D

Here is what I have been told of the matter.

     In the spring of 1842, Marguerite was so weak, so different in her looks, that the doctors had ordered her to take the waters. She therefore set out for Bagneres.

     Among the other sufferers there, was the Duke's daughter who not only had the same complaint but a face so like Marguerite's that they could have been taken for sisters.  The fact was that the young Duchess was in the third stage of consumption and, only days after Marguerite's arrival, she passed away.

     One morning the Duke, who had remained at Bagneres caught sight of Marguerite as she turned a corner of a gravel walk.

It seemed as though he was seeing the spirit of his dead child and, going up to her, he took both her hands, embraced her tearfully and, without asking who she was, begged permission to call on her and to love in her person the living image of his dead daughter.

      Marguerite, alone at Bagneres with her maid, and in any case having nothing to lose by compromising herself, granted the Duke what he asked.

      Now there were a number of people at Bagneres who knew her, and they made a point of calling on the Duke to inform him of Marguerite's true situation. It was a terrible blow for the old man, for any resemblance with his daughter stopped there. But it was too late. The young woman had become an emotional necessity, his only excuse and his sole reason for living.

    He did not criticize her, he had no right to, but he did ask her if she felt that she could change her way of life, and, in exchange for this sacrifice, he would offer all the compensations she could want. She agreed.

It should be said that at this point Marguerite, who was by nature somewhat highly strung(excited and nervous), was seriously ill. Her past appeared to her to be one of the major causes of her illness, and a kind of superstition(迷信) led her to hope that God would allow her to keep her beauty and her health in exchange for her regret and shame.

And indeed the waters, the walks, healthy fatigue and sleep had almost restored her fully by the end of that summer.

      The Duke accompanied Marguerite to Paris, where he continued to call on her as at Bagneres.

      This connection, of which the true origin and true motive were known to no one,  gave rise here to a great deal of talk, since the Duke, known till now as an enormously wealthy man,  now began to acquire a name for the prodigality(挥霍).

67. Why did the Duke take Marguerite’s both hands when he saw her?

A. His daughter and Marguerite were once good friends.

B. Marguerite is his daughter’s spirit.

C. Marguerite resembles his daughter.

D. They haven’t seen each other for long.

68. What’s the right order of the events?

a. The Duke accompanied Marguerite to Paris.

b. Marguerite set out for Bagneres.

c. The Duke took Marguerite as his daughter.

d. The daughter of the Duke passed away.

e. Marguerite took a gravel walk

A. e-c-b-d-a                  B. c-d-e-b-a                  C. b-d-e-c-a                  D. d-a-c-b-e

69. From the passage we can guess that Marguerite _______.

A. doesn’t believe in God

B. was once a woman without a good fame

C. was strange to all the people in Bagners

D. kept her own way of life while living with the Duke

70. According to the passage, Marguerite went to Bagners _______.

A. just for a gravel walk                                          B. to find her sister

C. to visit the Duke                                                 D. for treatment

D

Here is what I have been told of the matter.

     In the spring of 1842, Marguerite was so weak, so different in her looks, that the doctors had ordered her to take the waters. She therefore set out for Bagneres.

     Among the other sufferers there, was the Duke's daughter who not only had the same complaint but a face so like Marguerite's that they could have been taken for sisters.  The fact was that the young Duchess was in the third stage of consumption and, only days after Marguerite's arrival, she passed away.

     One morning the Duke, who had remained at Bagneres caught sight of Marguerite as she turned a corner of a gravel walk.

It seemed as though he was seeing the spirit of his dead child and, going up to her, he took both her hands, embraced her tearfully and, without asking who she was, begged permission to call on her and to love in her person the living image of his dead daughter.

      Marguerite, alone at Bagneres with her maid, and in any case having nothing to lose by compromising herself, granted the Duke what he asked.

      Now there were a number of people at Bagneres who knew her, and they made a point of calling on the Duke to inform him of Marguerite's true situation. It was a terrible blow for the old man, for any resemblance with his daughter stopped there. But it was too late. The young woman had become an emotional necessity, his only excuse and his sole reason for living.

    He did not criticize her, he had no right to, but he did ask her if she felt that she could change her way of life, and, in exchange for this sacrifice, he would offer all the compensations she could want. She agreed.

