摘要:C listen to sb do sth.变为被动语态时加不定式符号“to .

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As far back as 700 B. C, man has talked about children being cared for by wolves. Romulus and Remus, the legendary(传说的)twin founders of Rome, were said to have been cared for by wolves. It is believed that when a she-wolf loses her litter, she tries to get human child to take its place. This seemingly foolish and unreasonable idea did not become believable until the late nineteenth century when a French doctor actually found a ten-year-old boy having nothing on wandering in the woods. He didn’t walk upright, could not speak understandably, nor could he relate to people. He only growled(嗥叫)and stared at them. Finally the doctor won the boy’s confidence and began to work with him. After many long years of devoted and patient teaching, the doctor was able to get the boy to clothe and feed himself, recognize and say a number of words, as well as write letters and form words.

1.The French doctor found the boy ________.

  A. wandering in the woods    B at his doorstep

  C. growling at him        D. speaking understandably

2.In this passage, the word “litter” in line 3 most nearly means ________.

A.garbage

B.master

C.hair

D.baby animals

3.The doctor was able to work with the boy because ________.

A.the boy had never lost his mind

B.the boy trusted him

C.the boy liked to dress up

D.the boy worked very hard

4.Which of the following statements is not true?

A.She-Wolves have been said to replace human children for their lost litter.

B.Examples of wolves caring for human children can be found only in the nineteenth century.

C.The French doctor succeeded in training the boy to enjoy the human life somewhat.

D.The young boy never was able to speak perfectly.

5.In this passage, the word “relate to” most nearly means ________.

A.tell

B.understand

C.listen to

D.write to

 

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To be a good teacher, you need some of the gifts of a good actor; you must be able to hold the attention and interest of your students, you must be ? 36 ?—speaking, with a good, strong,? 37 ? voice which is fully under your control; and you must be able to ? 38 ? what you are teaching, in order to make its meaning clear.

? 39 ? a good teacher, and you will see that he does not sit still before his class; he ? 40 ? the whole time he is teaching; he walks about, using his ? 41 ?,hands and fingers to help him in his explanations, and his face to express his ? 42 ?.Listen to him, and you will ? 43 ? the loudness, the quality and the musical note of his voice always ? 44 ? according to what he is talking about. The fact that a good teacher has some of the gifts of a good actor doesn't ? 45  that he will indeed be able to act well on the stage, for there are very important ? 46 ? between the teacher's work and the actor's. The ? 47 ? has to speak words which he has learnt by heart; he has to repeat exactly the ? 48 ? words each time he plays a certain part, even his movements and the ways in which he uses his voice are usually ? 49 ? beforehand. What he has to do is to make all these carefully learnt words and actions seem ? 50 ? on the stage.?

A good teacher ? 51 ? in quite a different way. His students take an active part in his ? 52 ?:they ask and answer questions, they obey orders, and if they don't ? 53 ? something, they will say no. The teacher therefore has to suit his act to the needs of his students, which is in his class. He cannot learn his part by heart, but must ? 54 ? it as he goes along.

I have known many teachers who were fine ? 55 ? in class but unable to take part in a stage play because their brains wouldn't keep discipline: they could not keep strictly to what another had written.

36. A. clear    B. slow C. small D. low ?

37. A. frightening B. fearing C. exciting D. pleasing ?

38. A. act out B. talk C. say D. repeat ?

39. A. Listen B. Look C. Watch D. Learn ?

40. A. stands B. sits C. lies D. talks ?

41  A. tongue B. words C. legs D. arms?

42. A. attention B. thanks C. feelings D. sentences ?

43. A. hear B. see C. think D. guess ?

44. A. making B. changing C. expressing D. giving ?

45. A. tell B. express C. show D. mean ?

46. A. things B. differences C. points D. jobs

47. A. actor B. teacher C. boy D. student ?

48. A. different B. same C. above D. following ?

49. A. read B. known C. fixed D. written ?

50. A. natural B. bad C. false D. clear ?

51. A. is B. works C. has D. teaches ?

52. A. group B. party C. class D. play ?

53. A. give B. place C. obey D. hear ?

54. A. invent B. discover C. teach D. continue ?

55. A. learners B. watchers C. actors D. listeners

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To be a good teacher, you need some of the gifts of a good actor; you must be able to hold the attention and interest of your students, you must be ? 36 ?—speaking, with a good, strong,? 37 ? voice which is fully under your control; and you must be able to ? 38 ? what you are teaching, in order to make its meaning clear.

