摘要： The passage is . A. an introduction to photography B. an advertisement for film C. a history of photography D. part of a book of camera instruction 答案:A 指导:全文讲述摄影师必须注意观察生活.捕捉real-life situations.不要担心浪费胶卷.为了捕捉that precious moment.often you have to waste film,不难看出其写作宗旨是A. Passage 5 A few years ago it was popular to speak of a penetration gap, a disagreement between young people and their elders. Parents said that children did not show them proper respect and obedience, while children complained that their parents did not understand them at all What had gone wrong? Why had the generation gap suddenly appeared? Actually the generation gap has been around for a long time. Many people argue that a gap is built into the fabric of our society. One important cause of the generation gap is the chance that young people have to choose their own ways of life. In more traditional societies, when children grow up, they are expected to live in the same area as their parents, to marry people that their parents know and agree to, and to continue the family occupation . In our society, young people often travel great distances for their education, move out of the family home at an early age, marry or live with people whom their parents have never met, and choose occupations different from those of their parents. In our easily changing society, parents often expect their children to do better than they did; to find better jobs, to make more money; and to do all the things that they were unable to do. Often, however, the strong desire that parents have for their children are another cause of the disagreement between them. Often, they discover that they have very little in common with each other. Finally, the speed at which changes take place in our society is another cause of the gap between the generations. In a traditional culture, elderly people are valued for their wisdom, but in our society the knowledge of a lifetime may become out of date overnight. The young and the old seem to live in two very different worlds, separated by different skills and abilities. No doubt, the generation gap will continue to be a feature of American life for some time to come It’s causes are rooted in the freedom and changes of our society, and in the rapid speed at which society changes.

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（C）

You would like to take good photographs of real-life situations but you have few ideas for pictures. I suggest that you look around you. The everyday world is full of scenes being played by an ever-changing group of actors. You probably passed a dozen picture situations without noticing on your way to work this morning.

The realistic approach to photograph has been perfected in the past by such masters as Henri Cartier-Bresson and Bill Brandt. But while you can learn a great deal from looking at the work of others, any success you can hope to achieve in this field has to come from developing an individual approach.

The main requirement for any photographer has little to do with technical matters. You must develop an awareness of the world around you and the people who live in it, and you should learn to notice when a situation may develop to a point where you will be able to take a gook picture. Those who have reached this happy state will be prepared when that moment comes, and will simply raise their camera quickly and shoot. Others who are not so aware will be struggling with camera cases and lens caps.

Film manufacturers must be delighted at the thought of the inexperienced photographer setting out in search of the right situation and the right moment. Many miles of costly material have passed through thousands of cameras as this endless search continues. But although a lot of this waste must be put down to inexperience, you’ll find that even the professionals have to use a lot of film when they are out shooting.

Not every shot（镜头；景） is going to be a winner. If you look at the work of even the best photographers, you’ll notice dozens of pictures have had to be taken only because they lead up to the successful shot of a situation that the photographer has obviously been observing through the lens. You may find that you have taken one or two pictures after the right moment has passed as well. There is seldom more than one shot which stands out. There is just one point where it all comes together, and you often have to waste film to catch that precious moment.

51. According to the passage, one can become a better real-life photographer by ________.

A. watching other photographers at work

B. learning about famous photographers

C. just taking a great many photographers

D. developing skills and ideas for yourself

52. The writer thinks that a photographer is required to ________________________.

A. go out and search for unusual situations

B. be highly skilled in camera techniques

C. be able to tell when a good situation might come

D. have a camera which is easy and quick to use

53. Most likely, to catch the tight moment, one must ________________________.

A. take pictures without too much preparation

B. take a whole series of similar pictures

C. take great care to set up the situation

D. take one picture just at the right moment

54. Which of the following statements is TRUE?

A. The waste of film in photography is essential to the production of good pictures.

B. Film manufacturers usually enjoy pictures by inexperienced photographers.

C. Only amateur photographers waste film in taking pictures.

D. The waste of film, which is the result of poor choice of subject, is expensive and unnecessary.

55. The passage is _________________________.

A. part of a book of camera instruction B. an advertisement for film

C. a history of photography D. an introduction to photography

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阅读理解

　　You would like to take good photographs of real-life situations but you have few deas for pictures．I suggest you look around you．The everyday world is full of scenes eing played by an ever-changing group of actors．You probably passed a dozen picture situations without noticing on your way to work this morning．

