题目内容

Using a Mobile Phone to Improve Mother and Child Health

People around the world are working to expand the uses for mobile technology in health care.

In the world, there are six billion mobile phone users in a population of seven billion people.

   1.     Africa has widespread adoption. Three or four years ago the penetration rates were 20 percent or 30 percent, and now they’re getting upwards of 60 percent in some countries.

    2.     Earlier research has been to look at mobile technologies and HIV and AIDS. And so we have some great evidence on the effectiveness of mobiles.

During the first week of December, 2012, more than 4,000 people from 50 countries met for the fourth annual mHealth Summit. It brought together experts from what the organizers call the mHealth ecosystem.

In 2011 Secretary of State Hillary Clinton started a public/private partnership called the Mobile Alliance for Maternal Action, or MAMA. There are about 800 women a day and about three million babies a year die from pregnancy and childbirth-related causes.      3.     The messages cover pregnancy and the first year of a baby’s life. These health messages may also be sent to a pregnant woman’s husband and mother-in-law.    4.    

Messages can be text or voicemail. You can have a pregnant woman in Bangladesh registered into a system that provides messages that help her know what to do and when to do certain things.

Simple text messages can be important sources of information to people without Internet

access.      5.     They have to be able to read through thousands of entries that come back to them on Google, for example, and then figure out what that information means to them. And that’s not something that someone in a poor and uneducated kind of situation can do.  

A.They have no access to the relevant information.

B.That way they too can understand what needs to be done.

C.Millions of messages about baby care are received every day.

D.A lot of work has been done to use mobile technology for health.

E. And the most rapidly growing markets are those in developing countries.

F. The program sends messages to women to educate them about their health.

G. Besides, online users may sometimes not understand all the information available.

 

【答案】

1.E

2.D

3.F

4.B

5.G 

【解析】

试题分析:

1.从后面的句子:Africa has widespread adoption. 可知发展中国家是快速增长的市场。选E

2.从后面的句子:Earlier research has been to look at mobile technologies and HIV and AIDS.可知关于移动科技和健康的问题已经做了很多工作,选D

3.从后面的句子:The messages cover pregnancy and the first year of a baby’s life.可知这个程序发送信息给女性教育她们关于健康的问题。选F

4.从前面的句子:These health messages may also be sent to a pregnant woman’s husband and mother-in-law.可知这样他们也知道怎么做了。选B

5.从后面的句子:They have to be able to read through thousands of entries that come back to them on Google, for example, and then figure out what that information means to them. 可知人们不一定理解网上的信息。选G 

考点:考查信息匹配

点评:文章层次结构清晰,上下文联系紧密,做题时,先通读全文,熟悉各选项,填句子的时候注意密切联系上下文,认真体会上下文之间的联系,填好之后可以代入检查核对。

 

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认真阅读下列短文,根据所读内容在文章后表格中填入恰当的单词。注意:表格中每个空格只填1个词。
     The history of Chinese calligraphy is probably as long as that of China itself.Calligraphy is a special
category in China’s world of fine arts.Through the centuries Chinese characters have changed constantly
and are mainly divided  into five categories today:the seal script(zhuan shu),official script(li shu),regular
script(kai shu),running script(xing shu)and cursive script(cao shu). 
     Calligraphy involves a great deal of theory and requires many skills.Among the most outstanding
calligraphers in ancient China were Wang Xizhi,Ouyang Xun,Yan Zhenqing,and Liu Gongquan,who are
known for pioneering their own styles.
     In writing calligraphy,one will need a brush,paper,an ink stick and an ink stone,commonly referred to
as the “Four Treasures of the Study”.There are different types of brushes.White goat hair,black rabbit hair and yellow weasel hair brushes are the main ones.According to their function,brushes are classified into
three groups:hard,soft and medium.Brush sticks are usually made of bamboo,wood,or porcelain;ivory or
jade sticks are rare and precious.
     The ink stick is a unique pigment used for Chinese traditional painting and calligraphy.The most famous
ink stick is hui mo(Anhui ink stick),made from pines that grow on Huangshan Mountain in Anhui Province.Clean water is needed to grind the ink stick.Press the ink stick hard and rub it lightly,slowly and evenly
against the ink slab to make thick,liquid ink.
     While paper comes in many varieties,Xuan paper, produced  in Xuanzhou(today’s Anhui Province),is
considered the best for Chinese calligraphy.The paper is soft and fine textured,suitable for conveying the
artistic expression of both Chinese calligraphy and painting.With a good tensile strength and moth proof
quality,the paper can be preserved for a long time.
     Ink stones or ink slabs have been classified into three categories:Duan,She and Tao.Features common
to all three are hardness and fineness.Although the stone is hard and fine,it is not dry or slippery.Using a
hard and smooth stone,liquid ink can be produced easily by rubbing the ink stick against the stone.
     By handling the brush and ink skillfully and carefully,the artist can produce an infinite variety of
calligraphic styles and forms.

