Susan Sontag (1933-2004) was one of the most noticeable figures in the world of literature. For more than 40 years she made it morally necessary to know everything － to read every book worth reading, to see every movie worth seeing. When she was still in her early 30s, publishing essays in such important magazines as Partisan Review, she appeared as the symbol of American cultural life, trying hard to follow every new development in literature, film and art. With great effort and serious judgment, Sontag walked at the latest edges of world culture.

Seriousness was one of Sontag’s lifelong watchwords (格言), but at a time when the barriers between the well-educated and the poor-educated were obvious, she argued for a true openness to the pleasure of pop culture. In “Notes on Camp”, the 1964 essay that first made her name, she explained what was then a little-known set of difficult understandings, through which she could not have been more famous. “Notes on Camp”, she wrote, represents “a victory of ‘form’ over ‘content’, ‘beauty’ over ‘morals’”.

By conviction (信念) she was a sensualist (感觉论者), but by nature she was a moralist (伦理学者), and in the works she published in the 1970s and 1980s, it was the latter side of her that came forward. In Illness as Metaphor － published in 1978, after she suffered cancer － she argued against the idea that caner was somehow a special problem of repressed personalities (被压抑的个性), a concept that effectively blamed the victim for the disease. In fact, re-examining old positions was her lifelong habit.

In America, her story of a 19th century Polish actress who set up a perfect society in California, won the National Book Award in 2000. But it was as a tireless, all-purpose cultural view that she made her lasting fame. “Sometimes,” she once said, “I feel that, in the end, all I am really defending … Is the idea of seriousness, of true seriousness.” And in the end, she made us take it seriously too.

1.The underlined sentence in Paragraph 1 means Sontag __________.

A. was a symbol of American cultural life

B. developed world literature, film and art

C. published many essays about world culture

D. kept pace with the newest development of world culture

2.She first won her name through __________.

A. her story of a Polish actress

B. her book Illness as metaphor

C. publishing essays in magazines like Partisan Review

D. her explanation of a set of difficult understandings

3.According to the passage, Susan Sontag __________.

A. was a sensualist as well as a moralist

B. looked down upon the pop culture

C. thought content was more important than form

D. blamed the victim of cancer for being repressed

4.As for Susan Sontag’s lifelong habit, she __________.

A. misunderstood the idea of seriousness

B. re-examined old positions

C. argued for an openness to pop culture

D. preferred morals to beauty

5.Susan Sontag’s lasting fame was made upon __________.

A. a tireless, all-purpose cultural view

B. her lifelong watchword: seriousness

C. publishing books on morals

D. enjoying books worth reading and movies worth seeing

Susan Sontag (1933 ------ 2004) was one of the most noticeable figures in the world of literature.  For more than 40 years she made it morally necessary to know everything----- to read every book worth reading, to see every movie worth seeing.  When she was still in her early 30s, publishing essays in such important magazines as Partisan Review, she appeared as the symbol of American culture life, trying hard to follow every new development in literature, film and art.  With great effort and serious judgment, Sontag walked at the latest edges of world culture.

Seriousness was one of Sontag’s lifelong watchwords (格言), but at a time when the barriers between the well-educated and the poorly-educated were obvious, she argued for a true openness to the pleasure of pop culture.  In Notes Camp, the 1964 essay that first made her name, she explained what was then a little-known set of difficult understandings, through which she could not have been more famous.  Notes on Camp, she wrote, represents “a victory of ‘form’ over ‘content’, ‘beauty’ over ‘morals’”.

By conviction she was a sensualist (感觉论者), but by nature she was a moralist, and in the works she published in the 1970s and 1980s, it was the latter side of her that came forward.  In Illness as Metaphor ------published in 1978, after she suffered cancer ------ she argued against the idea that cancer was somehow a special problem of repressed (被压抑的) personalities, a concept that effectively blamed the victim for the disease.  In fact, re-examining old positions was her lifelong habit.

In America, her story of a 19^th century Polish actress who set up a perfect society in California, won the National Book Award in 2000.  But it was as a tireless, all-purpose cultural view that she made her lasting fame.

“Sometimes,” she once said, “I feel that, in the end, all I am really defending… is the idea of seriousness, of true seriousness.”  And in the end, she made us take it seriously too.

1.It is implied but not stated in the first paragraph that Sontag _________.

2.She first won her name through _________.

3.From the works Susan published in the 1970s and 1980s, we can learn that ________.

4.According to the passage, Susan Sontag would agree to the ideas except _________.

5.What is the passage mainly about?

