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高原，我的中国色
乔 良
东亚细亚的腹地，一派空旷辽远，触目惊心的苍黄。连那条从巴颜喀拉的山岩间夺路而来的大河，也暴烈地流泻着一川黏稠的黄色！这就是高原。黄土高原。
浑黄的天地间，走来一个黄皮肤的老者。看不清他的面孔，听不清他的声音，只有那被黄土染成褐色的长髯在被太阳喷成紫色的浮尘中飘拂……老者身后，逶迤着长长、长长一列只在身体的隐秘处裹着兽皮的男人和女人。
一棵巨大的柏树，便在这人群中生下根来。所有黄皮肤的男人女人和他们的后人，都把这巨树唤作轩辕柏。它的根须像无数手指抠进黄土，扎向地心，用力合抱住整个儿的高原。
始皇帝横扫六合的战车，汉高祖豪唱大风的猛士，倚在驼峰上西出阳关的商旅，打着呼哨、浑身酒气的成吉思汗的铁骑，和五午年的岁月一道，从这金子样的高原上骄傲地走过去，走过去，直到……
暮云垂落下来，低矮的天地尽头，走来一个小小的黑点。一个军人。
他站在一架冲沟纵横、褶皱斑驳的山梁上。残阳把他周身涂成一色金黄。他伸出手臂，出神地欣赏着自己的皮肤。金黄的晖光从手臂上滑落下去，掉在高原上。一样的颜色。他想，我的肤色和高原一样。
豪迈的西风从长空飒然而至。他的衣襟和裤角同时低唱起暗哑而粗犷的古歌。刹那间，他获得了人与天地自然，与遥远的初民时代那种无缝无隙的交合。是一种虚空又充实，疏朗又密集，渺小又雄大的感觉。
他不禁微微一笑。然而，只一笑，那难以言喻的快感消退了。渐渐塞满胸壑的，是无边的冷寞，莫名的苍凉。竟然没有一只飞鸟，竟然没有一丛绿草。只有我，他想。我和高原。于是他又想，这冷漠、这苍凉不仅仅属于我，还属于遗落在高原上的千年长史。
畏惧盗寇的商贾们抛离了驼队踩出的丝绸古道。面对异族的武夫们丢弃了千里烽燧和兵刃甲胃。一路凄惶，簇拥着玉辇华盖，偏安向丰盈又富庶的南方。那叫人柔肠寸断的杏花雨呵，竟把炎黄子民们孔武剽悍的魂魄和膂力一并溶化！而历史，却在某个迷茫的黄昏，被埋进深深的黄土。
他感到胸口有一团东西被揪得发疼。他想喊。他想站到最高的那架山梁上去，对着苍茫的穹窿嘶喊：难道华夏民族所有的武士，都走进了始皇陵兵马俑的行列？
没有风。没有声息。高原沉默着。
一块没有精壮和血性汉子的土地是悲哀的。
他想起了他那些戴着立体声耳机、抱着六弦琴横穿斑马线的兄弟们。他们全都身条瘦长，脸色煞白，像一根根垂在瓜架上的丝瓜。他们要去参加这一年中的第三百六十七次家庭舞会了吧？他们的迪斯科跳得真好。他们忧郁的歌声真动人。但，他们只从银幕上见过高原和黄土。他们不知道紫外线直射进皮肤和毛孔时的滋味，更不知道那黄土堆成的高原上埋着的古中国。
可那才是中国，那才叫中国。在病榻上呻吟了八百年，又被人凌辱了二百年的，不是真正的中国。真正的中国是闪着丝绸之光、敦煌之光、修筑起长城，开凿出运河，创造了道教，融合了佛教，同化了一支支异族入侵者的中国。
真正的中国是一条好汉。这裸着青筋、露着傲骨的高原也是一条好汉。
他想，我也该是这样的汉子。
他想，有了这样的男子汉，高原，这金子似的高原便不会死去。因为轩辕柏在这里扎着一根粗大的、深邃的根茎。
这个人，这个军人，就是我。
这篇散文中作者设置的“轩辕柏”有什么象征意义？请结合阅读材料简要分析。
“是一种虚实又充实，疏朗又密集，渺小又雄大的感觉。”作者将褒贬之词同时用来描写这种感觉，这是一种什么样的感觉？“他”为什么会产生这样的感觉？
文章结尾说：“这个人，这个军人，就是我。”一句中与上文哪一句照应？怎样理解其中的“我”？请你谈谈作者在文中如何渲染与张扬着自己的情绪?
