题目内容

【题目】假定英语课上老师要求同桌之间交换修改作文,请你修改你同桌写的以下作文。文中共有10处语言错误。每句中最多有两处。每处错误仅涉及一个单词的增加、删除或修改。

增加:在缺词处加一个漏字符号(∧),并在其下面写出该加的词。

删除:把多余的词用斜线(\)划掉。

修改:在错的词下划一横线,并在该词下面写出修改后的词。

注意:1.每处错误及其修改均仅限一词。

2.只允许修改10处,多者(从第11处起)不计分。

Today I met my first friend, Gonzalo. He had already been here for a few days but offered me some help. I don’t think I would managed everything so quickly without him. He showed me where to eat delicious and cheap meals and helped us with my search for my missed bike. We also explored the campus. It takes us 10 minutes to cross it on bike. The buildings and sports facilities were amazed us. Many teenager were having sports. We happily joined them to play. I was so tired when I fell into sleep direct I went to bed.

【答案】

【解析】本文介绍了作者和作者的第一个朋友Gonzalo一起度过的美好日子。

考查连词。had already been here for a few days offered me some help之间是并列关系,所以but改成and

考查固定用法。would have done是一个固定用法,表示对过去事情的假设,是“本来会做什么”的意思,但是实际上没有做成,所以would后加have。

考查代词他告诉我哪里可以吃到美味和便宜的饭并且帮助我寻找我丢失的自行车。所以us改成me。

考查v+ing结构。v+ing修饰物,而v+ed修饰人,这里修饰bike,所以missed改成missing。

考查时态。表示发生在过去的事情,用一般过去时所以takes改成took。

考查固定用法。骑自行车穿过校园,花费了我们十分钟的时间。by bike骑自行车,是固定用法,所以on改成by。

考查语态。The buildings and sports facilities amaze之间是主动关系,用主动语态,所以去掉were。

考查名词单复数。many修饰可数名词复数,所以teenager改成teenagers

考查固定用法。我太累了,以至于直接躺在床上就睡着了。So…that……以至于,是固定用法,所以when改成that。

考查副词。修饰动词短语fall into sleep,用副词,所以direct改成 directly

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【题目】Directions: Fill in each blank with a proper word chosen from the box. Each word can be used only once. Note that there is one word more than you need.

A Peking Opera Legend That Redefined Female Roles

When it comes to Peking Opera, a few key things come to mind for most Chinese: its quintessential connection to the history and traditions of China; the richness of its dazzling costumes with their 1 colors and patterns; and the bold work of its facial make-up. Some may even be able to hum a few lines or talk about their favorite artists, but for the vast majority of people, traditional Chinese opera remains a classic art form that is far 2 from everyday life.

However, only a century ago, Peking Opera was no less 3 to the regular populace than is today’s pop music. The performers were admired by a large number of fans who were willing to spend a fortune on a ticket to their performances. Throughout the history of Peking Opera, there have 4 many renowned masters of the form. But MeiLanfang (1894 - 1961) was arguable the most outstanding figure of this craft, who was famous for his portrayal of the female lead roles (dan)

5 as one of the “four famed dan,” Mei was so much more than even this. He brought forth a number of new ideas to several aspects of Peking Opera: make-up (he was the first to war lipstick), music (his productions first 6 the erhu in shows), choreography(编舞艺术)(his iconic sword dance in Farewell My Concubine《霸王别姬》) and, most importantly characterization.

At a time when actual women were banned from performing, Mei 7 the dan to starring roles. He combined elements of the qingyi (elegant lady), huadan (young woman) and daomadan (female warrior) into a new huashan character that excelled in singing, dancing and martial arts. The techniques he introduced led to the development of the “Mei School”, which was considered one of the three major dramatic performing art systems in the world at the time.

“My father broke the 8 between almost all the different types of female role,” Mei Baojiu, the youngest child of Mei Lanfang who followed his father into dan acting, was quoted as saying.

Thanks to Mei’s 9 innovations, even those who know little about traditional Chinese opera can easily see the beauty of the art form the moment performers take the stage. “His make-up, the overlay of carmines(胭脂红) and darker tones, is the most beautiful I have ever seen in a theater,” wrote U.S. playwright Stark Young after watching Mei Lanfang’s performance in New York in 1930.

But the true beauty of Peking Opera is not solely about visual aesthetics. “For veteran artists, even their performances without make-up can be just as 10 as full-on stage performances,” Mei wrote in his 1958 memoir, Forty Years of Life on the stage. Just as Peking Opera has become an icon of Chinese culture, Mei has come to be acknowledge on the grand stage of the world as its quintessential performer.

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