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3£®An idea came to me£¬and I turned off the lights in the studio£®In the darkness£¬I took off my shirt and took up the cello £¨´óÌáÇÙ£©£» it was the first time in my life I'd fel the instrument against my bare chest£®I'd never thought about that£» music scholars always talk about the resonating properties £¨¹²Õñ£© of various instruments£¬but surely the performer's own body must have some effect on the sound£®As I dug into the notes I imagined that my own chest and lungs were extensions of the sound box£» I seemed to be able to change the sound by the way I sat£¬and by varying the muscular tightness in my upper body£®After improvising for a while£¬I started playing£¬still in the darkness£®I heard the music through my skin£®For the first time I didn't think about how it would sound to anyone else£¬and slowly£¬joyfully£¬gratefully£¬I started to hear again£®The notes sang out£¬first like a trickle£º£¬then like a fountain of cool water bubbling up from a hole in the middle of a desert£®After an hour or soI looked up£¬and in the darkness saw the outline of the cat sitting on the floor in front of me£¬cleaning her paws and purring loudly£¬I had an audience again£¬humble as it was£®
So that's what I do now with my cello£®At least once a clay I find time to tune it£¬close my eyes and listen£®It's probably not going to lead to the kind of comeback I'd be thirsty for-years of playing badly have left scars on my technique-but I might eventually try giving a concert if I feel up to it£®
Occasionally I feel a stab of longing£¬and I wish I could give just one more concert on a great stage before m lights blink off£¬but that longing passes more quickly now£®I take comfort in the fact that£¬unlike the way I felt before£¬I can enjoy playing for myself now£®I feel relaxed and expansive when I play£¬as if I could stretch out my arms and reach from one end of the apartment to the other£®A feeling of completeness and dignity surrounds me and lifts me up£®
60£®The writer put the cello against his bare chest toB£®
A£®test music scholars'ideas about the resonating properties
B£®experience the effect of his body on the musical sound
C£®reduce his muscular tightness in his upper body
D£®check the function of the sound box
61£®In Paragraph 2£¬the writer intends toC£®
A£®explain his feelings of playing before a cat
B£®identify specific pieces of music he layed
C£®express his feelings of playing against his body
D£®describe the sound when he played against his body
62£®From the last paragraph we can infer that the writer wasA£®
A£®optimistic B£®discouraged C£®nervous D£®enthusiastic
63£®The passage is mainly aboutC
A£®a musician playing he cello for an audience
B£®a musician's feelings when playing the cello
C£®a musician finding joy in playing music in a new way
D£®a musician's desire to return to his former profession£®
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61£®C ·ÖÎöÅжÏÌâ ·ÖÎöµÚ¶þ×ÔÈ»¶ÎµÄÓï¾³¿ÉÖª¶¼Êǽ²Êö×÷Õßµ¯ÇÙʱµÄ¸ÐÊÜ"slowly£¬joyfully£¬gratefully£¬I started to hear again£®The notes sang out£¬first like a trickle£º£¬then like a fountain"´ÓÕâЩÐÎÈݴʺͱÈÓ÷ÖпÉÒÔÍƶϳöÕýÈ·´ð°¸£¬¹ÊÑ¡C£®
62£®A ·ÖÎöÅжÏÌ⣮±¾ÌâÍƶÏ×÷ÕßµÄÇé¸Ð£¬¸ù¾Ý×îºóÒ»×ÔÈ»¶ÎµÄÓï¾³£¬´ÓÕâЩÓôÊ"enjoy£¬relaxed£¬completeness and dignity"ÖпÉÒÔÅж¨×÷Õ߶ÔÒôÀÖÊǾßÓлý¼«ÐÄ̬µÄ£»ÓÖ´ÓÉÏÒ»×ÔÈ»¶ÎµÃÖª×÷ÕßÑݼ¼"playing badly have left scars on my technique"²»ÈçÒ⣬×ÛºÏÀ´¿´×÷ÕßÊdzÖÀÖ¹Û̬¶ÈµÄ£¬¹ÊÑ¡A£®
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A£® | when | B£® | which | C£® | that | D£® | where |
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A£® | Probably | B£® | Occasionally | C£® | Frequently | D£® | Actually |
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A£® | which I think is | B£® | which I think it is | ||
C£® | which I think it | D£® | I think which is |
A£® | readily | B£® | smoothly | C£® | unavoidably | D£® | deliberately |