第三部分 任务型阅读(共两节,满分35分)

The history of Chinese calligraphy is probably as long as that of China itself. Calligraphy is a special category in China’s world of fine arts. Through the centuries Chinese characters have changed constantly and are mainly divided into five categories today: the seal script (zhuan shu), official script (li shu), regular script (kai shu), running script (xing shu) and cursive script (cao shu).

Calligraphy involves a great deal of theory and requires many skills. Among the most outstanding calligraphers in ancient China were Wang Xizhi, Ouyang Xun, Yan Zhengqing, and Liu Gongquan, who are known for pioneering their own styles.

In writhing calligraphy, one will need a brush, paper, an ink-stick and an ink-stone, commonly referred to as the “Four Treasures of the Study”. There are different types of brushes. White-goat-hair, black-rabbit-hair and yellow-weasel-hair brushes are the main ones. According to their function, brushes are classified into three groups: hard, soft and medium. Brush sticks are usually made of bamboo, wood, or porcelain; ivory or jade sticks are rare and precious.

The ink-stick is a unique pigment used for Chinese traditional painting and calligraphy. The most famous ink-stick is hui mo (Anhui ink stick), made from pines that grow on Huangshan Mountain in Anhui Province. Clean water is needed to grind the ink-stick. Press the ink-stick hard and rub it lightly, slowly and evenly against the ink slab to make thick, liquid-ink.

While paper comes in many varieties, Xuan paper, produced in Xuanzhou (today’s Anhui Province), is considered the best for Chinese calligraphy. The paper is soft and fine textured, suitable for conveying the artistic expression of both Chinese calligraphy and painting. With a good tensile strength and moth-proof quality, the paper can be preserved for a long time.

Ink-stones or ink-slabs have been classified into three categories: Duan, she and Tao. Features common to all three are hardness and fineness. Although the stone is hard and fine, it is not dry or slippery. Using a hard and smooth stone, liquid ink can be produced easily by rubbing the ink-stick against the stone.

By handling the brush and ink skillfully and carefully, the artist can produce an infinite variety of calligraphic styles and forms.

Title: Chinese Calligraphy

(76) __________ of Chinese characters

Seal scrip (zhuan shu)

Calligraphy involves both theory and many (78)__________, wang Xizhi, Ouyang Xun, Yan Zhengqing, and Liu Gongquan are well-known for creating their personal (79)__________

(77)__________ script (li shu)

Regular script (kai shu)

Running script (xing shu)

Cursive script (cao shu)

Four (80)__________ of the Study

Brush

(81)__________ for the brush

White-goat-hair, black-rabbit-hair,or yellow-weasel-hair

Function

Hard, (82)__________ and medium

Stick

Bamboo, wood, porcelain, ivory or jade

Ink-stick

hui mo

(Anhui ink)

Made from (83)__________ that grow on Huangshan Mountain

Paper

Xuan paper

Soft and fine textured;

Can be kept for a (84)__________ time

Ink-stone

Duan

Common (85)__________: hard and fine, but not dry or slippery

She

Tao

第三部分 任务型阅读(共两节,满分35分)

The history of Chinese calligraphy is probably as long as that of China itself. Calligraphy is a special category in China’s world of fine arts. Through the centuries Chinese characters have changed constantly and are mainly divided into five categories today: the seal script (zhuan shu), official script (li shu), regular script (kai shu), running script (xing shu) and cursive script (cao shu).

Calligraphy involves a great deal of theory and requires many skills. Among the most outstanding calligraphers in ancient China were Wang Xizhi, Ouyang Xun, Yan Zhengqing, and Liu Gongquan, who are known for pioneering their own styles.