C
Susan Sontag（1933—2004） was one of the most noticeable figures in the world of literature. For more than 40 years she made it morally necessary to know everything—to read every book worth reading, to see every movie worth seeing. When she was still in her early 30s，publishing essays in such important magazines as Partisan Review，she appeared as the symbol of American culture life，trying hard to follow every new development in literature，film and art. With great effort and serious judgment，Sontag walked at the latest edges of world culture.
　　Seriousness was one of Sontag’s lifelong watchwords（格言），but at a time when the barriers between the well-educated and the poor-educated were obvious, she argued for a true openness to the pleasure of pop culture. In “Notes Camp”, the 1964 essay that first made her name，she explained what was then a little—known set of difficult understandings，through which she could not have been more famous.“Notes on Camp”，she wrote，represents “a victory of ‘form’ over ‘content’, ‘beauty’ over ‘morals’ ”.
By conviction（信念）she was a sensualist（感觉论者），but by nature she was a moralist（伦理学者），and in the works she published in the 1970s and 1980s，it was the latter side of her that came forward. In “Illness as Metaphor”—published in 1978，after she suffered cancer—she argued against the idea that cancer was somehow a special problem of repressed personalities（被压抑的性格），a concept that effectively blamed the victim for the disease. In fact，re-examining old positions was her lifelong habit.
In America，her story of a 19th century Polish actress who set up a perfect society in California，won the National Book Award in 2000. But it was as a tireless，all-purpose cultural view that she made her lasting fame.
“Sometimes,” she once said，“I feel that，in the end，all I am really defending…is the idea of seriousness，of true seriousness.”And in the end，she made us take it seriously too.
64．The underlined sentence in paragraph l means Sontag ____________.
A．was a symbol of American cultural life
B．developed world literature，film and art
C．published many essays about world culture
D．kept pace with the newest development of world culture
65．She first won her name through____________.
A．her story of a Polish actress
B．her book Illness as Metaphor
C．publishing essays in magazines like Partisan Review
D．her explanation of a set of difficult understandings
66．Susan Sontag’s lasting fame was made upon____________.
A．a tireless，all-purpose cultural view
B．her lifelong watchword: seriousness
C．publishing books on morals
D．enjoying books worth reading and movies worth seeing
67．From the works Susan published in the 1970s and 1980s，we can learn that _____.
A．she was more a moralist than a sensualist
B．she was more a sensualist than a moralist
C．she believed repressed personalities mainly led to illness
D．she would like to re-examine old positions

Dear Susan,

I'm very glad to hear you are coming to visit　　　　　　　　　　　　　　　　　　　　　　　　　　 1. ________

me the next Friday. Unfortunately, I won't be able　　　　　　　　　　　　　　　　　　　　　　  2. ________

to meet you at the airport although I have classes in the　　　　　　　　　　　　　　　　　　  3. ________

afternoon. You won't find difficult to get to the city　　　　　　　　　　　　　　　　　　　　   4. ________

center. The airport bus leaves every 30 minute and　　　　　　　　　　　　　　　　　　　　    5. ________

will take you rightly to the Friendship Hotel. My class　　　　　　　　　　　　　　　　　　    6. ________

will be over by then or I will pick you up there. I will　　　　　　　　　　　　　　　　　　　　 7. ________

take you together to a hot-pot restaurant for dinner　　　　　　　　　　　　　　　　　　　　    8. ________

and we'll talk with our plan for the weekend over　　　　　　　　　　　　　　　　　　　　　　  9. ________

dinner. Having a pleasant trip and see you Friday.　　　　　　　　　　　　　　　　　　　　　　   10. ________

Yours,

Zhang Ming

 When 47-year-old volunteer Susan Boyle stepped onto the stage of Britain’s Got Talent and announced she was unemployed, had never been married and “never been kissed, actually”, few in the audience would have wondered why. This Ms Boyle, looking unfashionable, from a village in Scotland, shocked the three judges and the audience with the song I dreamed a dream from the musical Les Miserables on a show of Britain’s Got Talent, one of the hottest reality shows in Britain.

She couldn’t hide the awkwardness when walking to the center of the stage in a housedress, and everyone — including the judges — seemed laughing at her when she said she wanted to be as successful as Elaine Paige. As soon as she began singing, however, everyone in the auditorium fell silent, then rose within seconds to applaud her incredible voice as the celebrity judges sat open-mouthed, and remained standing to the end.

After her performance, one of the judges Piers Morgan said, “Without doubt that was the biggest surprise I’ve had in three years of this show. When you stood there everyone was laughing at you. No one is laughing now. That was amazing.” Actress Amanda Holden followed, “I’m so thrilled because I know that we everybody were against you. I honestly think that we were all being very cynical (愤世嫉俗的) and I think that’s the biggest wake up call ever.”

Susan obviously won over the hearts of millions around the world with sensation spreading across the Atlantic. Hollywood actors Ashton Kutcher and Demi Moore — who between them have nearly 1.5 million followers — speak highly of her. Kutcher posted a link to the video clip (片段). The Scottish talent made her live American debut via satellite connection on CBS’s The Early Show, doing an interview and singing live from her room. And she already accepted an invitation from talk show host Oprah Winfrey.

Now Boyle has become one of the world’s hottest celebrities. The video clip of her performance has been viewed more than 50 million times on Youtube, becoming a hit on the Internet.

1.We learn from the passage that Susan Boyle ______.

A. rose from a low social class

B. had an unhappy marriage

C. lived with a dog alone on a farm

D. won the championship in the Britain’s Got Talent show

2. At the beginning of the show, almost everybody ______.

A. looked forward to her wonderful performance

B. was attracted by her beautiful dress

C. looked down upon her

D. placed great hope on her

3. We can infer that ______ contributed most to her global popularity.

A. the judges   B. the Internet   C. the newspaper   D. the advertisement

4.The 4^th paragraph intends to tell us ______.

A. how Susan Boyle achieved her success

B. the comment made by American actor Ashton Kutcher

C. Susan Boyle’s influence in the USA

D. Oprah Winfrey’s invitation to Susan Boyle