I left university with a good degree in English Literature, but no sense of what I wanted to do. Over the next six years, I was treading water, just trying to earn an income. I tried journalism, but I didn’t think I was any good, then finance, which I hated. Finally, I got a job as a rights assistant at a famous publisher. I loved working with books, although the job that I did was dull.
I had enough savings to take a year off work, and I decided to try to satisfy a deep-down wish to write a novel. Attending a Novel Writing MA course gave me the structure I needed to write my first 55,000 words.
It takes confidence to make a new start — there’s a dark period in-between where you’re neither one thing nor the other. You’re out for dinner and people ask what you do, and you’re too ashamed to say, “Well, I’m writing a novel, but I’m not quite sure if I’m going to get there.” My confidence dived. Believing my novel could not be published, I put it aside.
Then I met an agent（代理商）who said I should send my novel out to agents. So, I did and, to my surprise, got some wonderful feedback. I felt a little hope that I might actually become a published writer and, after signing with an agent, I finished the second half of the novel.
The next problem was finding a publisher. After two-and-a-half years of no income, just waiting and wondering, a publisher offered me a book deal—that publisher turned out to be the one I once worked for.
It feels like an unbelievable stroke of luck—of fate, really. When you set out to do something different, there’s no end in sight, so to find myself in a position where I now have my own name on a contract（合同）of the publisher — to be a published writer — is unbelievably rewarding（有回报的）.
【小题1】What does the underlined part in Paragraph 1 mean?

I left university with a good degree in English Literature, but no sense of what I wanted to do. Over the next six years, I was treading water, just trying to earn an income. I tried journalism, but I didn’t think I was any good, then finance, which I hated. Finally, I got a job as a rights assistant at a famous publisher. I loved working with books, although the job that I did was dull.

I had enough savings to take a year off work, and I decided to try to satisfy a deep-down wish to write a novel. Attending a Novel Writing MA course gave me the structure I needed to write my first 55,000 words.

It takes confidence to make a new start — there’s a dark period in-between where you’re neither one thing nor the other. You’re out for dinner and people ask what you do, and you’re too ashamed to say, “Well, I’m writing a novel, but I’m not quite sure if I’m going to get there.” My confidence dived. Believing my novel could not be published, I put it aside.

Then I met an agent（代理商）who said I should send my novel out to agents. So, I did and, to my surprise, got some wonderful feedback. I felt a little hope that I might actually become a published writer and, after signing with an agent, I finished the second half of the novel.

The next problem was finding a publisher. After two-and-a-half years of no income, just waiting and wondering, a publisher offered me a book deal — that publisher turned out to be the one I once worked for.

It feels like an unbelievable stroke of luck — of fate, really. When you set out to do something different, there’s no end in sight, so to find myself in a position where I now have my own name on a contract（合同）of the publisher — to be a published writer — is unbelievably rewarding（有回报的）.

1.What does the underlined part in Paragraph 1 mean?

2.The author decided to write a novel ______ .

3.How did the writer feel halfway with the novel?

4.What does the author mainly want to tell readers in the last paragraph?

I left university with a good degree in English Literature, but no sense of what I wanted to do. Over the next six years, I was treading water, just trying to earn an income. I tried journalism, but I didn’t think I was any good, then finance, which I hated. Finally, I got a job as a rights assistant at a famous publisher. I loved working with books, although the job that I did was dull.
I had enough savings to take a year off work, and I decided to try to satisfy a deep-down wish to write a novel. Attending a Novel Writing MA course gave me the structure I needed to write my first 55,000 words.
It takes confidence to make a new start — there’s a dark period in-between where you’re neither one thing nor the other. You’re out for dinner and people ask what you do, and you’re too ashamed to say, “Well, I’m writing a novel, but I’m not quite sure if I’m going to get there.” My confidence dived. Believing my novel could not be published, I put it aside.
Then I met an agent（代理商）who said I should send my novel out to agents. So, I did and, to my surprise, got some wonderful feedback. I felt a little hope that I might actually become a published writer and, after signing with an agent, I finished the second half of the novel.
The next problem was finding a publisher. After two-and-a-half years of no income, just waiting and wondering, a publisher offered me a book deal — that publisher turned out to be the one I once worked for.
It feels like an unbelievable stroke of luck — of fate, really. When you set out to do something different, there’s no end in sight, so to find myself in a position where I now have my own name on a contract（合同）of the publisher — to be a published writer — is unbelievably rewarding（有回报的）.
【小题1】What does the underlined part in Paragraph 1 mean?

