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"Mr. Johnson tells me that you would like to learn about the work of a reporter," the editor

mid. "Well, a 36¡¡ is the eyes and ears of his newspaper. You couldn' t have a newspaper 37 reporters. It's the news that reporters write that¡¡ 38¡¡ the column (À¸Ä¿) of the paper. We all have to be 39¡¡ to write about anything that may happen; We 40¡¡ have to write about what 41¡¡ on in the police courts one day and about earthquakes, floods and 42¡¡ disasters the next;¡¡ 43¡¡ we may have to meet a famous film star in the morning and a member of the government in the afternoon.¡¡ 44 we may talk to a big industrialist who has 45¡¡ opened a¡¡ large factory and later visit an artist¡¡ 46 work is being exhibited. The work is 47¡¡ the same, yet there's one thing that must always 48¡¡ the same. Do you know what that is? You¡¡ have to write a 49¡¡ and correct account of (ÐðÊö) whoever and 50¡¡ you have .seen. It does not¡¡ 51¡¡ what your political ideas are; for example, I have to'report speeches by politicians I may not agree¡¡ 52¡¡ , even dislike, yet I must never¡¡ 53¡¡ my feelings to appear in what I write about them. It is pleasant and interesting 54 . I have done it for thirty years and¡¡ wouldn't change it for 55.

36. A. person¡¡¡¡¡¡¡¡¡¡¡¡ B. reporter¡¡¡¡¡¡¡¡¡¡¡¡ C. publisher¡¡¡¡¡¡ D. job

37. A. from¡¡¡¡¡¡¡¡¡¡¡¡ B. beyond¡¡¡¡ ¡¡¡¡¡¡¡¡C. without¡¡¡¡¡¡¡¡ D. among

38. A. builds¡¡¡¡¡¡¡¡¡¡ B. attracts¡¡¡¡¡¡¡¡¡¡ C. interests¡¡¡¡¡¡ D. fills

39. A. prepared¡¡¡¡¡¡¡¡ B. pleased¡¡¡¡¡¡¡¡¡¡¡¡ C. productive¡¡¡¡¡¡ D. profex, ional

40. A. may¡¡¡¡¡¡¡¡¡¡¡¡¡¡ B. could¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. must ¡¡¡¡¡¡¡¡¡¡ D. should

41. A. holds¡¡¡¡¡¡¡¡¡¡¡¡ B. goes¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. keeps¡¡¡¡¡¡¡¡¡¡ D. depends

42. A. important¡¡¡¡¡¡¡¡ B. dead¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. harmful¡¡¡¡¡¡¡¡ D. natural

43. A. therefore¡¡¡¡¡¡¡¡¡¡ B. otherwise¡¡¡¡¡¡¡¡¡¡ C. or D. for

44. A. Then ¡¡¡¡¡¡¡¡¡¡¡¡B. When¡¡¡¡¡¡¡¡¡¡¡¡ C. If¡¡¡¡¡¡¡¡¡¡¡¡¡¡ D. Although

45. A. never¡¡¡¡¡¡¡¡¡¡¡¡ B. yet¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. just¡¡¡¡¡¡¡¡¡¡¡¡ D. ever

46. A. which¡¡¡¡¡¡¡¡¡¡¡¡ B. whose¡¡¡¡¡¡¡¡¡¡¡¡ C. whom¡¡¡¡¡¡¡¡¡¡ D. that

47. A. always¡¡¡¡¡¡¡¡¡¡ B. never¡¡¡¡ ¡¡¡¡¡¡¡¡ C. just¡¡¡¡¡¡¡¡¡¡¡¡ D. generally

48. A. appear¡¡¡¡¡¡¡¡¡¡¡¡ B. operate¡¡¡¡¡¡¡¡¡¡¡¡ C. remain¡¡¡¡¡¡¡¡¡¡ D. leave

49. A. large¡¡¡¡¡¡¡¡¡¡¡¡ B. long¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. funny¡¡¡¡¡¡¡¡¡¡ D. fair

50. A. whatever¡¡¡¡¡¡¡¡ B. where¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. how¡¡ ¡¡¡¡¡¡¡¡ D. whenever

51. A. show¡¡¡¡¡¡¡¡¡¡¡¡ B. care¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. explain¡¡¡¡¡¡¡¡¡¡ D. matter

52. A. to¡¡¡¡¡¡¡¡¡¡¡¡¡¡ B. with¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. about¡¡¡¡¡¡¡¡¡¡ D. on

53. A. allow¡¡¡¡¡¡¡¡¡¡¡¡ B. cause¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. forbid¡¡¡¡¡¡¡¡¡¡ D. keep

54. A. article¡¡¡¡¡¡¡¡¡¡ B. report¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. work¡¡¡¡¡¡¡¡¡¡¡¡ D. feeling

55. A. everything¡¡¡¡¡¡¡¡ B. anything¡¡¡¡¡¡¡¡¡¡ C. something¡¡¡¡¡¡ D. nothing

²é¿´Ï°ÌâÏêÇéºÍ´ð°¸>>

"Mr. Johnson tells me that you would like to learn about the work of a reporter," the editor