In writhing calligraphy, one will need a brush, paper, an ink-stick and an ink-stone, commonly referred to as the “Four Treasures of the Study”. There are different types of brushes. White-goat-hair, black-rabbit-hair and yellow-weasel-hair brushes are the main ones. According to their function, brushes are classified into three groups: hard, soft and medium. Brush sticks are usually made of bamboo, wood, or porcelain; ivory or jade sticks are rare and precious.

The ink-stick is a unique pigment used for Chinese traditional painting and calligraphy. The most famous ink-stick is hui mo (Anhui ink stick), made from pines that grow on Huangshan Mountain in Anhui Province. Clean water is needed to grind the ink-stick. Press the ink-stick hard and rub it lightly, slowly and evenly against the ink slab to make thick, liquid-ink.

While paper comes in many varieties, Xuan paper, produced in Xuanzhou (today’s Anhui Province), is considered the best for Chinese calligraphy. The paper is soft and fine textured, suitable for conveying the artistic expression of both Chinese calligraphy and painting. With a good tensile strength and moth-proof quality, the paper can be preserved for a long time.

Ink-stones or ink-slabs have been classified into three categories: Duan, she and Tao. Features common to all three are hardness and fineness. Although the stone is hard and fine, it is not dry or slippery. Using a hard and smooth stone, liquid ink can be produced easily by rubbing the ink-stick against the stone.

By handling the brush and ink skillfully and carefully, the artist can produce an infinite variety of calligraphic styles and forms.

Title: Chinese Calligraphy

(76) __________ of Chinese characters

Seal scrip (zhuan shu)

Calligraphy involves both theory and many (78)__________, wang Xizhi, Ouyang Xun, Yan Zhengqing, and Liu Gongquan are well-known for creating their personal (79)__________

(77)__________ script (li shu)

Regular script (kai shu)

Running script (xing shu)

Cursive script (cao shu)

Four (80)__________ of the Study

Brush

(81)__________ for the brush

White-goat-hair, black-rabbit-hair,or yellow-weasel-hair

Function

Hard, (82)__________ and medium

Stick

Bamboo, wood, porcelain, ivory or jade

Ink-stick

hui mo

(Anhui ink)

Made from (83)__________ that grow on Huangshan Mountain

Paper

Xuan paper

Soft and fine textured;

Can be kept for a (84)__________ time

Ink-stone

Duan

Common (85)__________: hard and fine, but not dry or slippery

She

Tao

第三部分 任务型阅读(共两节,满分35分)

The history of Chinese calligraphy is probably as long as that of China itself. Calligraphy is a special category in China’s world of fine arts. Through the centuries Chinese characters have changed constantly and are mainly divided into five categories today: the seal script (zhuan shu), official script (li shu), regular script (kai shu), running script (xing shu) and cursive script (cao shu).

Calligraphy involves a great deal of theory and requires many skills. Among the most outstanding calligraphers in ancient China were Wang Xizhi, Ouyang Xun, Yan Zhengqing, and Liu Gongquan, who are known for pioneering their own styles.

In writhing calligraphy, one will need a brush, paper, an ink-stick and an ink-stone, commonly referred to as the “Four Treasures of the Study”. There are different types of brushes. White-goat-hair, black-rabbit-hair and yellow-weasel-hair brushes are the main ones. According to their function, brushes are classified into three groups: hard, soft and medium. Brush sticks are usually made of bamboo, wood, or porcelain; ivory or jade sticks are rare and precious.

The ink-stick is a unique pigment used for Chinese traditional painting and calligraphy. The most famous ink-stick is hui mo (Anhui ink stick), made from pines that grow on Huangshan Mountain in Anhui Province. Clean water is needed to grind the ink-stick. Press the ink-stick hard and rub it lightly, slowly and evenly against the ink slab to make thick, liquid-ink.

While paper comes in many varieties, Xuan paper, produced in Xuanzhou (today’s Anhui Province), is considered the best for Chinese calligraphy. The paper is soft and fine textured, suitable for conveying the artistic expression of both Chinese calligraphy and painting. With a good tensile strength and moth-proof quality, the paper can be preserved for a long time.

