppose, we are49.”The three men now found it 50 to look at each other.

“We ought to go home with you,” one of the soldiers said to George. “You’ll never be able to 51 all those miles with that heavy pack.”

“I’m all right,”George said, 52 his army cap.“Every step takes me closerto home.”

They all shook hands.“Good—bye!”“Good luck!”“Same to you!”

George 53and walked away quickly.Soon he turnedagain, waving his cap.His two friends did the same.Then they marched away with their 54soldier’s step.George walked, thinking of his55 .He remembered the many days they had been together during the war.

36.A.Another B.The other C.Some D.Others

37.A.dangerous B.painful C.impossible D.sensitive

38.A.unnecessarily B.unreasonably C.unfairly D.unnaturally

39.A.chat B.escape C.sleep D.hide

40.A.when B.though C.until D.unless

41.A.cried B.whispered C.trembled D.fired

42.A.filled B.faced C.excited D.mixed

43.A.weak B.brave C. lonely D.1ucky

44.A.care for B.believe in C.depend on D.turn to

45.A.skill B.patience C.courage D.strength

46.A.get off B. get on C. get through D. get away

47.A. rest B. dinner C. breakfast D. drink