下面文中共有10处语言错误，要求你在错误的地方增加、删除或修改某个单词。
增加：在缺词处加一个漏词符号（/\），并在该句下面写出该加的词。
删除：把多余的词用斜线（\）划掉。
修改：在错的词下划一横线，并在该词下面写出修改 后的词。
注意：1. 每处错误及其修改均仅限一词；
2. 只允许修改10处，多者（从第11处起）不计分。
例如：                                    

It was very nice to get your invitation to spend /\ weekend with you. Luckily I was 
the                        am
completely free then, so I’ll to say “yes”. I’ll arrive in Bristol at around 8 pm in Friday
on
evening.

下面文中共有10处语言错误，要求你在错误的地方增加、删除或修改某个单词。

增加：在缺词处加一个漏词符号（/\），并在该句下面写出该加的词。

删除：把多余的词用斜线（\）划掉。

修改：在错的词下划一横线，并在该词下面写出修改  后的词。

注意：1. 每处错误及其修改均仅限一词；

      2. 只允许修改10处，多者（从第11处起）不计分。

例如：                                    

It was very nice to get your invitation to spend /\ weekend with you. Luckily I was 

                                         the                        am

completely free then, so I’ll to say “yes”. I’ll arrive in Bristol at around 8 pm in Friday

                                                              on

evening.

Most of the large cities in the world have grown without plans, among that London is such a city.

Its streets wind its way and there is no reason or order to its street numbering system. Indeed,

no one but a practical taxi driver knows the whole of London. And before he gets his license, he

must first tour the city for month, street by street, and then take a test to prove that whether he can find

his way about. New York and Chicago grew in much the same way. They spread out like pouring water

expanding at all directions.

However, there are a few modern cities built strict according to detailed plans. The prime

example of a city planning and built from scratch in twentieth century is Brasilia, the new capital of

Brazil.

Animation means making things which are lifeless come alive and move.

Since earliest times, people have always been astonished by movement. But not until last century had we managed to take control of movement, to record it, and in the case of animation, to retranslate it and recreate it. To do all this, we use a movie camera and a projector (放映机).

In the world of cartoon animation, nothing is impossible. You can make the characters do exactly what you want them to do.

A famous early cartoon character was Felix the Cat, created by Pat Sullivan in America in the early nineteen twenties. Felix was a wonderful cat. He could do all sorts of things no natural cat could do like taking off his tail, using it as a handle and then putting it back.

Most of the great early animators lived and worked in America, the home of the moving picture industry. The famous Walt Disney cartoon characters came to life after 1928. Popeye the Sailor and his girl friend Olive Oyo were born at Max Flcischer in 1933.

But to be an animator, you don’t have to be a professional. It is possible for anyone to make a simple animated film without using a camera at all. All you have to do is to draw directly onto an empty film and then run the film through a projector.

1.What does the passage mainly discuss?

2.Which of the following statements is True?

3. According to the passage, Felix the Cat _________.

4.It can be inferred from the passage that _________.

First there was England. Wales was___1.__  to it in the thirteenth century. Now when people __2.__England you find Wales included as well. Next England and Wales were joined to Scotland in the_3._  century and the name was changed to "Great Britain". _4._ this was accomplished without__5.__ when King James of Scotland became King of England and Wales __6.__. Finally the English government tried in the early twentieth century to form the United Kingdom by __7._ Ireland __8.__ in the same peaceful way. However, the southern part of Ireland was unwilling and broke away to form its own government. So only Northern Ireland joined with England, Wales and Scotland to become the United Kingdom and this was  9.  to the world in a new flag called  10. .

The past ages of man have all been carefully labeled by anthropologists. Descriptions like ‘Palaeolithic Man’, ‘Neolithic Man’, etc., neatly sum up whole periods. When the time comes for anthropologists to turn their attention to the twentieth century, they will surely choose the label ‘Legless Man’. Histories of the time will go something like this: ‘in the twentieth century, people forgot how to use their legs. Men and women moved about in cars, buses and trains from a very early age. There were lifts and escalators in all large buildings to prevent people from walking. This situation was forced upon earth dwellers of that time because of miles each day. But the surprising thing is that they didn’t use their legs even when they went on holiday. They built cable railways, ski-lifts and roads to the top of every huge mountain. All the beauty spots on earth were ruined by the presence of large car parks.’

The future history books might also record that we were deprived of the use of our eyes. In our hurry to get from one place to another, we failed to see anything on the way. Air travel gives you a bird’s-eye view of the world—or even less if the wing of the aircraft happens to get in your way. When you travel by car or train a blurred (=not clear) image of the countryside constantly smears the windows. Car drivers, in particular, are forever obsessed with the urge to go on and on: they never want to stop. Is it the lure (引诱；诱惑) of the great motorways, or what? And as for sea travel, it hardly deserves mention. It is perfectly summed up in the words of the old song: ‘I joined the navy to see the world, and what did I see? I saw the sea.’ The typical twentieth-century traveler is the man who always says ‘I’ve been there. ’You mention the remotest, most evocative (引起记忆的) place-names in the world like El Dorado, Kabul, Irkutsk and someone is bound to say ‘I’ve been there’—meaning, ‘I drove through it at 100 miles an hour on the way to somewhere else.’

When you travel at high speeds, the present means nothing: you live mainly in the future because you spend most of your time looking forward to arriving at some other place. But actual arrival, when it is achieved, is meaningless. You want to move on again. By traveling like this, you suspend all experience; the present ceases to be a reality: you might just as well be dead. The traveler on foot, on the other hand, lives constantly in the present. For him traveling and arriving are one and the same thing: he arrives somewhere with every step he makes. He experiences the present moment with his eyes, his ears and the whole of his body. At the end of his journey he feels a delicious physical weariness. He knows that sound. Satisfying sleep will be his: the just reward of all true travellers.

Anthropologists label nowadays’ men ‘Legless’ because _________.

A. people forget how to use his legs.

B. people prefer cars, buses and trains.

C. lifts and escalators prevent people from walking.

D. there are a lot of transportation devices.

Travelling at high speed means _________.

A. people’s focus on the future       B. a pleasure

C. satisfying drivers’ great thrill      D. a necessity of life

Why does the author say ‘we are deprived of the use of our eyes’?

A. People won’t use their eyes.

B. In traveling at high speeds, eyes become useless.

C. People can’t see anything on his way of travel.

D. People want to sleep during travelling.

What is the purpose of the author in writing this passage?

A. Legs become weaker.

B. Modern means of transportation make the world a small place.

C. There is no need to use eyes.           D. The best way to travel is on foot.

What does ‘a bird’s-eye view’ mean?

A. See view with bird’s eyes.        B. A bird looks at a beautiful view.

C. It is a general view from a high position looking down.

D. A scenic place.