? 39 ? a good teacher, and you will see that he does not sit still before his class; he ? 40 ? the whole time he is teaching; he walks about, using his ? 41 ?,hands and fingers to help him in his explanations, and his face to express his ? 42 ?.Listen to him, and you will ? 43 ? the loudness, the quality and the musical note of his voice always ? 44 ? according to what he is talking about. The fact that a good teacher has some of the gifts of a good actor doesn't ? 45  that he will indeed be able to act well on the stage, for there are very important ? 46 ? between the teacher's work and the actor's. The ? 47 ? has to speak words which he has learnt by heart; he has to repeat exactly the ? 48 ? words each time he plays a certain part, even his movements and the ways in which he uses his voice are usually ? 49 ? beforehand. What he has to do is to make all these carefully learnt words and actions seem ? 50 ? on the stage.?

A good teacher ? 51 ? in quite a different way. His students take an active part in his ? 52 ?:they ask and answer questions, they obey orders, and if they don't ? 53 ? something, they will say no. The teacher therefore has to suit his act to the needs of his students, which is in his class. He cannot learn his part by heart, but must ? 54 ? it as he goes along.

I have known many teachers who were fine ? 55 ? in class but unable to take part in a stage play because their brains wouldn't keep discipline: they could not keep strictly to what another had written.

36. A. clear    B. slow C. small D. low ?

37. A. frightening B. fearing C. exciting D. pleasing ?

38. A. act out B. talk C. say D. repeat ?

39. A. Listen B. Look C. Watch D. Learn ?

40. A. stands B. sits C. lies D. talks ?

41  A. tongue B. words C. legs D. arms?

42. A. attention B. thanks C. feelings D. sentences ?

43. A. hear B. see C. think D. guess ?

44. A. making B. changing C. expressing D. giving ?

45. A. tell B. express C. show D. mean ?

46. A. things B. differences C. points D. jobs

47. A. actor B. teacher C. boy D. student ?

48. A. different B. same C. above D. following ?

49. A. read B. known C. fixed D. written ?

50. A. natural B. bad C. false D. clear ?

51. A. is B. works C. has D. teaches ?

52. A. group B. party C. class D. play ?

53. A. give B. place C. obey D. hear ?

54. A. invent B. discover C. teach D. continue ?

55. A. learners B. watchers C. actors D. listeners

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Reading Comprehension

  ?Health, Wellness and the Politics of Food

  9∶00-9∶45 a. m.Blue Tent

  Panelists(成员):Jami Bernard, David Kamp, Marion Nestle and Peter Singer.

  Hosted by Denise Grady, science writer for The New York Times

  How does what we eat not only affect our bodies, but also the world?The food and nutrition experts debate the role that the diet plays in both personal and global health, and present a look at food politics.

  ? Sports Writing:For the Love of the Game

  9∶50-10∶35 a. m. Blue Tent

  Panelists:Christine Brennan, Ira Rosen, Joe Wallace and Joe Drape.

  Hosted by William C.Rhoden, sports writer for The New York Times

  Whether catching that key moment of victory or defeat, or covering breaking news, sports writers are anything but audience.Listen as some professionals discuss the special experience in reporting of sports news.

  ?The Art of the Review

  11∶15-12?00 a. m.Green Tent

  Panelists:John Freeman, Barry Gewen, David Orr, Celia McGee and Jennifer Schuessler.

  Hosted by Sam Tanenhaus, editor for The New York Times Book Review

  How much of an effect does the book review have on book sales?Join this group of critics(评论家)as they discuss the reality of book review and bestseller lists, and how they choose books for review.