Ink-stones or ink-slabs have been classified into three categories: Duan, she and Tao. Features common to all three are hardness and fineness. Although the stone is hard and fine, it is not dry or slippery. Using a hard and smooth stone, liquid ink can be produced easily by rubbing the ink-stick against the stone.

By handling the brush and ink skillfully and carefully, the artist can produce an infinite variety of calligraphic styles and forms.

Title: Chinese Calligraphy

(76) __________ of Chinese characters

Seal scrip (zhuan shu)

Calligraphy involves both theory and many (78)__________, wang Xizhi, Ouyang Xun, Yan Zhengqing, and Liu Gongquan are well-known for creating their personal (79)__________

(77)__________ script (li shu)

Regular script (kai shu)

Running script (xing shu)

Cursive script (cao shu)

Four (80)__________ of the Study

Brush

(81)__________ for the brush

White-goat-hair, black-rabbit-hair,or yellow-weasel-hair

Function

Hard, (82)__________ and medium

Stick

Bamboo, wood, porcelain, ivory or jade

Ink-stick

hui mo

(Anhui ink)

Made from (83)__________ that grow on Huangshan Mountain

Paper

Xuan paper

Soft and fine textured;

Can be kept for a (84)__________ time

Ink-stone

Duan

Common (85)__________: hard and fine, but not dry or slippery

She

Tao

The history of Chinese calligraphy is probably as long as that of China itself. Calligraphy is a special category in China’s world of fine arts. Through the centuries Chinese characters have changed constantly and are mainly divided into five categories today: the seal script (zhuan shu), official script (li shu), regular script (kai shu), running script (xing shu) and cursive script (cao shu).

Calligraphy involves a great deal of theory and requires many skills. Among the most outstanding calligraphers in ancient China were Wang Xizhi, Ouyang Xun, Yan Zhengqing, and Liu Gongquan, who are known for pioneering their own styles.

In writhing calligraphy, one will need a brush, paper, an ink-stick and an ink-stone, commonly referred to as the “Four Treasures of the Study”. There are different types of brushes. White-goat-hair, black-rabbit-hair and yellow-weasel-hair brushes are the main ones. According to their function, brushes are classified into three groups: hard, soft and medium. Brush sticks are usually made of bamboo, wood, or porcelain; ivory or jade sticks are rare and precious.

The ink-stick is a unique pigment used for Chinese traditional painting and calligraphy. The most famous ink-stick is hui mo (Anhui ink stick), made from pines that grow on Huangshan Mountain in Anhui Province. Clean water is needed to grind the ink-stick. Press the ink-stick hard and rub it lightly, slowly and evenly against the ink slab to make thick, liquid-ink.

While paper comes in many varieties, Xuan paper, produced in Xuanzhou (today’s Anhui Province), is considered the best for Chinese calligraphy. The paper is soft and fine textured, suitable for conveying the artistic expression of both Chinese calligraphy and painting. With a good tensile strength and moth-proof quality, the paper can be preserved for a long time.

Ink-stones or ink-slabs have been classified into three categories: Duan, she and Tao. Features common to all three are hardness and fineness. Although the stone is hard and fine, it is not dry or slippery. Using a hard and smooth stone, liquid ink can be produced easily by rubbing the ink-stick against the stone.

By handling the brush and ink skillfully and carefully, the artist can produce an infinite variety of calligraphic styles and forms.

Title: Chinese Calligraphy

(76) __________ of Chinese characters

Seal scrip (zhuan shu)

Calligraphy involves both theory and many (78)__________, wang Xizhi, Ouyang Xun, Yan Zhengqing, and Liu Gongquan are well-known for creating their personal (79)__________

(77)__________ script (li shu)

Regular script (kai shu)

Running script (xing shu)

Cursive script (cao shu)

Four (80)__________ of the Study

Brush

(81)__________ for the brush

White-goat-hair, black-rabbit-hair,or yellow-weasel-hair

Function

Hard, (82)__________ and medium

Stick

Bamboo, wood, porcelain, ivory or jade

Ink-stick

hui mo

(Anhui ink)

Made from (83)__________ that grow on Huangshan Mountain

Paper

Xuan paper

Soft and fine textured;

Can be kept for a (84)__________ time

Ink-stone

Duan

Common (85)__________: hard and fine, but not dry or slippery

She

Tao

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