mid. "Well, a 36¡¡ is the eyes and ears of his newspaper. You couldn' t have a newspaper 37 reporters. It's the news that reporters write that¡¡ 38¡¡ the column (À¸Ä¿) of the paper. We all have to be¡¡ 39¡¡ to write about anything that may happen; We¡¡ 40¡¡ have to write about what¡¡ 41¡¡ on in the police courts one day and about earthquakes, floods and¡¡ 42¡¡ disasters the next;¡¡ 43¡¡ we may have to meet a famous film star in the morning and a member of the government in the afternoon.¡¡ 44¡¡ we may talk to a big industrialist who has 45¡¡ opened a¡¡ large factory and later visit an artist¡¡ 46 work is being exhibited. The work is¡¡ 47¡¡ the same, yet there's one thing that must always 48¡¡ the same. Do you know what that is? You¡¡ have to write a 49¡¡ and correct account of (ÐðÊö) whoever and¡¡ 50¡¡ you have .seen. It does not¡¡ 51¡¡ what your political ideas are; for example, I have to'report speeches by politicians I may not agree¡¡ 52¡¡ , even dislike, yet I must never¡¡ 53¡¡ my feelings to appear in what I write about them. It is pleasant and interesting¡¡ 54 . I have done it for thirty years and¡¡ wouldn't change it for¡¡ 55.

