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I music since I was a little girl. However, I never dreamed of working of working with an American student to make music before I took part in a cross- cultural learning project.
A. loved; had B. have loved; have C. have loved; had D. love; have
查看习题详情和答案>>采访中有5处需要添加信息。请从以下选项中（A, B, C, D, E和F）中选出符合各段意思的选项。选项中有一项是多余的。
| A．Do established musicians have a responsibility to guide and assist young up-and–coming musicians? B．Did anyone promote your musical education when you were growing up? C．What kind of “world music” do you enjoy? D．What’s your comment on pop music? E．Does the contemporary music press give jazz the coverage it deserves? F．What’s wrong with the music on the radio? |
【小题1】_________________________________
There were the older jazz musicians who hung around our house when I was young．I saw how much they practiced, how serious they were about their art．I knew then I had to work just as hard if I wanted to succeed．Of course, my father inspired me a lot, and many teachers took the time to nurture my talent and the talents of other students in our school．
【小题2】_____________________________
Yes．We’ve done such a poor job with music education because, as a society, we haven’t maintained the kind of education that a true artist and musician needs．Young people haven’t been able to equate romance and talent with music．For instance, most of the people who make it in the music industry today have to look good．How they sound is secondary．Sarah Vaughan, Bessie Smith, Ella Fitzgerald — those big, romantic queens of jazz music wouldn’t make it in today’s music industry, and that’s a shame．We need to teach young people about the alternatives．
【小题3】______________________________
Around the world people make music that, if you listen carefully to it, sounds a little like the cadence of their language．I’d call it folk music．When I’m away from home, I make a point of listening to regional folk music, not what’s on the radio．
【小题4】_______________________________
The same music is on the radio all over the world, and the American sound is overwhelming．Even the pop music that’s produced and created in foreign countries has that American beat, which underscore funk．As a musician, I’m not interested in hearing recycled versions of the same genre over and over．Any music that doesn’t have a development section just isn’t interesting to me．
【小题5】_________________________________
The music press has so much to introduce these days, and jazz is just a small fraction of it．Because some people are intimidated by jazz, they don’t cover it unless it’s a big name．New jazz musicians don’t get much of break．A lot of editors don’t say anything about jazz these days unless it’s Marsalis．That’s a shame．What VH1 is doing with their Save the Music campaign is phenomenal．They’re getting all these instruments out to needy kids．It’s the kind of thing all networks should be doing． 查看习题详情和答案>>
Fourteen – year – old Richie Hawley had spent five years studying violin at the Community School of Performing Arts in Los Angeles when he took part in a violin contest. Ninety two young people were invited to the contest and Hawley came out first．
The contest could have been the perfect setup for fear, worrying about mistakes, and trying to impress the judges．But Hawley says he did pretty well in staying calm. “I couldn’t be thinking about how many mistakes I’d make—it would distract me from playing,” he says．“I didn’t even remember trying to impress people while I played． It’s almost as if they weren’t there． I just wanted to make music．”
Hawley is a winner． But he didn’t become a winner by concentrating on winning． He did it by concentrating on playing well．
“The important thing in the Olympic Games is not to win but to take part,” said the founder of the modern Olympics, Pierre de Coubertin．“The important thing in life is not the triumph but the struggle．The essential thing is not to have conquered but to have fought well．”
A characteristic of high performers is their intense, pleasurable concentration on work, rather than on their competitors or future glory or money, says Dr．Charles Garfield, who has studied 1,500 achievers in business, science, sports, the arts, and professions．“They are interested in winning, but they’re most interested in self-development, testing their limits．”
One of the most surprising things about top performers is how many losses they’ve had and how much they’ve learned from each． “Not one of the 1,500 I studied defined losing as failing,” Garfield says．“They kept calling their losses ‘setbacks’．”
A healthy attitude toward setbacks is essential to winning, experts agree．
“The worst thing you can do if you’ve had a setback is to let yourself get stuck in a prolonged depression． You should analyze carefully what went wrong, identify specific things you did right and give yourself credit for them．” Garfield believes that most people don’t give themselves enough praise． He even suggests keeping a diary of all the positive things you’ve done on the way to a goal．
1.Hawley won the contest because _______．
A．he put all his mind to his performance
B．he cared much about the judges’ feelings
C．he tried his best to avoid making mistakes
D．he paid close attention to the people around
2.High performers is that they tend to give priority to _______．
A．glory B. wealth C. pleasure D. work
3.According to the passage, successful people concentrate on _______．
A．challenging their own limits B．learning from others
C．defeating their opponents D．avoiding setbacks
4. It can be learned from the passage that top performers are not _______．
A．interested in winning B．free of losses
C．accustomed to failures D．concerned about setbacks
5.The passage tells us that “praise” in times of trouble _______．
A．helps people deal with their disappointment
B．makes people forget their setbacks
C．makes people regret about their past
D．helps people realize their goals
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He only finished fourth in this year's Super Boy talent show. But it didn't stop him capturing the hearts of thousands of fans. He can hit high notes with ease. And he is very modest. Zhang Jie,25,shed(流) sweat and tears all the way through the competition, but he never gave up.
