If it tomorrow, I’d go downtown with my brother. A. isn’t raining B. doesn’t rain C. weren’t raining D. has rained 题目和参考答案——青夏教育精英家教网—

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If it ____tomorrow, I’d go downtown with my brother.

A. isn’t raining B. doesn’t rain

C. weren’t raining D. has rained

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【2011·浙江宁波第二次模拟】

ROME: The legend of Leonardo da Vinci is covered in mystery: How did he dietl Are the remains buried in a French castle really those of the master? Was the “Mona Lisat’ a self-portrait in disguise（伪装）?

A group of ltalian scientists believe the key to solving those puzzles lies with the remains, and they say they are seeking permission to dig up the body to conduct carbon and DNA testing.

If the skullis undamaged, the scientists can go to the heart of a question that has fascinated scholars and the public for centuries: the identity of the “Mona Lisa.’ Recreating a virtual and then physical reconstruction of Leonardots face, they can compare it with the smiling face in the Painting.

“We don’t know what we’ll find if the tomb is opened. We could even just find grains and dust,ll says Giorgio Gruppioni, an anthropologist who is participating m the project. “But if the remains are well kept, they are a biological record of events in a persons life, and sometimes in their death.” Silvano Vinceti, the leader of the group, said that he plans to press his case with the French officials in charge of the said burial site at Amboise Castle early next week.

Leonardo moved to France at the invitation of King Francis I, who named him “first painter to the.king.” He spent the last three years of his life there, and died in 1519 at age 67. The artist’s original burial place, the palace church of Saint Florentine, was destroyed dirring’ the French Revo/ution and remains that are believed to be his were eventually reburied in the Saint-Hubert Chapel near the castle.

“The Amboise tomb is a symbolic tomb; it’s a big question mark,” said Alessandro Vezzosi, the director of a museum dedicated to Leonardo in his hometown of Vinci. Vezzosi said that investigating the tomb could help identify the artist’s bones with certainty and solve other questions, such as the cause of his death. He said he asked to open the tomb in 2004 to study the remains, but the Amboise Castle turned him down.

The group of 100 experts involved in the project, called the National Committee for Historical and Artistic Heritage, was created in 2003 with the aim of “solving the great mysteries of the past,” said Vinceti, who has written books on art and literature.

Arguably the world’s most famous painting, the “Mona Lisal’ hangs in the Louvre in Paris, where it drew some 8.5 million visitors last year, Mystery has surrounded the identity of the tricks and riddles might have led him to hide his own identity behind that puzzling smile; others have guessed that the pamting hid an androgynous lover.

If granted access to the grave site, the ltalian experts plan to use a tmy camera and radar to confirm the presence of bones. The scientists would then exhume(挖掘) the remains and attempt to date the bones with carbon testing.

At the heart of the proposed study is the effort to discover whether the remains are actually Leonardo’s, including with DNA testing.

Vezzosi questions the DNA comparison, saying he js unaware of any direct descendants（后代） of Leonardo or of tombs that could be attributed with certainty to the artist’s close relatives.

Gruppioni said that DNA from the bones could also eventually be compared to DNA found elsewhere. For example, Leonardo is thought to have rubbed colors on the canvas with his thumb, possibly using saliva (唾液), meaning DNA might be found on his paintings.

Even in the absence of DNA testing, other tests could provide useful information, including whether the bones belonged to a man or a WOCOLan, and whether the person died young or old.

Even within the committee, experts are divided over the identity of the “Mona Lisa．”

Vinceti believes that a tradition of considering the self-portrait to be not just a faithful imitation of one’s features but a representation of one’s spiritual identity may have resonated(共鸣)with Leonardo.

Vezzosi, the museum director, dismissed,as “baseless and senselessl’ the idea that the “Mona Lisa” could be a self-portrait of Leonardo. He said most researchers believe the woman may have been either a wife of the artist’s sponsor, the Florentine nobleman Giuliano de Medici, or Lisa Gherardini, the wife of a rich silk merchant, Francesco del Giocondo. The traditional view is that the name “Mona Lisa” comes from the silk merchant’s wife, as well as its Italian name: “La Gioconda.”

55. Where is this passage most probably taken from?

A. Amagazine. B. A newspaper. C. A textbook D. Aresearch report.

56. Why does the author ask a couple of questions in the begjnnjng?

A. To arouse the interest of readers. B. To puzzle Italian scientists.

C. To answer the questions himself. D. To make fun of French officials.

57.The best title of this story might be“ ”．

A. What Is the Purpose of an Investigation?

B. How Did Leonardo da Vinci Die in France?

C. Are the Remains Really Those of the Master?

D. Did Leonardo Paint Himself as ‘Mona Lisa’?

58.The sentence “he plans to press his case with the French officials” (underlined in Paragraph 4) suggests that Vinceti intends to .

A. press the French officials to participate in their project

B. urge the French officials to open the tomb early next week

C. persuade the French officials to allow opening the tomb

D. record events in a person’s life with the French officials

59. Which of the following statements is true according to the passage?

A. Scholars have the same opinion on DNA testing.

B. Scientists doubt if the remains are those of da Vinci.

C. The identity of “Mona Lisa” l” has already been proved.

D. Alessandro Vezzosi got permission to open the tomo.

60. We can infer from the last two paragraphs that ？

A.“Mona Lisa” is the name of the wife of a silk merchant

B. the“Mona Lisa” is a self-portrait of Leonardo daVinci

C. experts divided the committee into several groups

D. opinions differ of the identity of the “Mona Lisa”

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