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Head on hand and resting his right arm on his left knee,he has sat in silent contemplation(沉思)for more than 100 years. What on earth has he been 1 about?
Well,you may have the 2 to ask him yourself.“The Thinker'’ one of the most famous sculptures(雕塑)of all time,will visit Beijing for the first time on April 4th and he will 3 for one month.
“The Thinker'is more than a famous sculpture.It 4 a depth of feeling for humanity(人性)and a nobility of 5 ”said Liu Yan,executive director(总策划)of Cyberark Consulting,which has 6 the exhibition. “It deserves artistic and spiritual appreciation."
“The Thinker"is the masterpiece of French artist August Rodin.Rodin was born in Paris in 1840. At the age of 14 he entered a local school of decorative arts. The teenager wanted to be an artist,but failed to get 7 into the best 8 school in Paris.His application was turned 9 every time.
As an 1 8一year—old,he worked as a stonecutter to 10 his living.Four years later the death of his sister upset him so greatIy that he joined a monastery(修道院).11 his talent was recognized and he was encouraged to pursue his artist dream.
Young Rodin spent 10 years working for sculptors.In 1876,he traveIled to Italy
12 he saw the works of Michelangelo(米开朗琪罗)and others.That gave him the push he needed to go from Rodin the gifted artisan(工匠)to Rodin the 13 The trip 14 his sculpture“The Age of Bronze"(青铜时代),which shot him to fame.
In 1880.he was chosen to create a bronze door for the future Museum of Decorative Arts in Paris.While working on the doors,which are known 15 “The Gates of Hell (地狱之门)”, Rodin read great Italian 16 Dante(但丁),who inspired 17 of his art.
He always tried to show people as they 18 were. And he refused to ignore the negative part of humanity. His works display sadness and moral weakness,19 passion and beauty.
The irregular 20 of his sculptures sets them apart from the co1d,smoooth surface that was the tradition.
His creativity in form and subject matter(主题)established his reputation as the first master of modern sculpture.
When Rodin was 76 years old he gave the French Government his entire collection of works.He died one year later.
1.A.talking B.thinking C.discussing D.expecting
2.A.ability B.wish C.chance D.interest
3.A.keep B.appear C.include D.stay
4.A.shows B.describes C.explains D.announces
5.A.thought B.sculpture C.dream D.character
6.A.offered B.organized C.suggested D.admitted
7.A.received B.entered C.allowed D.accepted
8.A.culture B.sport C.art D.spirit
9.A.off B.down C.up D.over
10.A.make B.continue C.attend D.begin
11.A.so B.Thus C.However D.There
12.A.where B.which C.one D.what
13.A.writer B.artist C.reporter D.maker
14.A.encouraged B.attracted C.inspired D.reminded
15.A.on B.to C.for D.as
16.A.poet B.singer C.painter D.pianist
17.A.more B.much C.many D.too
18.A.possibly B.easily C.really D.already
19.A.rather than B.other than C.as well as D.instead of
20.A.theme B.surface C.collection D.material
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You’re walking down the street, minding your own business, when you see a snowball. No big deal, right? Except the snowball is as tall as you are. And weighs about a ton. Did we mention that it’s June?
That’s the experience thousands of Londoners had when they crossed paths with “Snowballs in Summer”, the brainchild(创意)of artist Andy Goldsworthy. Goldsworthy makes sculpture(雕刻) from all sorts of things he finds outside—leaves, earth and rocks, as well as ice and snow. He wanted to find out how busy city people would react to an unexpected snowball melting.
During the winter of 2005, he rolled 13 giant snowballs near his home in Scotland. He filled each one with a surprise in the centre—such as pebbles, berries, feathers or sheep’s wool, which would emerge as the snow melted. The finished snowballs were stored in a deep freeze until summer, and then transported to London in refrigerated trucks. At midnight on 21 June 2006, while the city slept, Goldsworthy and his co-conspirators(共谋者)rolled their snowballs into place.
