I’ve loved my mother’s desk since I was just tall enough to see above the top of it as mother sat doing letters. Standing by her chair, looking at the ink bottle, pens,   and white paper, I decided that the act of writing must be the more wonderful thing in the world.

Years later, during her final illness, mother kept different things for my sister  and brother. “But the desk,” she’d said again, “it’s for Elizabeth. ”

I never saw her angry, never saw her cry. I knew she loved me; she showed it in action. But as a young girl, I wanted heart-to-heart talks between mother and    daughter.

They never happened. And a gulf opened between us. I was “too emotional(易动感情的)”. But she lived “on the surface(表面)”.

As years passed I had my own family. I loved my mother and thanked her for our happy family. I wrote to her in careful words and asked her to let me know in any way she chose that she did forgive(原谅) me.

I posted the letter and waited for her answer. None came.

My hope turned to disappointment(失望), then little interest and, finally, peace— it seemed that nothing happened. I couldn’t be sure that the letter had even got to mother. I only knew that I had written it, and I could stop trying to make her into someone she was not.

Now the present of her desk told, as she’d never been able to, that she was    pleased that writing was my chosen work. I cleaned the desk carefully and found    some papers inside —a photo of my father and a one-page letter, folded(折叠) and refolded many times.

Give me an answer, my letter asks, in any way you choose. Mother, you always chose the act that speaks louder than words.

1.The writer began to love her mother’s desk ______.

2.The passage shows that ______.

3.The word “gulf” in the passage means ______.

4.What did mother do with her daughter’s letter asking forgiveness?

5.What’s the best title of the passage?

6.选A。由But she lived “on the surface ”. 和全文内容可知，作者的母亲表面上很冷漠，但心里充满了对作者的爱，正确

下列句子中没有语病语的一项是

A．从文化的角度看，翻译不仅仅是文化的转化，更是符号的转换；翻译既是信息的交流，也是不同文化的对话。

B．阅读古代抒情散文，要悉心体会，注意咀嚼其中不同的文体风格和语言韵味。

C．小说中的人物形象的塑造，主要是通过情节的展开来实现的。因此，分析情节，要关注情节发展是否为刻画人物性格提供了好的平台。

D．学习这类作品，我们不只是可以从中得到审美的乐趣，同时作者放开手脚自由自主的写法，还能帮助我们减轻写作时受拘束的心理和畏难情绪。

阅读下面短文，掌握其大意，然后从每题所给的四个选项（A、B、C、D）中，选出最佳选项，并在答题卡上将该项涂黑。

I returned to Abuja, the capital of Nigeria, after college graduation. I had been there before my mother became a minister.

Two weeks later, I told my mother I was bored. She said, “Here’re the car keys. Go and buy some fruit.”      1, I jumped into the car and speeded off.

Seeing me or rather my      2, a boy sprang up（跳起来）,      3to sell his bananas and peanuts. “Banana 300 naira. Peanut 200 naira!”

Looking at his black-striped bananas, I      4to 200 total for the fruit and nuts. He      5. I handed him a 500 naira note. He didn’t have      6, so I told him not to worry. He was      7and smiled a row of perfect teeth.

When, two weeks later, I      8this same boy, I was more aware of my position in Nigerian society. I should     9this country as the son of a      10. But it was hard to find pleasure in a place where it was so      11to see a little boy who should have been in school selling fruit.

“What’s up?” I asked. He answered in     12English, “I … I no get money to buy book.” I took out two 500 naira notes. He looked around      13before sticking his hand into the car     14the bills. One thousand naira means a lot to a family that     15only 50,000 each year.

The next morning, security officers told me, “In this place, when you give a little, people think you’re a fountain of opportunity（机会）.”

16it’s right, but this happens everywhere in the world. I wondered if my little friend had actually used the money for      17.

After six months’ work in northern Nigeria, I returned and saw him again standing on the road.

“Are you in school now?”

He nodded.

A silence fell as we looked at each other, then I      18what he wanted. I held out a 500 naira note. “Take this.”

He shook his head fiercely and stepped back      19hurt.

“It’s a gift,” I said.

Shaking his head again, he handed me a basket of bananas and peanuts. “I’ve been waiting to      20these to you.”

本文讲述了作者毕业后回到尼日利亚首都阿布贾后，在街上结识了一个卖水果的小男孩并且慷慨解囊资助他入学，同时也从另一个侧面刻画了小男孩对于作者的资助的感激和惴惴不安的心理。考生只有在把握了这点才能够理解命题人的意图。从命题设置来看，命题人从语篇层次上进行命题，很好地体现了高考的命题要求。

1.A. Encouraged     B. Disappointed     C. Delighted        D. Confused

2.A. car                B. mother             C. driver     D. keys

3.A. willing            B. afraid             C. eager      D. ashamed

4.A. got down       B. bargained down       C. put down     D. took down

5.A. explained      B. promised        C. agreed            D. admitted

6.A. change        B. notes            C. checks            D. bills

7.A. troubled          B. regretful       C. comfortable        D. grateful

8.A. ran after      B. ran into     C. ran over     D. ran to

9.A. protect           B. enjoy         C. help     D. support

10.A. minister         B. headmaster        C. manager          D. president

11.A. lucky       B. amazing        C. funny        D. common

12.A. old            B. broken      C. traditional      D. modern

13.A. proudly       B. madly       C. curiously        D. nervously

14.A. for             B. with       C. at       D. upon

15.A. spends        B. pays        C. makes        D. affords

16.A. Possibly  B. Actually     C. Certainly        D. Fortunately

17.A. joys      B. nuts            C. books            D. bananas

18.A asked       B. imagined       C. reminded      D. realized

19.A. when      B. as if            C. even if          D. after

20.A. send      B. provide      C. sell         D. give

阅读下面的文字，完成下列各题。

高原，我的中国色

乔　良

东亚细亚的腹地，一派空旷辽远，触目惊心的苍黄。连那条从巴颜喀拉的山岩间夺路而来的大河，也暴烈地流泻着一川黏稠的黄色！这就是高原。黄土高原。

浑黄的天地间，走来一个黄皮肤的老者。看不清他的面孔，听不清他的声音，只有那被黄土染成褐色的长髯在被太阳喷成紫色的浮尘中飘拂……老者身后，逶迤着长长、长长一列只在身体的隐秘处裹着兽皮的男人和女人。