It should be said that at this point Marguerite, who was by nature somewhat highly strung(excited and nervous), was seriously ill. Her past appeared to her to be one of the major causes of her illness, and a kind of superstition(迷信) led her to hope that God would allow her to keep her beauty and her health in exchange for her regret and shame.

And indeed the waters, the walks, healthy fatigue and sleep had almost restored her fully by the end of that summer.

      The Duke accompanied Marguerite to Paris, where he continued to call on her as at Bagneres.

      This connection, of which the true origin and true motive were known to no one,  gave rise here to a great deal of talk, since the Duke, known till now as an enormously wealthy man,  now began to acquire a name for the prodigality(挥霍).

67. Why did the Duke take Marguerite’s both hands when he saw her?

A. His daughter and Marguerite were once good friends.

B. Marguerite is his daughter’s spirit.

C. Marguerite resembles his daughter.

D. They haven’t seen each other for long.

68. What’s the right order of the events?

a. The Duke accompanied Marguerite to Paris.

b. Marguerite set out for Bagneres.

c. The Duke took Marguerite as his daughter.

d. The daughter of the Duke passed away.

e. Marguerite took a gravel walk

A. e-c-b-d-a                  B. c-d-e-b-a                  C. b-d-e-c-a                  D. d-a-c-b-e

69. From the passage we can guess that Marguerite _______.

A. doesn’t believe in God

B. was once a woman without a good fame

C. was strange to all the people in Bagners

D. kept her own way of life while living with the Duke

70. According to the passage, Marguerite went to Bagners _______.

A. just for a gravel walk                                          B. to find her sister

C. to visit the Duke                                                 D. for treatment

There was once, in a little market-town not far from Upsala (瑞典一城市), a peasant who lived there with his family, digging the earth during the week and singing in the choir on Sundays. This peasant had a little daughter to whom he taught the musical alphabet before she knew how to read. Daae was a great musician, perhaps without knowing it. Not a violinist in Scandinavia played as he did. His reputation was widespread and he was always invited to set the couples dancing at weddings and other festivals. His wife died when Christine was entering upon her sixth year. Then the father, who cared only for his daughter and his music, sold his land and went to Upsala in search of fame and fortune. He found nothing but poverty.
He returned to the country, wandering from fair to fair, playing his Scandinavian music pieces, while his child, who never left his side, listened to him in delight or sang to his playing. One day, at Ljimby Fair, Professor Valerius heard them and took them to Gothenburg. He insisted that the father was the first violinist in the world and that the daughter had the making of a great artist. Her education and instruction were provided for. She made rapid progress and charmed everybody with her prettiness, her grace of manner and her real eagerness to please.
When Valerius and his wife went to settle in France, they took Daae and Christine with them. "Mamma" Valerius treated Christine as her daughter. As for Daae, he became ill with homesickness. He never went out of doors in Paris, but lived in a sort of dream which he kept up with his violin. For hours at a time, he remained locked up in his bedroom with his daughter, playing and singing, very, very softly.
Daae seemed not to recover his strength until the summer, when the whole family went to stay at Perros-Guirec, in a far-away corner of Brittany, where the sea was of the same color as in his own country. Often he would play his saddest tunes on the beach and pretend that the sea stopped its roaring to listen to them. And then he persuaded Mamma Valerius to allow him to leave for a while. At the time of the "pardons," the village festivals and dances, he went off with his violin, as in the old days, and was allowed to take his daughter with him for a week. They gave the smallest villages music to last them for a year and slept at night in a barn, refusing a bed at the inn, lying close together on the straw, as when they were so poor in Sweden. At the same time, they were very neatly dressed, refused the halfpence offered to them; and the people around could not understand the behaviour of this country violinist, who walked heavily on the roads with that pretty child who sang like an angel from Heaven. They followed them from village to village.
【小题1】 When he was in the countryside, Daae did NOT __________.

