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Could you tell me the way you've thought of ________?
[ ]
Could you tell me the way you've thought of ________?
[ ]
●Ms Tan, you’ve referred to your new novel as your eighth book.
That’s because it took me six or seven attempts at a second novel before I started and completed this one.
●Why do you think you had so many false starts?
I would say that my reasons were wrong. I was trying to prove that I wasn’t just a mother-daughter storyteller, or I was trying to prove that I didn’t just have to write about things that were strictly Chinese or Chinese-American. Those were never the right reasons for writing those early stories. And I could never come up with other better reasons for continuing them.
●What kept you going on this book?
This book was different because it was based on my mother’s real life. The reason for writing it became more personal and emotional. After The Joy Luck Club came out, my mother was always explaining to people that she wasn’t any of the mothers in that book. And at one point she said to me, “Next book tells my true story.” And then she started telling me things I never knew before. She also told me many, many stories, because my mother doesn’t generalize(笼统地表达). The book really grew out of that.
●Have you ever visited China?
Yes. I’ve been there twice: about three years ago and then again last November, both times with my mother and my husband.
●Was it difficult to understand the Chinese-American dialect(方言) without sounding like a parody(拙劣的模仿)?
No, because it’s the language I’ve heard all my life from my mother. She speaks English as it’s direct translation from Chinese. But it’s more than that. Her language also has more imagery than English.
●Can you think of an example?
Somebody might say to me, “Don’t work so hard. You’ll kill yourself.” My mother will say to me,“Why do you press all your brains out on this page for someone else?” So it’s very vivid. That’s the way she talks.
●Have many readers told you that the Chinese mother in your book reminded them of the typical Jewish (有癖好的) mother?
Many people have told me that. I think the mother-daughter relationship is very intense(紧张) in both cases. Culturally there is an acceptance that mothers have the power to tell their children, especially their daughters, how to conduct their lives --- not simply up until the time they are 18, but for the rest of their lives. However, when children grow up in a different culture from their parents’,they tend to keep more secrets from their parents. The children think, “They just wouldn’t understand that I had to do this.” And that can really create a gap, and it can grow as the number of secrets grows.
【小题1】Based on the questions in this interview, what do you think Ms Tan’ s profession is?
| A.A journalist. | B.A story-writer. | C.An interviewer. | D.An interviewee. |
| A.It’ s about her real life in America. |
| B.The name of the book is The Joy Luck Club. |
| C.It is the result of many times of carefull thought. |
| D.It includes many works of her mother. |
| A.How does she think of her mother’ s language? |
| B.How many books does she plan to write? |
| C.When did she visit China? |
| D.How is generation gap created? |
| A.Tan’ s mother is a good storyteller |
| B.Tan plans to write another book about her mother |
| C.Tan plans to return to China |
| D.Tan’ s mother is hard to communicate with because of personality |
| A.how to keep secrets from parents |
| B.how to deal with the mother-daughter relationship |
| C.how to conduct the lives |
| D.how the generation gap comes about |
●Ms Tan, you’ve referred to your new novel as your eighth book.
That’s because it took me six or seven attempts at a second novel before I started and completed this one.
●Why do you think you had so many false starts?
I would say that my reasons were wrong. I was trying to prove that I wasn’t just a mother-daughter storyteller, or I was trying to prove that I didn’t just have to write about things that were strictly Chinese or Chinese-American. Those were never the right reasons for writing those early stories. And I could never come up with other better reasons for continuing them.
●What kept you going on this book?
This book was different because it was based on my mother’s real life. The reason for writing it became more personal and emotional. After The Joy Luck Club came out, my mother was always explaining to people that she wasn’t any of the mothers in that book. And at one point she said to me, “Next book tells my true story.” And then she started telling me things I never knew before. She also told me many, many stories, because my mother doesn’t generalize(笼统地表达). The book really grew out of that.
●Have you ever visited China?
Yes. I’ve been there twice: about three years ago and then again last November, both times with my mother and my husband.
●Was it difficult to understand the Chinese-American dialect(方言) without sounding like a parody(拙劣的模仿)?
No, because it’s the language I’ve heard all my life from my mother. She speaks English as it’s direct translation from Chinese. But it’s more than that. Her language also has more imagery than English.
●Can you think of an example?
Somebody might say to me, “Don’t work so hard. You’ll kill yourself.” My mother will say to me,“Why do you press all your brains out on this page for someone else?” So it’s very vivid. That’s the way she talks.
●Have many readers told you that the Chinese mother in your book reminded them of the typical Jewish (有癖好的) mother?
Many people have told me that. I think the mother-daughter relationship is very intense(紧张) in both cases. Culturally there is an acceptance that mothers have the power to tell their children, especially their daughters, how to conduct their lives --- not simply up until the time they are 18, but for the rest of their lives. However, when children grow up in a different culture from their parents’,they tend to keep more secrets from their parents. The children think, “They just wouldn’t understand that I had to do this.” And that can really create a gap, and it can grow as the number of secrets grows.
1.Based on the questions in this interview, what do you think Ms Tan’ s profession is?
A.A journalist. B.A story-writer. C.An interviewer. D.An interviewee.
2.What’ s TRUE about Tan’ s second book?
A.It’ s about her real life in America.
B.The name of the book is The Joy Luck Club.
C.It is the result of many times of carefull thought.
D.It includes many works of her mother.
3.Which question is NOT answered in the interview?
A.How does she think of her mother’ s language?
B.How many books does she plan to write?
C.When did she visit China?
D.How is generation gap created?
4.We can infer that________.
A.Tan’ s mother is a good storyteller
B.Tan plans to write another book about her mother
C.Tan plans to return to China
D.Tan’ s mother is hard to communicate with because of personality
5.The last paragraph mainly talks about________.
A.how to keep secrets from parents
B.how to deal with the mother-daughter relationship
C.how to conduct the lives
D.how the generation gap comes about
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| 完形填空。 | ||||
| The two teachers were sitting in the teacher's room. For a moment there was 1 . Then one of them, Miss Smith said: "I'm afraid I'd have to 2 him." "Now, Alice," said her friend Mrs. Jackson, "is he such a terrible student?" "That's just the 3 ," the other woman replied. "Tom is my best student. The problem is that he's now so lazy that he never gets his 4 done. He hasn't handed me 5 of his homework for three weeks and I'd be surprised 6 he did now." 7 before had Mrs. Jackson seen Miss Smith look so unhappy. "Have you 8 with him about it?" she asked. "Why should I? He knows he has to prepare his lessons and do his homework. I 9 that clear the first day for class. When the course started, he did so 10 that I considered asking the 11 to give him a scholarship (奖学金). But now he even 12 in class! I've never seen such a 13 in a student." "You should have a 14 with him. Give him a chance to tell his side of story." Miss Smith spoke to Tom and 15 all about it. He was studying all day and 16 most of the night in a factory to pay for his education. Of course he was tired in the 17 and sometimes could hardly keep 18 . Miss Smith soon arranged for him to have a 19 and he was able to give up his 20 and concentrate (集中精力) on his studies. | ||||
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