题目内容
Around the World by Wheelchair
Rick Hansen was always an active kid and loved to fish. When returning in a truck one day from a fishing trip, he had an accident and suffered injuries to his spine (脊柱). This 15-year-old young man awoke to find that he had lost the use of his legs. However, he didn’t give up. Many months later he began to compete in wheelchair sports. At the age of 27, he decided to wheel around the world to raise awareness and money for spinal cord research. His tour took him through 34 countries around the world between 1985 and 1987. In this Man of Motion World Tour, he wheeled 24,901.55 miles, which is equal to the distance around the earth.
Bad weather and difficult, rocky roads often provided challenges for Rick, but he continued to push himself to complete the trip. He was determined to succeed. Even mountains did not stop Rick Hansen. He wheeled himself up the Rocky Mountains and several other major mountains in the world. He even wheeled himself along the Great Wall of China!
“Never Give Up On Your Dreams” was his motto and he hasn’t given up yet. He completed his world tour raising $24 million. He continues to work to increase knowledge of spinal cord injury. He is a true Canadian hero who shows what determination can achieve.
45. What happened to Rick after the accident?
A. He lost the ability of living. B. He had to spend his life in hospital.
C. He couldn’t walk any more. D. He couldn’t do sports any more.
46. When did Rick begin his tour around the world?
A. At the age of 15. B. Soon after the accident.
C. A year after the accident. D. At the age of 27.
47. Why did Rick take his tour around the world in his wheelchair?
A. To gather money for the spinal cord research.
B. To learn about the people of other countries.
C. To travel to different countries for fun. D. To take photos of beautiful mountains.
48. From the passage we can see Rick is a(n) ________ person.
A. unhappy B. determined C. careful D. quiet
CDAB
Directions: Read the following text and choose the most suitable heading from A-F for each paragraph. There is one extra heading which you do not need.
A.Do established musicians have a responsibility to guide and assist young up-and-coming musicians? B.Did anyone promote your musical education when you were growing up? C.What kind of “world music” do you enjoy? D.What’s your comment on pop music? E.Does the contemporary music press give jazz the coverage it deserves? F.What’s wrong with the music on the radio? |
An interview with Wynton Marsalis, a noted jazz musician
80. |
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There were the older jazz musicians who hung around our house when I was young. I saw how much they practiced, how serious they were about their art. I knew then I had to work just as hard if I wanted to succeed. Of course, my father inspired me a lot, and many teachers took the time to nurture my latent and the talents of other students in our school.
81. |
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Yes. We’ve done such a poor job with music education because, as a society, we haven’t maintained the kind of education that a true artist and musician needs. Young people haven’t been able to equate romance and talent with music. For instance, most of the people who make it in the music industry today have to look good. How they sound is secondary. Sarah Vaughan, Bessie Smith, Ella Fitzgerald ― those big, romantic queens of jazz music wouldn’t make it in today’s music industry, and that’s a shame. We need to teach young people about the alternatives.
82. |
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Around the would people make music that, if you listen carefully to it, sounds a little like the cadence of their language. I’d call it folk music. When I’m away from home, I make a point of listening to regional folk music, not what’s on the radio.
83. |
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The same music is on the radio all over the world, and the American sound is overwhelming. Even the pop music that’s produced and created in foreign countries has that American beat, that underscore of funk. As a musician, I’m not interested in hearing recycled versions of the same genre over and over. Any music that doesn’t have a development section just isn’t interesting to me.
84. |
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The music press has so much to introduce these days, and jazz is just a small fraction of it. Because some people are intimidated by jazz, they don’t cover it unless it’s a big name. New jazz musicians don’t get much of break. A lot of editors don’t say anything about jazz these days unless it’s Marsalis. That’s a shame. What VH1 is doing with their Save the Music campaign is phenomenal. They’re getting all these instruments out to needy kids. It’s the kind of thing all networks should be doing.