What he did was not c_______________ with what he said.

C
“The pen is more powerful than the sword.” There have been many writers who used their pens to fight things that were wrong. Mrs. Harriet Beecher Stowe was one of them.
She was born in the U.S.A. in 1811.One of her books not only made her famous but has been described as one that excited the world，and was helpful in causing a civil war and freeing the enslaved race. The civil war was the American Civil War of 1861，in which the Northern States fought the Southern States and finally won.
This book that shook the world was called "Uncle Tom's Cabin". Begun as a serial for the Washington anti-slavery weekly, the National Era, it focused public interest on the problem of slavery, and was deeply controversial(争议的). In writing the book, Stowe drew on her personal experience: she was familiar with slavery, the anti-slavery movement, and the underground railroad, because Kentucky, across the Ohio River from Cincinnati, Ohio, where Stowe had lived, was a slave state.
There was a time when every English-speaking man, woman, and child has read this novel that did so much to stop slavery. Not many people read it today, but it is still very interesting. The book has shown us how a warm-hearted writer can arouse（唤起）people's sympathies（同情）. The author herself had neither been to the Southern States nor been a slave. The Southern Americans were very angry at the book, which they said did not at all represent（描述）true state of affairs, but the Northern Americans were wildly excited over it, and were so inspired by it that they were ready to go to war to set the slaves free.
Following publication of the book, she became well- known, speaking against slavery both in America and Europe.
In 1862, when she visited President Lincoln, it was said that he greeted her as “the little lady who made this big war”: the war between the states.
49. Mrs. Harriet Beecher Stowe was________when her world famous book was published.
A. about sixty years old                                B. around fifty years old
C. in her forties                                                D. around twenty years old
50. What do we learn about Mrs. Harriet Beecher Stowe from the text?
A. she had been living in a state where slaves were kept.
B. she herself encouraged the Northern Americans to go to war to set the slaves free.
C. she was better at writing than at swinging a sword.
D. she had once been a slave.
51. Mrs. Harriet Beecher Stowe’s book caused the civil war because________.
A. she wrote so well that Americans loved her very much.
B. she disclosed the terrible wrongs that had been done to the slaves in the Southern States.
C. the Southern Americans hated the book, while the Northern Americans liked it.
D. the book had been read by many Americans.
52. What can we learn from the text?
A. it isn’t necessary to use weapons to fight things that were wrong.
B. A writer is more helpful in a war than a soldier.
C. We must understand the importance of literature and art.
D. No war can be won without such a book as Uncle Tom's Cabin

C  
Maybe ten-year-old Elizabeth put it best when she said to her father, “But, Dad ,you can’t be healthy if you’re dead.”
Dad, in a hurry to get home before dark so he could go for a run, had forgotten to wear his safety belt- a mistake 75% of the US population make every day. The big question is why.     
There have been many myths about safety belts ever since their first appearance in cars some forty years ago. The following are three of the most common.
Myth Number One: It’s best to be “thrown clear” of a serious accident.
Truth: Sorry ,but any accident serious enough to “throw you clear” is also going to be serious enough to give you a very bad landing. And chances are you’ll have traveled through a windshield(挡风玻璃)or door to do it. Studies show that chances of dying after a car accident are twenty five times greater in cases where people are “thrown clear”.  
Myth Number Two: Safety belts “trap” people in cars that are burning or sinking in water. Truth: Sorry again, but studies show that people knocked unconscious(昏迷)due to not  
wearing safety belts have a greater chance of dying in these accidents. People wearing safety belts are usually protected to the point of having a clear head to free themselves from such dangerous situations, not to be trapped in them.
Myth Number Three: Safety belts are not needed at speeds of less than 30 miles per hour  
(mph) .  
Truth: When two cars traveling at 30mph hit each other, an unbelted driver would meet the windshield with a force equal to driving headfirst into the ground from a height of 10 meters.
64. Why did Elizabeth say to her father, “But Dad, you can’t be healthy if you’re dead?”  
A. He was driving at great speed.
B. He was running across the street.  
C. He didn’t have his safety belt on .  
D. He didn’t take his medicine on time.
65. According to the text, to be “thrown clear” of a serious accident is very dangerous because you_____________  
A. may be knocked down by other cars
B. may get seriously hurt being thrown out of the car
C. may find it impossible to get away from the seat
D. may get caught in the car door
66. Some people prefer to drive without wearing a safety belt because they believe______.  
A. the belt prevents them from escaping in an accident
B. they will be unable to think clearly in an accident
C. they will be caught when help comes
D. cars catch fire easily
67. What is the advice given in the text?
A. Never drive faster than 30 miles an hour.  
B. Try your best to save yourself in a car accident.
C. Never forget to wear safety belt while driving.
D. Drive slowly while you’re not wearing a safety belt.