  ?New York Writers, New York Stories

  3∶00-3∶45 p. m.Green Tent

  Panelists:Cindy Adams, Richard Cohen, Ric Klass and Lauren Redniss.

  Hosted by Clyde Haberman, columnist(专栏作家)for the City Section of The New York Times

  Join this inspiring group of New York-centric writers as they talk about why New York is a gold mine of ideas for their work.

(1)

If you are free in the afternoon, you can attend _________.

[  ]

A.

The Art of the Review

B.

New York Writers, New York Stories

C.

Health, Wellness and the Politics of Food

D.

Sports Writing:For the Love of the Game

(2)

If you like sports writing, you will most probably _________.

[  ]

A.

go to Blue Tent at 11∶15 a. m

B.

enjoy Jami Bernard’s talk

C.

listen to Christine Brennan

D.

attend the Art of the Review

(3)

Sam Tanenhaus is in charge of _________.

[  ]

A.

The Art of the Review

B.

Health, Wellness and the Politics of Food

C.

New York Writers, New York Stories

D.

Sports Writing:For the Love of the Game

(4)

All the four activities above _________.

[  ]

A.

are about writing

B.

will last 45 minutes each

C.

can be attended freely

D.

will attract many readers

(5)

We can learn from the text that _________.

[  ]

A.

sports writers are a type of audience

B.

the New York Times is popular

C.

Denise Grady will discuss politics

D.

book reviews may affect book sales

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完形填空

  If you find out that your best friend is developing felling for you and the felling are in no way mutual, the sooner you communicate this the better.

  Sometimes having to be the person who does the rejecting is   1   than being rejected,   2   the person you have to hurt is your dearest friend.the key is to be gentle, but not so gentle that he or she doesn’t get it.if you   3   it before he says anything, it is possible you can   4   him some of the humiliation.you can just happen to mention that you are so happy that you don’t have to   5   the ups and downs of romance with him.“Aren’t we lucky to have such a close friendship without having to worry about?” if he brings it up to you, just remember   6   kind to his heart.so many things you could say have become a cliche(老生常谈),such as “ I don’t want to risk losing what we have now.” of course, if that is how you fell then say it anyway.The most reassuring thing you can do for him is to   7   not to let his admission hurt the friendship.even though the first response will be to the “rejection “ later he or she will worry about the friendship   8  .if you want to show the ultimate respect, keep it   9   the two of you.resist the temptation to tell others.this will only hurt your friend   10  

    11  , if the felling between the two of you are   12  , then this can be a very happy moment.don’t let your fears ruin it.yes, it is   13   to venture into new territory with someone you have been close with as a friend.but the good news is you already know each other well and you like each other.there is always a risk of losing the friendship when and if you   14  , but if you both agree you aren’t going to let that happen, the risk factor   15  

(1)

[  ]

A.

better

B.

worse

C.

wiser

D.

nicer

(2)

[  ]

A.

even if

B.

especially if

C.

especially

D.

if

(3)

[  ]

A.

hear about

B.

heard

C.

listen to

D.

hear from

(4)

[  ]

A.

harmed

B.

share

C.

spare

D.

reduced

(5)

[  ]

A.

go away with

B.

go through

C.

go by

D.

go over

(6)

[  ]

A.

being

B.

to be

C.

be

D.

to have been

(7)

[  ]

A.

keep

B.

promise

C.

avoid

D.

permit

(8)

[  ]

A.

as well

B.

either

C.

finally

D.

ultimately

(9)

[  ]

A.

in

B.

among

C.

between

D.

away from

(10)

[  ]

A.

a little

B.

even better

C.

much less

D.

even more

(11)

[  ]

A.

whatever

B.

whenever

C.

at the same time

D.

However

(12)

[  ]

A.

active

B.

mutual

C.

affected

D.

sensible

(13)

[  ]

A.

scary

B.

enjoyable

C.

funny

D.

lucky

(14)

[  ]

A.

break down

B.

break up

C.

break out

D.

break off

(15)

[  ]

A.

increases

B.

decreases

C.

remains

D.

exists

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