下列对文章的赏析，不正确的两项是 （ ）
A．“残阳把他周身涂成一色金黄”，他为自己有着与“金子样的高原”同样的颜色而自豪，就是他为做一个中国人而骄傲。
B．“他”站在黄土高原上，看到“竟然没有一只飞鸟，竟然没有一丛绿草”，深感植被破坏严重，内心无比冷寞，苍凉。
C．丰盈富庶的南方，柔肠寸断的杏花雨象征了温柔安逸、没有血性的土地，销磨了一代代中国人慷慨悲歌之气，积极进取之心。
D．“他”想呼喊，仅仅因为现代人的苍白无知，压得他几乎喘不过气来。所以他的大声呐喊是希望唤回高原的血性来。
E．全文语言铿锵有力，掷地有声，在凛然傲气中又渗透着无限的历史苍凉感，如同一幅黄昏时分的画卷，述说着遥远的历史又翘首期待着美好的明天。
查看习题详情和答案>>C
Susan Sontag（1933—2004） was one of the most noticeable figures in the world of literature. For more than 40 years she made it morally necessary to know everything—to read every book worth reading, to see every movie worth seeing. When she was still in her early 30s，publishing essays in such important magazines as Partisan Review，she appeared as the symbol of American culture life，trying hard to follow every new development in literature，film and art. With great effort and serious judgment，Sontag walked at the latest edges of world culture.
Seriousness was one of Sontag’s lifelong watchwords（格言），but at a time when the barriers between the well-educated and the poor-educated were obvious, she argued for a true openness to the pleasure of pop culture. In“Notes Camp”, the 1964 essay that first made her name，she explained what was then a little—known set of difficult understandings，through which she could not have been more famous.“Notes on Camp”，she wrote，represents“a victory of‘form’ over‘content’,‘beauty’over‘morals’”.
By conviction（信念）she was a sensualist（感觉论者），but by nature she was a moralist（伦理学者），and in the works she published in the 1970s and 1980s，it was the latter side of her that came forward. In“Illness as Metaphor”—published in 1978，after she suffered cancer—she argued against the idea that cancer was somehow a special problem of repressed personalities（被压抑的性格），a concept that effectively blamed the victim for the disease. In fact，re-ex-amining old positions was her lifelong habit.
In America，her story of a 19th century Polish actress who set up a perfect society in California，won the National Book Award in 2000. But it was as a tireless，all-purpose cultural view that she made her lasting fame.
“Sometimes,”she once said，“I feel that，in the end，all I am really defending…is the idea of seriousness，of true seriousness.”And in the end，she made us take it seriously too.
59．The underlined sentence in paragraph l means Sontag ____________.
A．was a symbol of American cultural life
B．developed world literature，film and art
C．published many essays about world culture
D．kept pace with the newest development of world culture
60．She first won her name through____________.
A．her story of a Polish actress
B．her book Illness as Metaphor
C．publishing essays in magazines like Partisan Review
D．her explanation of a set of difficult understandings
61．Susan Sontag’s lasting fame was made upon____________.
A．a tireless，all-purpose cultural view
B．her lifelong watchword: seriousness
C．publishing books on morals
D．enjoying books worth reading and movies worth seeing
62．From the works Susan published in the 1970s and 1980s，we can learn that ____________.
A．she was more a moralist than a sensualist
B．she was more a sensualist than a moralist
C．she believed repressed personalities mainly led to illness
D．she would like to re-examine old positions
查看习题详情和答案>>Susan Sontag（1933-2004）was one of the most noticeable figures in the world of literature. For more than 40 years she made it morally necessary to know everything---to read every book worth reading, to see every movie worth seeing. When she was still in her early 30s，publishing essays in such important magazines as Partisan Review，she appeared as the symbol of American culture life，trying hard to follow every new development in literature，film and art. With great effort and serious judgment，Sontag walked at the latest edges of world culture.
Seriousness was one of Sontag's lifelong watchwords（格言），but at a time when the barriers between the well-educated and the poor-educated were obvious, she argued for a true openness to the pleasure of pop culture. In "Notes Camp", the 1964 essay that first made her name，she explained what was then a little-known set of difficult understandings，through which she could not have been more famous. "Notes on Camp"，she wrote，represents "a victory of 'form' over 'content', 'beauty' over 'morals' ".
By conviction（信念）she was a sensualist（感觉论者），but by nature she was a moralist（伦理学者），and in the works she published in the 1970s and 1980s，it was the latter side of her that came forward. In "Illness as Metaphor"------published in 1978，after she suffered cancer------she argued against the idea that cancer was somehow a special problem of repressed personalities（被压抑的性格），a concept that effectively blamed the victim for the disease. In fact, re-examining old positions was her lifelong habit.