一棵巨大的柏树，便在这人群中生下根来。所有黄皮肤的男人女人和他们的后人，都把这巨树唤作轩辕柏。它的根须像无数手指抠进黄土，扎向地心，用力合抱住整个儿的高原。

始皇帝横扫六合的战车，汉高祖豪唱大风的猛士，倚在驼峰上西出阳关的商旅，打着呼哨、浑身酒气的成吉思汗的铁骑，和五午年的岁月一道，从这金子样的高原上骄傲地走过去，走过去，直到……

暮云垂落下来，低矮的天地尽头，走来一个小小的黑点。一个军人。

他站在一架冲沟纵横、褶皱斑驳的山梁上。残阳把他周身涂成一色金黄。他伸出手臂，出神地欣赏着自己的皮肤。金黄的晖光从手臂上滑落下去，掉在高原上。一样的颜色。他想，我的肤色和高原一样。

豪迈的西风从长空飒然而至。他的衣襟和裤角同时低唱起暗哑而粗犷的古歌。刹那间，他获得了人与天地自然，与遥远的初民时代那种无缝无隙的交合。是一种虚空又充实，疏朗又密集，渺小又雄大的感觉。

他不禁微微一笑。然而，只一笑，那难以言喻的快感消退了。渐渐塞满胸壑的，是无边的冷寞，莫名的苍凉。竟然没有一只飞鸟，竟然没有一丛绿草。只有我，他想。我和高原。于是他又想，这冷漠、这苍凉不仅仅属于我，还属于遗落在高原上的千年长史。

畏惧盗寇的商贾们抛离了驼队踩出的丝绸古道。面对异族的武夫们丢弃了千里烽燧和兵刃甲胃。一路凄惶，簇拥着玉辇华盖，偏安向丰盈又富庶的南方。那叫人柔肠寸断的杏花雨呵，竟把炎黄子民们孔武剽悍的魂魄和膂力一并溶化！而历史，却在某个迷茫的黄昏，被埋进深深的黄土。

他感到胸口有一团东西被揪得发疼。他想喊。他想站到最高的那架山梁上去，对着苍茫的穹窿嘶喊：难道华夏民族所有的武士，都走进了始皇陵兵马俑的行列？

没有风。没有声息。高原沉默着。

一块没有精壮和血性汉子的土地是悲哀的。

他想起了他那些戴着立体声耳机、抱着六弦琴横穿斑马线的兄弟们。他们全都身条瘦长，脸色煞白，像一根根垂在瓜架上的丝瓜。他们要去参加这一年中的第三百六十七次家庭舞会了吧？他们的迪斯科跳得真好。他们忧郁的歌声真动人。但，他们只从银幕上见过高原和黄土。他们不知道紫外线直射进皮肤和毛孔时的滋味，更不知道那黄土堆成的高原上埋着的古中国。

可那才是中国，那才叫中国。在病榻上呻吟了八百年，又被人凌辱了二百年的，不是真正的中国。真正的中国是闪着丝绸之光、敦煌之光、修筑起长城，开凿出运河，创造了道教，融合了佛教，同化了一支支异族入侵者的中国。

真正的中国是一条好汉。这裸着青筋、露着傲骨的高原也是一条好汉。

他想，我也该是这样的汉子。

他想，有了这样的男子汉，高原，这金子似的高原便不会死去。因为轩辕柏在这里扎着一根粗大的、深邃的根茎。

这个人，这个军人，就是我。

这篇散文中作者设置的“轩辕柏”有什么象征意义？请结合阅读材料简要分析。

“是一种虚实又充实，疏朗又密集，渺小又雄大的感觉。”作者将褒贬之词同时用来描写这种感觉，这是一种什么样的感觉？“他”为什么会产生这样的感觉？

文章结尾说：“这个人，这个军人，就是我。”一句中与上文哪一句照应？怎样理解其中的“我”？请你谈谈作者在文中如何渲染与张扬着自己的情绪?

下列对文章的赏析，不正确的两项是       （    ）

    A．“残阳把他周身涂成一色金黄”，他为自己有着与“金子样的高原”同样的颜色而自豪，就是他为做一个中国人而骄傲。

    B．“他”站在黄土高原上，看到“竟然没有一只飞鸟，竟然没有一丛绿草”，深感植被破坏严重，内心无比冷寞，苍凉。

    C．丰盈富庶的南方，柔肠寸断的杏花雨象征了温柔安逸、没有血性的土地，销磨了一代代中国人慷慨悲歌之气，积极进取之心。

    D．“他”想呼喊，仅仅因为现代人的苍白无知，压得他几乎喘不过气来。所以他的大声呐喊是希望唤回高原的血性来。

    E．全文语言铿锵有力，掷地有声，在凛然傲气中又渗透着无限的历史苍凉感，如同一幅黄昏时分的画卷，述说着遥远的历史又翘首期待着美好的明天。