36. A. person¡¡¡¡¡¡¡¡¡¡¡¡ B. reporter¡¡¡¡¡¡¡¡¡¡¡¡ C. publisher¡¡¡¡¡¡ D. job

37. A. from¡¡¡¡¡¡¡¡¡¡¡¡ B. beyond¡¡¡¡¡¡¡¡¡¡¡¡ C. without¡¡¡¡¡¡¡¡ D. among

38. A. builds¡¡¡¡¡¡¡¡¡¡ B. attracts¡¡¡¡¡¡¡¡¡¡ C. interests¡¡¡¡¡¡ D. fills

39. A. prepared¡¡¡¡¡¡¡¡ B. pleased¡¡¡¡¡¡¡¡¡¡¡¡ C. productive¡¡¡¡¡¡ D. profex, ional

40. A. may¡¡¡¡¡¡¡¡¡¡¡¡¡¡ B. could¡¡¡¡¡¡¡¡¡¡ ¡¡¡¡C. must¡¡¡¡¡¡¡¡¡¡¡¡ D. should

41. A. holds¡¡¡¡¡¡¡¡¡¡¡¡ B. goes¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. keeps¡¡¡¡¡¡¡¡¡¡ D. depends

42. A. important¡¡¡¡¡¡¡¡ B. dead¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. harmful¡¡¡¡¡¡¡¡ D. natural

43. A. therefore¡¡¡¡¡¡¡¡¡¡ B. otherwise¡¡¡¡¡¡¡¡¡¡ C. or D. for

44. A. Then¡¡¡¡¡¡¡¡¡¡¡¡ B. When¡¡¡¡¡¡¡¡¡¡¡¡ C. If¡¡¡¡¡¡¡¡¡¡¡¡¡¡ D. Although

45. A. never¡¡¡¡¡¡¡¡¡¡¡¡ B. yet¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. just¡¡¡¡¡¡¡¡¡¡¡¡ D. ever

46. A. which¡¡¡¡¡¡¡¡¡¡¡¡ B. whose¡¡¡¡¡¡¡¡¡¡¡¡ C. whom¡¡¡¡¡¡¡¡¡¡ D. that

47. A. always¡¡¡¡¡¡¡¡¡¡ B. never¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. just¡¡¡¡¡¡¡¡¡¡¡¡ D. generally

48. A. appear¡¡¡¡¡¡¡¡¡¡¡¡ B. operate¡¡¡¡¡¡¡¡¡¡¡¡ C. remain¡¡¡¡¡¡¡¡¡¡ D. leave

49. A. large¡¡¡¡¡¡¡¡¡¡¡¡ B. long¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. funny¡¡¡¡¡¡¡¡¡¡ D. fair

50. A. whatever¡¡¡¡¡¡¡¡ B. where¡¡¡¡¡¡¡¡¡¡ ¡¡ C. how¡¡¡¡¡¡¡¡¡¡¡¡ D. whenever

51. A. show¡¡¡¡¡¡¡¡¡¡¡¡ B. care¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. explain¡¡¡¡¡¡¡¡¡¡ D. matter

52. A. to¡¡¡¡¡¡¡¡¡¡¡¡¡¡ B. with¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. about¡¡¡¡¡¡¡¡¡¡ D. on

53. A. allow¡¡¡¡¡¡¡¡¡¡¡¡ B. cause¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. forbid¡¡¡¡¡¡¡¡¡¡ D. keep

54. A. article¡¡¡¡¡¡¡¡¡¡ B. report¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. work¡¡¡¡¡¡¡¡¡¡¡¡ D. feeling

55. A. everything¡¡¡¡¡¡¡¡ B. anything¡¡¡¡¡¡¡¡¡¡ C. something¡¡¡¡¡¡ D. nothing

²é¿´Ï°ÌâÏêÇéºÍ´ð°¸>>

"Mr. Johnson tells me that you would like to learn about the work of a reporter," the editor

mid. "Well, a 36¡¡ is the eyes and ears of his newspaper. You couldn' t have a newspaper 37 reporters. It's the news that reporters write that¡¡ 38¡¡ the column (À¸Ä¿) of the paper. We all have to be¡¡ 39¡¡ to write about anything that may happen; We¡¡ 40¡¡ have to write about what¡¡ 41¡¡ on in the police courts one day and about earthquakes, floods and¡¡ 42¡¡ disasters the next;¡¡ 43¡¡ we may have to meet a famous film star in the morning and a member of the government in the afternoon.¡¡ 44¡¡ we may talk to a big industrialist who has 45¡¡ opened a¡¡ large factory and later visit an artist¡¡ 46 work is being exhibited. The work is¡¡ 47¡¡ the same, yet there's one thing that must always 48 the same. Do you know what that is? You¡¡ have to write a 49¡¡ and correct account of (ÐðÊö) whoever and¡¡ 50¡¡ you have .seen. It does not 51¡¡ what your political ideas are; for example, I have to'report speeches by politicians I may not agree¡¡ 52¡¡ , even dislike, yet I must never¡¡ 53¡¡ my feelings to appear in what I write about them. It is pleasant and interesting 54 . I have done it for thirty years and¡¡ wouldn't change it for 55.

