摘要: Beijing is a city there are many places of interest. a. which b. where c. in where d. that

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听力

第一节 听力理解

每段播放两遍。各段后有几个小题,各段播放前每小题有5秒钟的阅题时间。请根据各段播放内容及相关小题,在5秒钟内从题中所给的A、B、C项中,选出最佳选项。

听第一段对话,回答第1~3题。

1.Which city are the two speakers in?

A.Beijing.

B.Guangzhou.

C.Changsha.

2.What are they mainly talking about?

A.Shopping.

B.Food.

C.Health.

3.What can we learn from the conversation?

A.Some Japanese girls like the Chinese-style hair clips.

B.The stinky tofu sellers all come from Hunan.

C.The man prefers to have supper at home today.

听第二段独白,回答第4~6题。

4.How many places of interest are mentioned in the talk?

A.Two.

B.Three.

C.Four.

5.Who is probably the speaker?

A.A TV hostess.

B.A historian.

C.A tour guide.

6.What can we learn from the talk?

A.The church looks like an European palace.

B.The Story House is made of wood and brick.

C.There are over 20000 dragons around the Grand Hotel.

听第三段对话,回答第7~9题。

7.Which is the best season in Beijing according to the man?

A.Autumn.

B.Summer.

C.Spring.

8.Where are the two speakers now?

A.In Beijing.

B.In America.

C.In Italy.

9.What can we learn from the conversation?

A.It is usually windy in the autumn of Beijing.

B.Many Americans like autumn for its colors.

C.Both speakers dislike spring here.

听第四段对话,回答第10~12题。

10.Why does the man feel terrible?

A.Because he lost all his homework in the computer.

B.Because he failed to finish the homework on computer.

C.Because his computer was stolen.

11.When should the man hand in his homework?

A.Next Wednesday.

B.Next Thursday.

C.Next Tuesday.

12.What can we learn from the conversation?

A.The woman’s virus protection is nearly out of date.

B.The woman has just bought a computer.

C.The man doesn’t know what to do without the Internet.

听第五段独自,回答第13~15题。

13.What should one do before taking part in the pie-eating contest?

A.Avoid eating any food.

B.Prepare the favourite type of pie to eat.

C.Practice eating a pie quickly.

14.Where should one put his hands during the contest?

A.On the table.

B.Behind his back.

C.On his lap.

15.What suggestion is offered for eating up the pie quickly?

A.Looking sideways to see how fast others eat.

B.Eating from the outside toward the middle.

C.Swallowing the pie with water.

第二节 听取信息

听下面一段对话,请根据题目要求,从所听到的内容中获取必要的信息,填入空格中。听录音前,你将有10秒钟的阅题时间。录音读两遍,你将有60秒钟的作答时间。

查看习题详情和答案>>
     Crosstalk, a traditional form of comic storytelling, is making a comeback in China's teahouses and
theaters.
     Audiences can laugh the night away every Saturday at the Qianxiangyi Teahouse in Tianjin,
entertained by the apprentices (学徒) of Hou Baolin, Ma Sanli or Yin Shoushan -- all leading crosstalk
artists of years past -for only 20 yuan (US$2.40). The success in Tianjin has also given motivation to the
rejuvenation (复活) of crosstalk in Beijing and other places.
     Although the art form originated in Beijing in the Qing Dynasty (1644-1911), Tianjin became a place
where rising stars developed their styles and new pieces were tried out. The city was famous for the
quality of its crosstalk performances.
     "We only want to bring the traditional pieces back to the audiences, helping them to learn their charms
and definitions," said Yin Xiaosheng, head of the Zhongyou Arts Troupe.
     Known in Chinese as xiangsheng (literally, "face and voice"), crosstalk was the main form of comedy
throughout most of the 20th century. In the old days in Tianjin and elsewhere, temple fairs and markets
were the main places for crosstalkers to perform, although they occasionally also appeared in teahouses
or theaters.
     Usually crosstalk pieces draw on every aspect of Chinese culture, from history and folk tales to
contemporary social issues. Although there are hundreds of pieces in the traditional works, they are
constantly rewritten to suit the times and the audience, while new works are written as well. This is one
of the features that have made crosstalk a populist(平民化) art form throughout its history.
     "Crosstalk was in the doldrums with competition from other art forms, especially TV," said Wang
Xiaochun, headmaster of the Northern Storytelling Arts School of China (NSAS). "But it has regained
its status with crosstalk fans, especially young people, growing aware of its rare qualities." The
reawakening of interest in the traditional art is going beyond merely watching and listening for many.
"More and more students are coming to NSAS to study crosstalk, including some girl students," said
Wang, "They are sure that crosstalk will have a strong market."
1. From the passage, we can know the crosstalk originates(源于) from ______.
A. the TV shows      
B. the teahouse and theater
C. the cinema           
D. the temple fairs and markets
2. Crosstalk makes a comeback mainly because_________.
A. it is one of the most popular traditional art forms
B. the pieces mainly cover folk tales and social issues
C. the pieces are changing with times and audience  
D. it is performed by some leading crosstalk artists
3. Which is the opposite of the underlined word "doldrums" (in the last paragraph)?
A. Boom.
B. Variety.
C. Harmony.
D. Period.
4. From the passage we can predict the future of crosstalk lies in______.
A. making up a variety of traditional pieces
B. having advantages over other media
C. young people's the awareness of its value     
D. the competitive and big markets for art
查看习题详情和答案>>