On a hike through the bush, he came across a young bull elephant standing with one leg raised in the air．The elephant   1   greatly pained, so Peter approached it very   2  ．

       He got down on one knee, examined the elephant's   3   and found a large piece of wood deeply stuck（刺入）in   4  ．As carefully and as gently as he   5  , Peter worked the wood out with his hunting knife,   6   which the elephant carefully put down its foot．The elephant  7  to face the man, and with a rather curious look on its face,   8   at him for several tense moments．Peter stood   9  , thinking of nothing else but being killed．  10  the elephant trumpeted（高声鸣叫）loudly, turned, and walked away．Peter never forgot that elephant or the events of that day．

Twenty years   11  , Peter was walking through the Chicago Zoo with his teenaged son．As  12    approached the elephant house, one of the creatures turned and walked over to near   13   Peter and his son Cameron were   14  ．The large bull elephant stared at Peter, lifted its front foot off the   15  , then put it down．The elephant did that several times then trumpeted loudly,   16   staring at the man．

       Remembering the accidental meeting in 1986, Peter could not help   17   if this was the same elephant．Peter   18   his courage, climbed over the railing, and made his way into the elephant house．He walked   19   up to the elephant and stared back in wonder．The elephant   20   again, wrapped its trunk around one of Peter's legs and threw this stupid fellow hard against the railing, killing him immediately．

       Probably it wasn't the same elephant．

1．A．appeared             B．seemed             C．proved              D．remained

2．A．quickly               B．carelessly         C．carefully           D．pitifully

3．A．foot                    B．body               C．tail                   D．head

4．A．her                     B．it                     C．them                D．him

5．A．might                 B．could               C．should              D．would

6．A．with                   B．before             C．after                D．on

7．A．rushed                B．turned             C．walked             D．stepped

8．A．stared                 B．watched          C．noticed             D．glanced

9．A．quiet                   B．silent               C．frozen              D．sad

10．A．Slowly              B．Highly             C．Lowly              D．Finally

11．A．ago                   B．after                C．later                 D．late

12．A．Peter                B．Cameron          C．they                 D．visitors

13．A．where               B．when               C．what                D．that

14．A．sightseeing        B．visiting            C．walking            D．standing

15．A．floor                 B．ground            C．earth                D．land

16．A．all at once         B．all the while       C．all the same        D．all of a sudden

17．A．realizing            B．feeling             C．sensing            D．wondering

18．A．gathered            B．called              C．took                 D．kept

19．A．round               B．direct              C．about               D．right

20．A．shouted             B．trumpeted         C．whispered        D．cried

Most painters discover a style(风格) of painting that suits them and stick to that, especially if people admire their pictures. But Picasso, the great Spanish painter, was like a man who had not yet found his own particular style of painting. He kept on struggling to find the perfect expression till his death in 1973.

Some of Picasso's paintings are rich, soft coloured and beautiful. Others are ugly and cruel and strange. But such paintings allow us to imagine things for ourselves. They force us to say to ourselves, “What does he see that makes him paint like that?” And we begin to look beneath(在…之下) the surface of the things we see. w.w.w.k.&s.5*u.c.#om

Picasso painted thousands of pictures in different styles. Sometimes he painted the natural look of things. Sometimes he seemed to break them apart and throw the pieces in our faces. He showed us what the mind knows as well as what the eye sees. At the age of 90 he remained as curious about the world as he had been when he was young. That is why people have called him “the youngest painter in the world”.

56. In the passage the writer wants to tell us _________.

A. about some pictures which have different styles

B. about Picasso's style of painting

C. it is not easy for a painter to find his own style

D. that Picasso had not found his own particular style

57. The ugly, cruel and strange paintings by Picasso _________.

A. make us try to notice something latent(潜在的) in the things

B. allow us to ask questions about them

C. force us to question anything we see

D. cause us to think what Picasso saw was different from what we see

58. The sentence“sometimes he seemed to break them apart and throw the pieces in our faces” means _________.

A. sometimes he tore his pictures into pieces

B. he broke something he was painting and threw them away

C. sometimes he showed some broken pictures to others

D. things in some of his pictures seemed to be in disorder

59. Why have people called Picasso “the youngest painter in the world”?

A. Because he looked young when he was old.

B. Because he observed things with the eye and the mind.

C. Because he never stopped painting even when he was old.

D. Because he never gave up looking for something new.

60. What do you suppose the writer thinks of Picasso's paintings?

A. He doesn't understand some of them.

B. He thinks some of them are valuable, some are not.

C. He admires them, including the ugly ones.

D. He doesn't like some of them, but he admires the painter.