36. A. person¡¡¡¡¡¡¡¡¡¡¡¡ B. reporter¡¡¡¡¡¡¡¡¡¡¡¡ C. publisher¡¡¡¡¡¡ D. job

37. A. from¡¡¡¡¡¡¡¡¡¡¡¡ B. beyond¡¡¡¡¡¡¡¡¡¡¡¡ C. without¡¡¡¡¡¡¡¡ D. among

38. A. builds¡¡¡¡¡¡¡¡¡¡ B. attracts¡¡¡¡¡¡¡¡¡¡ C. interests¡¡¡¡¡¡ D. fills

39. A. prepared¡¡¡¡¡¡¡¡ B. pleased¡¡¡¡¡¡¡¡¡¡¡¡ C. productive¡¡¡¡¡¡ D. profex, ional

40. A. may¡¡¡¡¡¡¡¡¡¡¡¡¡¡ B. could¡¡¡¡¡¡¡¡¡¡ ¡¡¡¡C. must¡¡¡¡¡¡¡¡¡¡¡¡ D. should

41. A. holds¡¡¡¡¡¡¡¡¡¡¡¡ B. goes¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. keeps¡¡¡¡¡¡¡¡¡¡ D. depends

42. A. important¡¡¡¡¡¡¡¡ B. dead¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. harmful¡¡¡¡¡¡¡¡ D. natural

43. A. therefore¡¡¡¡¡¡¡¡¡¡ B. otherwise¡¡¡¡¡¡¡¡¡¡ C. or D. for

44. A. Then¡¡¡¡¡¡¡¡¡¡¡¡ B. When¡¡¡¡¡¡¡¡¡¡¡¡ C. If¡¡¡¡¡¡¡¡¡¡¡¡¡¡ D. Although

45. A. never¡¡¡¡¡¡¡¡¡¡¡¡ B. yet¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. just¡¡¡¡¡¡¡¡¡¡¡¡ D. ever

46. A. which¡¡¡¡¡¡¡¡¡¡¡¡ B. whose¡¡¡¡¡¡¡¡¡¡¡¡ C. whom¡¡¡¡¡¡¡¡¡¡ D. that

47. A. always¡¡¡¡¡¡¡¡¡¡ B. never¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. just¡¡¡¡¡¡¡¡¡¡¡¡ D. generally

48. A. appear¡¡¡¡¡¡¡¡¡¡¡¡ B. operate¡¡¡¡¡¡¡¡¡¡¡¡ C. remain¡¡¡¡¡¡¡¡¡¡ D. leave

49. A. large¡¡¡¡¡¡¡¡¡¡¡¡ B. long¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. funny¡¡¡¡¡¡¡¡¡¡ D. fair

50. A. whatever¡¡¡¡¡¡¡¡ B. where¡¡¡¡¡¡¡¡¡¡ ¡¡ C. how¡¡¡¡¡¡¡¡¡¡¡¡ D. whenever

51. A. show¡¡¡¡¡¡¡¡¡¡¡¡ B. care¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. explain¡¡¡¡¡¡¡¡¡¡ D. matter

52. A. to¡¡¡¡¡¡¡¡¡¡¡¡¡¡ B. with¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. about¡¡¡¡¡¡¡¡¡¡ D. on

53. A. allow¡¡¡¡¡¡¡¡¡¡¡¡ B. cause¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. forbid¡¡¡¡¡¡¡¡¡¡ D. keep

54. A. article¡¡¡¡¡¡¡¡¡¡ B. report¡¡¡¡¡¡¡¡¡¡¡¡¡¡ C. work¡¡¡¡¡¡¡¡¡¡¡¡ D. feeling

55. A. everything¡¡¡¡¡¡¡¡ B. anything¡¡¡¡¡¡¡¡¡¡ C. something¡¡¡¡¡¡ D. nothing

²é¿´Ï°ÌâÏêÇéºÍ´ð°¸>>

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¡¡¡¡You speak, write a letter, make a telephone call£®Your words carry a message£®People communicate with words£®

¡¡¡¡Do you think you can communicate without words?A smile on your face shows you are happy or friendly£®Tears in your eyes tell others that you are sad£®When you raise your hand in class, the teacher knows you want to say something or ask questions£®You shake your head, and people know you are saying¡°No¡±£®You nod and people know you are saying¡°Yes¡±£®

¡¡¡¡Other things can also carry messages£®For example, a sign at the bus stop helps you to know which bus to take£®A sign on the wall of your school helps you to find the library£®Signs on doors tell you where to go in or out£®Have you ever noticed that there are a lot of signs around you and that you receive messages from them all the time?

¡¡¡¡People can communicate in many other ways£®An artist can use his drawings to tell about beautiful mountains, about the blue sea and many other things£®Books are written to tell you about all the wonderful things in the world and also about people and their ideas£®

¡¡¡¡Books, magazines, TV and radios and films all help us to communicate with each other£®They all help us to know what is going on in the world and what other people are thinking about£®

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¡¡¡¡It was the night before the composition was due£®As I looked at the list of topics(ÌâÄ¿)£¬¡°The Art of Eating Spaghetti(Òâ´óÀûÃæÌõ)¡±caught my eye£®The word¡°spaghetti¡±brought back the ¡¡¡¡1¡¡¡¡ of an evening at Uncle Alien¡¯s in Belleville ¡¡¡¡2¡¡¡¡ all of us were seated around the table and Aunt Pat ¡¡¡¡3¡¡¡¡ spaghetti for supper£®Spaghetti was an exotic(ÍâÀ´µÄ)treat in ¡¡¡¡4¡¡¡¡ days£®Never had I eaten spaghetti, and ¡¡¡¡5¡¡¡¡ of the grown-ups had enough experience to be ¡¡¡¡6¡¡¡¡ it£®What laughing ¡¡¡¡7¡¡¡¡ we had about the ¡¡¡¡8¡¡¡¡ respectable method for moving spaghetti from plate to mouth£®¡¡¡¡9¡¡¡¡, I wanted to write about that, but I wanted to ¡¡¡¡10¡¡¡¡ it down simply for my own ¡¡¡¡11¡¡¡¡, not for Mr£®Fleagle, my composition teacher£®¡¡¡¡12¡¡¡¡, I would write something else£®

¡¡¡¡When I finished it the night was half gone and there was no ¡¡¡¡13¡¡¡¡ left to write a proper composition for Mr£®Fleagle£®There was no choice next morning but to ¡¡¡¡14¡¡¡¡ my work£®Two days passed before Mr£®Fleagle returned the ¡¡¡¡15¡¡¡¡ papers£®He said,¡°Now, class, I want to read you a composition, ¡¯The Art of Eating Spaghetti¡¯£®¡±

¡¡¡¡My words!He was reading my words out ¡¡¡¡16¡¡¡¡ to the whole class£®¡¡¡¡17¡¡¡¡ laughed, then the whole class was laughing with open-hearted enjoyment£®I did my best not to show ¡¡¡¡18¡¡¡¡, but what I was feeling was pure happiness, ¡¡¡¡19¡¡¡¡ my words had the power to make people ¡¡¡¡20¡¡¡¡£®

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