People walking to work or school must have thought the sky was falling when they stumbled across(偶然遇见)snowballs the size of baby elephants. Some of them had never even seen snow in real life, and they couldn’t resist poking (捅)the snowballs or even breaking off a chunk(大块,厚片). As the snow started to melt, things got even more interesting. The perfectly round snowballs took on different shapes as the stuff inside began to poke through. Two days later, most of Goldsworthy’s snowballs were gone, and their fillings scattered. But Londoners were left with a really good story about that odd summer day when the snowballs came.
60. What could be the best title of the passage?
A. Special Works of Art B. Snowballs in Summer
C. No Big Deal D. Streets Covered with Snow
61. What is really special about the snowballs is that they ________.
A. lie in the street B. are in the shape of baby elephants
C. have pebbles, berries, feathers in them D. appear in June
62. What was the purpose of Goldsworthy in making the snowballs?
A. To find out people’s reactions to them.
B. To call up people’s memory of the cold winter.
C. To show off his skills in sculpture.
D. To let people experience the cold winter.
63. Why did Goldsworthy and his co-conspirators roll their snowballs into place at midnight?
A. They didn’t want to disturb other people. B. It was quiet at that time.
C. They wanted to avoid the traffic jam. D. They wanted to give people a surprise.
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Picasso, the famous Spanish painter, was born in 1881. His father was an art teacher. Picasso began to paint very early. He was admitted to the Royal Academy of Art at the age of 15. After 1900, he spent much time in Paris, living there from 1904 to 1947, when he moved to the south of France.
Throughout his career, Picasso moved from style to style with ease. He practiced sculpture, illustrated books and also showed great interest in pottery design and other fields of art.
Picasso produced a great number of drawings during his lifetime. No later artist of the School of Paris has replaced him in international influence.
Picasso is generally considered to be the foremost figure in 20th century French art. His paintings are now exhibited in leading European and American galleries.
1.The main idea of the passage is _____.
|
A.Picasso is considered to be the foremost figure in the 20th century French art |
|
B.Picasso is a famous Spanish painter |
|
C.Picasso spent much time in Pairs, living there from 1904 to 1970 |
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D.Picasso’s life and art |
2.According to the writer, Picasso was _____.
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A.more important than any other French artist in international influence |
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B.more important than any other Spanish artist in international influence |
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C.the most important figure in Spain |
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D.the most important figure in France |
3.Picasso moved from style to style with ease. It means _____.
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A.he did not like only one style |
|
B.he changed his style without difficulty |
|
C.he not only liked sculpture, but also pottery design |
|
D.he showed great interest in other fields of art |
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Picasso, the famous Spanish painter, was born in 1881. His father was an art teacher. Picasso began to paint very early. He was admitted to the Royal Academy of Art at the age of 15. After 1900, he spent much time in Paris, living there from 1904 to 1947, when he moved to the south of France.
Throughout his career, Picasso moved from style to style with ease. He practiced sculpture, illustrated books and also showed great interest in pottery design and other fields of art.
Picasso produced a great number of drawings during his lifetime. No later artist of the School of Paris has replaced him in international influence.
Picasso is generally considered to be the foremost figure in 20th century French art. His paintings are now exhibited in leading European and American galleries.
【小题1】The main idea of the passage is _____.
| A.Picasso is considered to be the foremost figure in the 20th century French art |
| B.Picasso is a famous Spanish painter |
| C.Picasso spent much time in Pairs, living there from 1904 to 1970 |
| D.Picasso’s life and art |
| A.more important than any other French artist in international influence |
| B.more important than any other Spanish artist in international influence |
| C.the most important figure in Spain |
| D.the most important figure in France |
| A.he did not like only one style |
| B.he changed his style without difficulty |
| C.he not only liked sculpture, but also pottery design |
| D.he showed great interest in other fields of art |