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¡¡¡¡Louis ¡°Satchmo¡± Armstrong£¨1900 ¡« 1971£©, an African-American musician, is one of the most important figures in the history of jazz. In the 1920s, this trumpeter, singer and bandleader began exploring the boundaries £¨·Ö½ç£©of jazz technique and style. Masters of jazz today admit their debt to this pioneer.
¡¡¡¡Armstrong¡¯s gift was obvious from the start of his career. His earliest recordings¡ªfirst with a band led by his former teacher, Joe ¡°King¡± Oliver, and then with his own band-earned Armstrong international fame for technical originality £¨¶À´´ÐÔ£©. He freed his playing from the ordinary rhythms of early jazz by creating musical phrases that seemed to oppose the pulse of a song, only to combine them in the place later. His deep and rough voice became as special as his cornet£¨¶ÌºÅ£©playing, especially in his scat performances. Scat is a singing style in which meaningless syllables£¨Òô½Ú£©are repeated without preparation. Armstrong¡¯s scat was among the earliest ever recorded.
¡¡¡¡By 1930, Armstrong had turned to more commercial, less experimental jazz. Some musicians criticized£¨ÅúÆÀ£©him for this. But others insisted that the real power of Armstrong¡¯s art lay in its grace and sensitivity, fine qualities of the heart which remained in his music.
¡¡¡¡In the following years, Armstrong traveled around the world as the leading ¡°goodwill ambassador£¨´óʹ£©¡±of American jazz music. The gentleness and great attraction of ¡°Satchmo¡± filled his music and made him one of the world¡¯s most beloved performers for over forty years.
¡¡¡¡1£®Which of the following best tells what this passage is about?
¡¡¡¡A£®Armstrong¡¯s personal attraction.
¡¡¡¡B£®Armstrong¡¯s best work.
¡¡¡¡C£®A praise for Armstrong¡¯s contribution to jazz.
¡¡¡¡D£®A comparison of Armstrong¡¯s music with that of earlier musicians.
¡¡¡¡2£®Why was ¡°Satchmo¡± criticized by some of his workmates in the 1930s?
¡¡¡¡A£®For making fewer recordings.
¡¡¡¡B£®For losing interest in music.
¡¡¡¡C£®For giving up his scat performances.
¡¡¡¡D£®For turning his attention away from making changes
¡¡¡¡3£®Which of the following is not mentioned as one of the reasons for Armstrong¡¯s success?
¡¡¡¡A£®His technical originality.
¡¡¡¡B£®His personality.
¡¡¡¡C£®His early experiences in ¡°King¡± Oliver¡¯s band.
¡¡¡¡D£®His recordings were the first ever made.
¡¡¡¡4£®According to the author, what made Armstrong the ¡°goodwill ambassador¡± of American jazz music?
¡¡¡¡A£®His world travels.
¡¡¡¡B£®His attraction and sensitivity.
¡¡¡¡C£®His scat singing.
¡¡¡¡D£®His preference for commercial, less experimental jazz.
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