“No matter how life treats him, he always fights back bravely ,”said Wu Chunyan, a Senior 2 student in Hubei. “He has never lost his dream of being a singer.” The road to fame is always rocky, and Zhang is no exception. As a college student he was majoring in tourism. He was considering becoming a tourist guide after graduation until he entered a singing competition.
His life changed after he competed in My Show. He won first place and signed with a record company. “I was very excited and regarded it as a way to take me closer to my dream,” he said. But the company gave him little money to make music and slowly began to ignore him. Zhang even borrowed money to buy costumes. “Life has its ups and downs. But the tough reality only makes me stronger,” he said.
He forgot he was once a champion of a talent show and joined Super Boy. His decision got support from his family who worked hard to make ends meet. His mother sold rice noodles on a street in his hometown, but she said she would “support him forever.”
“I have the dream to buy a large house for my parents, where my mom can get a large window sill to grow flowers,” said Zhang.
1.Which of the following is the best title of the passage?
A. An easy way to success B. A rocky path to success
C. A clever boy D. A successful boy
2. From the passage, we can know that _________.
A. he once won the first place in Super Boy talent show.
B. he finished fourth in My Show.
C. he is an exception on his way to fame.
D. after signing with a record company, he didn’t get much money.
3. When he met with difficulty in a record company, he decided to _______.
A. join Super Boy B. tell the others he was a champion
C. give up on his way to success D. quarrel with the boss
4.Before he joined in a singing competition, his dream was to become________.
A. a great scientist B. a good college student
C. a famous singer D. a tourist guide
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第二节：下面采访中有5处（第61 – 65题）需要添加信息。请从以下选项中（A, B, C, D, E和F）中选出符合各段意思的选项，并在答题纸上将相应选项的标号涂黑。选项中有一项是多余选项。
A．Do established musicians have a responsibility to guide and assist young up-and–coming musicians?
B．Did anyone promote your musical education when you were growing up?
C．What kind of “world music” do you enjoy?
D．What’s your comment on pop music?
E．Does the contemporary music press give jazz the coverage it deserves?
F．What’s wrong with the music on the radio?
An interview with Wynton Marsalis, a noted jazz musician
1._________________________________
There were the older jazz musicians who hung around our house when I was young. I saw how much they practiced, how serious they were about their art. I knew then I had to work just as hard if I wanted to succeed. Of course, my father inspired me a lot, and many teachers took the time to nurture my talent and the talents of other students in our school.
2._____________________________
Yes. We’ve done such a poor job with music education because, as a society, we haven’t maintained the kind of education that a true artist and musician needs. Young people haven’t been able to equate romance and talent with music. For instance, most of the people who make it in the music industry today have to look good. How they sound is secondary. Sarah Vaughan, Bessie Smith, Ella Fitzgerald — those big, romantic queens of jazz music wouldn’t make it in today’s music industry, and that’s a shame. We need to teach young people about the alternatives.
3.______________________________
Around the world people make music that, if you listen carefully to it, sounds a little like the cadence of their language. I’d call it folk music. When I’m away from home, I make a point of listening to regional folk music, not what’s on the radio.
4._______________________________
The same music is on the radio all over the world, and the American sound is overwhelming. Even the pop music that’s produced and created in foreign countries has that American beat, which underscore funk. As a musician, I’m not interested in hearing recycled versions of the same genre over and over. Any music that doesn’t have a development section just isn’t interesting to me.
5._________________________________
The music press has so much to introduce these days, and jazz is just a small fraction of it. Because some people are intimidated by jazz, they don’t cover it unless it’s a big name. New jazz musicians don’t get much of break. A lot of editors don’t say anything about jazz these days unless it’s Marsalis. That’s a shame. What VH1 is doing with their Save the Music campaign is phenomenal. They’re getting all these instruments out to needy kids. It’s the kind of thing all networks should be doing.
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