The decision of the New York philharmonic to hire Alan Gilbert as its next music director has been the talk of the classical-music world ever since the sudden announcement of his appointment.For the most part, the response has been favorable, to say the least “Hooray! At last!” wrote Anthony Tommasini, a classical-music critic.
One of the reason why the appointment came as such a surprise, however, is that Gilbert is comparatively little known.Even Tommasini, who had advocated Gilbert's appointment in the Times, calls him “an musician with no air of the formidable(令人敬畏的)conductor about him.” As a description of the next music director of an orchestra that has so far been led by musicians like Gustav Mahler and Pierre Boulez, that seems likely to have struck at least some Times readers as faint praise.
For my part, I have no idea whether Gilbert is a great conductor or even a good one.To be sure, he performs an impressive variety of interesting compositions, but it is not necessary for me to visit Avery Fisher Hall, or anywhere else, to hear interesting orchestral music.All I have to do is to go to my CD shelf, or open my computer and download still more recorded music from iTunes.
Devoted concertgoers who reply that recording are no substitute for live performance are missing the point.For the time, attention, and money of the art-loving public, classical instrumentalists(演奏家) must compete not only with opera houses, dance groups , theater companies, and museums, but also with the recorded performances of the great classical musicians of the 20 th century.Their recordings are cheap, available everywhere, and very often much higher in artistic quality than today's choosing.The widespread availability of such recording has thus brought about a crisis in the institution of the traditional classical concert.
One possible response is for classical performers to program attractive new music that is not yet available on records.Gilbert's own interest in new music has been widely noted:Alex Ross , a classical-music critic, has described him as a man who is capable of turning the Philharmonic into “a markedly different, more energetic organization”.But what will be the nature of that difference? Merely, expanding the orchestra's repertoire(曲目)will not be enough.If Gilbert and the Philharmonic are to succeed, they must first change the relationship between America's oldest orchestra and the new audience it hopes to attract.
(1)
We learn from Para 1 that Gilbert's appointment has ________.
[ ]
A.
met with criticism
B.
received applause
C.
raised suspicion
D.
aroused curiosity
(2)
The author believes that the devoted concertgoers ________.
[ ]
A.
reject most kinds of recorded performance
B.
fail to recognize the variety of live performance
C.
overestimate(高估)the variety of live performance
D.
ignore the expense of live performance
(3)
According to the text, which of the following is true of recordings?
[ ]
A.
They are often inferior to live concerts in quality
B.
They are easily accessible to the general public
C.
They help improve the quality of music
D.
They have only covered masterpieces
(4)
Regarding Gilbert's role in revitalizing( 振兴) the Philharmonic, the author feels ________
[ ]
A.
enthusiastic
B.
confident
C.
puzzled
D.
doubtful
完形填空,请阅读下面短文,掌握其大意,然后从所给的四个选项中,选出最佳选项.
Attention to Details
It was three days before the opening of the Pirates(海盗)of the Caribbean ride at Disneyland.Walt Disney was touring the 1 and suddenly felt strangely 2 .In his heart he felt th at something was 3 , although he wasn't quite sure 4 it was.He 5 as many employees as h e could find-including the repairing workers and food service people-and 6 them through a kind of inspection(检查)trip.
“Does it look right?”he asked.Yes, the clothes and scenes were 7 ; the buildings had been copied from the New Orleans French Quarter in Caribbean.
“Does it sound right?” Disney 8 the latest sound equipment installed(安装)in order to exactly 9 the sounds of music, voices, boats and even animals that you'd 10 to the Caribbean.Yes, it sounded right.
“Does it feel right?”He had controlled the temperature to perfectly 11 that of a New Orleans night.Yes, it felt right.
12 , something was still missing.“What is it?” Disney asked.
Finally, one of the young men who had been sweeping the floors said, “ 13 , Mr, Disney, I 14 up in the South, and what 15 me is that on summer night like this, there 16 be lightning bugs(虫子).”Disney's face 17 up.That, of course, was 18 !The young man was given a generous prize, and Disney actually had live lightning bugs 19 in to make his ride more real 20 he could figure out a way to imitate(模仿)them mechanically.