In America，her story of a 19th century Polish actress who set up a perfect society in California，won the National Book Award in 2000. But it was as a tireless，all-purpose cultural view that she made her lasting fame.
"Sometimes," she once said，"I feel that，in the end，all I am really defending...is the idea of seriousness，of true seriousness." And in the end，she made us take it seriously too.
61．It is implied but not stated in the first paragraph that Sontag ________.
A．was a symbol of American cultural life
B．developed world literature, film and art
C．published many essays about world culture
D．kept pace with the newest development of world culture
62．She first won her name through ________.
A．publishing essays in magazines like Partisan Review
B．her story of a Polish actress
C．her explanation of a set of difficult understandings
D．her book Illness as Metaphor
63．From the works Susan published in the 1970s and 1980s, we can learn that ________.
A．she was more a moralist than a sensualist
B．she was more a sensualist than a moralist
C．she believed repressed personalities mainly led to illness
D．she would like to re-examine old positions
64. According to the passage, Susan Sontag agree to the ideas EXPECT “_________”
A．we would try hard to follow new development in literature, film and art.
B．cancer can be defeated because it is a special problem of repressed personalities.
C．'form' should be over 'content', 'beauty' should be over 'morals' .
D．we should defend the idea of seriousness, of true seriousness.
65．What is the passage mainly about?
A．A lifelong watchword: seriousness.
B．Susan Sontag is the symbol of American culture.
C．How Susan Sontag became famous.
D．An introduction to Susan Sontag and her watchword.
查看习题详情和答案>>
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Susan Sontag（1933-2004）was one of the most noticeable figures in the world of literature. For more than 40 years she made it morally necessary to know everything---to read every book worth reading, to see every movie worth seeing. When she was still in her early 30s，publishing essays in such important magazines as Partisan Review，she appeared as the symbol of American culture life，trying hard to follow every new development in literature，film and art. With great effort and serious judgment，Sontag walked at the latest edges of world culture.
Seriousness was one of Sontag's lifelong watchwords（格言），but at a time when the barriers between the well-educated and the poor-educated were obvious, she argued for a true openness to the pleasure of pop culture. In "Notes Camp", the 1964 essay that first made her name，she explained what was then a little-known set of difficult understandings，through which she could not have been more famous. "Notes on Camp"，she wrote，represents "a victory of 'form' over 'content', 'beauty' over 'morals' ".
By conviction（信念）she was a sensualist（感觉论者），but by nature she was a moralist（伦理学者），and in the works she published in the 1970s and 1980s，it was the latter side of her that came forward. In "Illness as Metaphor"------published in 1978，after she suffered cancer------she argued against the idea that cancer was somehow a special problem of repressed personalities（被压抑的性格），a concept that effectively blamed the victim for the disease. In fact, re-examining old positions was her lifelong habit.
In America，her story of a 19th century Polish actress who set up a perfect society in California，won the National Book Award in 2000. But it was as a tireless，all-purpose cultural view that she made her lasting fame.
"Sometimes," she once said，"I feel that，in the end，all I am really defending...is the idea of seriousness，of true seriousness." And in the end，she made us take it seriously too.
61．It is implied but not stated in the first paragraph that Sontag ________.
A．was a symbol of American cultural life
B．developed world literature, film and art
C．published many essays about world culture
D．kept pace with the newest development of world culture
62．She first won her name through ________.
A．publishing essays in magazines like Partisan Review
B．her story of a Polish actress
C．her explanation of a set of difficult understandings
D．her book Illness as Metaphor
63．From the works Susan published in the 1970s and 1980s, we can learn that ________.
A．she was more a moralist than a sensualist
B．she was more a sensualist than a moralist
C．she believed repressed personalities mainly led to illness
D．she would like to re-examine old positions
64. According to the passage, Susan Sontag agree to the ideas EXPECT “_________”
A．we would try hard to follow new development in literature, film and art.
B．cancer can be defeated because it is a special problem of repressed personalities.
C．'form' should be over 'content', 'beauty' should be over 'morals' .
D．we should defend the idea of seriousness, of true seriousness.
65．What is the passage mainly about?
A．A lifelong watchword: seriousness.
B．Susan Sontag is the symbol of American culture.
C．How Susan Sontag became famous.
D．An introduction to Susan Sontag and her watchword.
查看习题详情和答案>>