He was a hero that saved two children from the jaws of a cougar(美洲狮). Standing barely 1.7 meters, the 22-year-old with black-frame glasses might pass more for a Chinese Harry Potter. Yet Shen Huigang is now getting recognition for his bravery in fighting off a cougar on Vancouver Island, Canada, during a family outing. Shen, also known as Ian, was then an exchange student. With him was a friend, Myles Hagar, and Hagar’s two grandchildren. Silently and suddenly a cougar appeared out of nowhere. By the time they spotted the cat, it already had the head of 18-month-old Julien in its mouth.
“At first, my brain was nothing but blank,” Shen recalled. “But I believed I could get the child back.” He gestured as if he were ready for a fight, and tried to scare the beast off with his bag. Hearing the noise Shen made, the animal dropped the baby and Hagar rushed to grab his grandson. But the animal didn’t run, instead turned toward 3-year-old Iris standing beside Shen. “Had Ian not been there, shouting at the cougar, remaining calm and standing firm, it would certainly have attacked Iris.” Hagar recalled.
They chased the animal back into the woods. “We moved slowly to our vehicle as we waved our fists and bags, pretending to wrestle it,” Shen said. “The vehicle wasn’t far away but it felt like it took us a century to travel the short journey.” As Hagar drove for help, Shen held the heavily-bleeding boy in the passenger seat and calmly kept him awake by hugging and kissing him in case he would go into a coma(昏迷). The boy was flown to a hospital nearby. Doctors later said his little skull had been punctured(刺穿) through to his brain in two places. Luckily, Julien made a full recovery.
“Any hesitation, even a second delay, would have resulted in certain death for Julien, but Ian was there…” Hagar said. Following the incident, the story appeared on Canadian TV networks in every city, and in many small town newspapers---plus many US Internet news sites. The Royal Canadian Humane Association planned to give Shen a Canada Bravery Award, but it couldn’t reach him because he had returned to China.
【小题1】Why did the cougar drop the baby?

C

Any introduction to Peking Opera would not be complete without telling of Mei Lanfang. Traditionally only men performed in Peking Opera, including the female roles. And Mei Lanfang was the very best master of the miss. During his stage life, he combined the traditions of the past with his own creations, shaping a style of his own and giving birth to “The Mei Lanfang School”. He was also the first artist to introduce Peking Opera to an overseas audience, making it popular to the world. For half a century, Mei Lanfang was a household name in China.

Mei Lanfang began his stage life at the age of 8. His teacher said he showed little hope because of his boring eyes. To improve this, he exercised them day after day. He would fly kites and look at them moving slowly in a blue sky. He also kept pigeons in order to look at them soaring higher and higher until they disappeared into the clouds. Thanks to his efforts, he managed to transform his dull eyes into a pair of bright and expressive eyes and win national fame before the age of 20.

In over 50 years on the stage, Mei Lanfang played no less than 100 different characters in the traditional Peking Opera performance. He completely changed both stage make-up and costumes, and enriched characters' gestures, expressions and poses. He also wrote many new plays, designing the dances himself. The many dances he created form part of the great legacy that he left to Peking Opera.

In 1930, Mei Lanfang started on a successful US tour. There his brilliant performances fascinated the audience, making them realize that Peking Opera was a theatrical form of great literary and artistic value.

44. Mei Lanfang was the first artist to introduce Peking Opera to ______.

A. China                B. Beijing                    C. the world                 D. schools

45. When did Mei Lanfang begin his stage life?

A. At the age of 8.   B. At the age of 20.      C. In 1930.                  D. In 1950.

46. What is the meaning of the underlined word “legacy” in paragraph 3?

A. Someone well known all over the world.

B. Someone considered to be an art treasure.

C. Something traditional combined with modern dances.

D. Something valuable passed down from generation to generation.

47. What is the main idea of the passage?

A. The history of Peking Opera.

B. Mei Lanfang’s early stage life.

C. The creations of Peking Opera by Mei Lanfang.

D. Mei Lanfang’s great contributions to Peking Opera.