阅读理解

  Crosstalk, a traditional form of comic storytelling, is making a comeback in China's teahouses and theaters.Audiences can laugh the night away every Saturday at the Qianxiangyi Teahouse in Tianjin, entertained by the apprentices(学徒)of Hou Baolin, Ma Sanli or Yin Shoushan-all leading crosstalk artists of years past-for only 20 yuan(US$2.40).The success in Tianjin has also given motivation to the rejuvenation(复活)of crosstalk in Beijing and other places.

  Although the art form originated in Beijing in the Qing Dynasty(1644–1911), Tianjin became a place where rising stars developed their styles and new pieces were tried out.The city was famous for the quality of its crosstalk performances.

  “We only want to bring the traditional pieces back to the audiences, helping them to learn their charms and definitions,” said Yin Xiaosheng, head of the Zhongyou Arts Troupe.

  Known in Chinese as xiangsheng(literally, "face and voice"), crosstalk was the main form of comedy throughout most of the 20th century.In the old days in Tianjin and elsewhere, temple fairs and markets were the main places for crosstalkers to perform, although they occasionally also appeared in teahouses or theaters.

  Usually crosstalk pieces draw on every aspect of Chinese culture, from history and folk tales to contemporary social issues.Although there are hundreds of pieces in the traditional works, they are constantly rewritten to suit the times and the audience, while new works are written as well.This is one of the features that have made crosstalk a populist(平民化)art form throughout its history.

  “Crosstalk was in the doldrums with competition from other art forms, especially TV,” said Wang Xiaochun, headmaster of the Northern Storytelling Arts School of China(NSAS).“But it has regained its status with crosstalk fans, especially young people, growing aware of its rare qualities.” The reawakening of interest in the traditional art is going beyond merely watching and listening for many.“More and more students are coming to NSAS to study crosstalk, including some girl students,” said Wang, “They are sure that crosstalk will have a strong market.”

(1)

From the passage, we can know the crosstalk originates(源于)from ________.

[  ]

A.

the TV shows

B.

the teahouse and theater

C.

the cinema

D.

the temple fairs and markets

(2)

Crosstalk makes a comeback mainly because ________.

[  ]

A.

it is one of the most popular traditional art forms

B.

the pieces mainly cover folk tales and social issues

C.

the pieces are changing with times and audience

D.

it is performed by some leading crosstalk artists

(3)

Which is the meaning of the underlined word “doldrums”(in the last paragraph)?

[  ]

A.

depression

B.

variety.

C.

condition.

D.

period.

(4)

From the passage we can predict the future of crosstalk lies in ________.

[  ]

A.

making up a variety of traditional pieces

B.

having advantages over other media

C.

young people's the awareness of its value

D.

the competitive and big markets for art

查看习题详情和答案>>

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