“ Just sign here, sir,” the deliveryman said as he handed Oscar Reyna a packet.
The package consisted of a long, narrow box   36  wrapped in brown paper.   37  the box, Oscar saw an umbrella inside—a very old one with a beautifully carved wooden handle.   38  he had not seen it in more than 20 years, he recognized it   39 .
Oscar was 16 when he first saw the   40  umbrella. He had gone to a concert with his grandparents. As they were leaving, he noticed an umbrella on an empty seat. Impressed by its   41  Oscar felt a strong desire to find its   42 .
Oscar   43  the manager to look in the record of advance ticket sales. Just as he thought, a man matched the seat   44  Oscar had found the umbrella. The name was Mrs. Katie O’Brien.
Oscar talked his grandparents into going by Mrs. O’Brien   45  on their way home. He rang the bell, the door opened, and an elderly woman appeared. “May I   46  you?” she asked.
“I’d like to return it if it’s yours,” Oscar said,   47  the umbrella as if presenting a   48  that had long been wished for.
“ Why, yes ! It’s mine,” replied Mrs. O’Brien with a   49  smile and shining eyes. “It was given to me by my father years ago. Thank you so much for returning it. May I offer you a reward for your   50 ?
“No, ma’ma, ”he said , “My grandmother says that a good deed is its own reward.”
“Well, that’s   51  what my father used to say. What is your name, young man?”
Years later Oscar was staring at the finely carved handle of the umbrella as he remembered Mrs. O’ Brien. It was in perfect condition, considering how   52  it was. Why had it arrived here today?
As if   53  , a note fell from the paper. It read：Mrs. O’Brien wanted you to   54  this umbrella as a present for a kind,   55  gesture long ago.

Crosstalk(相声)，a traditional form of comic storytelling，is making a comeback in China’s tea houses and theaters．
Audiences can laugh the night away every Saturday at the Qianxiangyi Teahouse in Tianjin，entertained by the apprentices(学徒)of Hou Baolin，Ma Sanli or Yin Shoushan—all leading crosstalk artists of years past—for only 20 yuan($2．40)．
The success in Tianjin has also caused the rejuvenation(复活) of crosstalk in Beijing and other places．
Although the art form originated in Beijing in the Qing Dynasty(1644-1911)，Tianjin became a place where rising stars formed their styles and new pieces were tried out．The city was well—known nationwide for the quality of its crosstalk performances．
Known in Chinese as xiangsheng(1iterally，“face and voice”)，crosstalk was the predominant(支配的)form of comedy throughout most of the 20th century．In the old days in Tianjin and elsewhere，temple fairs and markets were the main places for crosstalkers to perform，although they occasionally also appeared in teahouses or theaters．
Crosstalk pieces draw on every aspect of Chinese culture，from history and folk tales to social issues of the time．Although there’re hundreds of traditional pieces，they’re constantly rewritten to suit the times and the audience, while new works are written as well．It’s one of the features that have made crosstalk a
public art form throughout its history．
“Crosstalk was in the doldrums(萎靡不振)with competition from other art forms，especially TV，”said Wang Xiaochun，headmaster of the Northern Storytelling Arts School of China(NSAS)．“But it has regained its status with crosstalk fans，especially young people，growing aware of its rare qualities．”
“More and more students are coming to NSAS to study crosstalk，including some girl students，”said Wang, “They’re sure that crosstalk will have a strong market.”
【小题1】Crosstalk means“__________ ”in Chinese．