　　The realistic approach to photograph has been perfected in the past by such masters as Henri Cartier-Bresson and Bill Brandt．But while you can learn a great deal from looking at the work of others, any success you can hope to achieve in this field has to come from developing an individual approach．

　　The main requirement for any photographer has little to do with technical matters．You must develop an awareness of the world around you and the people who live in it, and you should learn to notice when a situation may develop to a point where you will be able to take a good picture．Those who have reached this happy state will be prepared when that moment comes, and will simply raise their camera quickly and shoot．Others who are not so aware will be struggling with camera cases and lens(镜头)caps．

　　Film manufactures must be delighted at the thought of the inexperienced photographer setting out in search of the right situation and the right moment．Many miles of costly material have passed through thousands of cameras as this endless search continues．But although a lot of this waste must be put down to inexperience, you'll find that even the professionals have to use a lot of films when they are out shooting．

　　Not every shot is going to be a winner．If you look at the work of even the best photographers, you'll notice dozens of pictures have had to be taken only because they lead up to the successful shot of a situation that the photographer has obviously been observing through the lens．You may find that you have taken one or two pictures after the right moment has passed as well．There is seldom more than one shot which stands out．There is just one point where it all comes together, and you often have to waste film to catch that precious moment．

(1)

According to the passage, one can become a better real-life photographer by ________．
[　　]
A．	watching other photographers at work
B．	learning about famous photographers
C．	just taking a great many photographs
D．	developing skills and ideas for yourself

(2)

The writer thinks that a photographer is required to ________．
[　　]
A．	go out and search for unusual situations
B．	be highly skilled in camera techniques
C．	be able to tell when a good situation might come
D．	have a camera which is easy and quick to use

(3)

Which of the following is TRUE?
[　　]
A．	The waste of film in photography is essential to the production of good pictures．
B．	Film manufacturers usually enjoy pictures by inexperienced photographers．
C．	Only amateur photographers waste film in taking pictures．
D．	The waste of film, which is the result of poor choice of subject, is expensive and unnecessary．

(4)

The passage is probably ________．
[　　]
A．	part of a book of camera instruction
B．	an advertisement for film
C．	a history of photography
D．	an introduction to photography

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You would like to take good photographs of real-life situations but you have few ideas for pictures. I suggest that you look around you. The everyday world is full of scenes being played by an ever-changing group of actors. You probably passed a dozen picture situations without noticing on your way to work this morning.
The realistic approach to photograph has been perfected in the past by such masters as Henri Cartier-Bresson and Bill Brandt. But while you can learn a great deal from looking at the work of others, any success you can hope to achieve in this field has to come from developing an individual approach.
The main requirement for any photographer has little to do with technical matters. You must develop an awareness of the world around you and the people who live in it, and you should learn to notice when a situation may develop to a point where you will be able to take a gook picture. Those who have reached this happy state will be prepared when that moment comes, and will simply raise their camera quickly and shoot. Others who are not so aware will be struggling with camera cases and lens caps.
Film manufacturers must be delighted at the thought of the inexperienced photographer setting out in search of the right situation and the right moment. Many miles of costly material have passed through thousands of cameras as this endless search continues. But although a lot of this waste must be put down to inexperience, you’ll find that even the professionals have to use a lot of film when they are out shooting.
Not every shot（镜头；景） is going to be a winner. If you look at the work of even the best photographers, you’ll notice dozens of pictures have had to be taken only because they lead up to the successful shot of a situation that the photographer has obviously been observing through the lens. You may find that you have taken one or two pictures after the right moment has passed as well. There is seldom more than one shot which stands out. There is just one point where it all comes together, and you often have to waste film to catch that precious moment.

1.
According to the passage, one can become a better real-life photographer by ________.
1. A.
  watching other photographers at work
2. B.
  learning about famous photographers
3. C.
  just taking a great many photographers
4. D.
  developing skills and ideas for yourself
2.
The writer thinks that a photographer is required to ________________________.
1. A.
  go out and search for unusual situations
2. B.
  be highly skilled in camera techniques
3. C.
  be able to tell when a good situation might come
4. D.
  have a camera which is easy and quick to use
3.
Most likely, to catch the tight moment, one must ________________________.
1. A.
  take pictures without too much preparation
2. B.
  take a whole series of similar pictures
3. C.
  take great care to set up the situation
4. D.
  take one picture just at the right moment
4.
Which of the following statements is TRUE?
1. A.
  The waste of film in photography is essential to the production of good pictures.
2. B.
  Film manufacturers usually enjoy pictures by inexperienced photographers.
3. C.
  Only amateur photographers waste film in taking pictures.
4. D.
  The waste of film, which is the result of poor choice of subject, is expensive and unnecessary.
5.
The passage is _________________________.
1. A.
  part of a book of camera instruction
2. B.
  an advertisement for film
3. C.
  a history of photography
4. D.
  an introduction to photography

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（C）
You would like to take good photographs of real-life situations but you have few ideas for pictures. I suggest that you look around you. The everyday world is full of scenes being played by an ever-changing group of actors. You probably passed a dozen picture situations without noticing on your way to work this morning.
The realistic approach to photograph has been perfected in the past by such masters as Henri Cartier-Bresson and Bill Brandt. But while you can learn a great deal from looking at the work of others, any success you can hope to achieve in this field has to come from developing an individual approach.
The main requirement for any photographer has little to do with technical matters. You must develop an awareness of the world around you and the people who live in it, and you should learn to notice when a situation may develop to a point where you will be able to take a gook picture. Those who have reached this happy state will be prepared when that moment comes, and will simply raise their camera quickly and shoot. Others who are not so aware will be struggling with camera cases and lens caps.
Film manufacturers must be delighted at the thought of the inexperienced photographer setting out in search of the right situation and the right moment. Many miles of costly material have passed through thousands of cameras as this endless search continues. But although a lot of this waste must be put down to inexperience, you’ll find that even the professionals have to use a lot of film when they are out shooting.
Not every shot（镜头；景） is going to be a winner. If you look at the work of even the best photographers, you’ll notice dozens of pictures have had to be taken only because they lead up to the successful shot of a situation that the photographer has obviously been observing through the lens. You may find that you have taken one or two pictures after the right moment has passed as well. There is seldom more than one shot which stands out. There is just one point where it all comes together, and you often have to waste film to catch that precious moment.
51. According to the passage, one can become a better real-life photographer by ________.
A. watching other photographers at work
B. learning about famous photographers
C. just taking a great many photographers
D. developing skills and ideas for yourself
52. The writer thinks that a photographer is required to ________________________.
A. go out and search for unusual situations
B. be highly skilled in camera techniques
C. be able to tell when a good situation might come
D. have a camera which is easy and quick to use
53. Most likely, to catch the tight moment, one must ________________________.
A. take pictures without too much preparation
B. take a whole series of similar pictures
C. take great care to set up the situation
D. take one picture just at the right moment
54. Which of the following statements is TRUE?
A. The waste of film in photography is essential to the production of good pictures.
B. Film manufacturers usually enjoy pictures by inexperienced photographers.
C. Only amateur photographers waste film in taking pictures.
D. The waste of film, which is the result of poor choice of subject, is expensive and unnecessary.
55. The passage is _________________________.
A. part of a book of camera instruction               B. an advertisement for film
C. a history of photography                               D. an introduction to photography

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According to the passage, one can become a better real-life photographer by ________.

The writer thinks that a photographer is required to ________________________.

Most likely, to catch the tight moment, one must ________________________.

Which of the following statements is TRUE?

The passage is _________________________.

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