题目内容

【题目】假定英语课上老师要求同桌之间交换修改作文,请你修改你同桌写的以下作文。文中共有10处语言错误,每句中最多有两处。每处错误仅涉及一个单词的增加、删除或修改。

增加:在缺词处加一个漏字符号(,并在其下面写出该加的词。

删除:把多余词用斜线(\)划掉。

修改:在错的词下画一横线,并在该词下面写出修改后的词。

注意:1.每处错误及其修改均仅限一词;

2.只允许修改10处,多者(从第11处起)不计分。

After watching the program “Where Are We Going, Dad?”, I can't help think of my parents. There're also many unforgettable memory between us. One Sunday ten years later, my dad and I went camping. He prepared all the equipment and taught me how to put up a tent, that for a boy of seven wasn't easy. He guided me patient and thanked me for my work, making me to feel I was very helpful. That was what my pride and confidence came. As the program told us, parents play important role in the growth of children. I'm grateful to my parents for their devotion of accompanying me.

【答案】1.thinkthinking

2.memorymemories

3.laterago

4.thatwhich

5.patientpatiently

6.去掉to

7.whatwhere

8.toldtells

9.play后添加an

10.ofto

【解析】

这是一篇记叙文。《爸爸去哪儿》让作者想起了自己的父亲。回想起十年前与父亲的一次野营,让作者学会了很多,也深深的感到父母是孩子成长过程中最重要的人。

1.考查非谓语动词。句意:看完《爸爸去哪儿》,我不禁想起我的父母。结合句意表示“禁不住做某事”短语为can’t help doing sth.。故think改为thinking

2.考查名词的数。memory当记忆力讲的时候是不可数的,此处作“回忆”是可数的名词,由many修饰应用复数。故memory改为memories

3.考查副词。句意:十年前的一个星期天,我和爸爸去露营。此处表示“十年前”应用agolater表示“后来”。故later改为ago

4.考查定语从句。此处为非限制性定语从句修饰上文整个句子,从句中缺少主语,故应用关系代词whichthat不能引导非限制性定语从句。故that改为which

5.考查副词。修饰动词guided应用副词patiently,表示“耐心地”。故patient改为patiently

6.考查非谓语动词。结合上文making me可知使役动词makehave等用省去to的不定式做宾补。故去掉to

7.考查名词性从句连接词。此处为表语从句,从句中缺少地点状语,应用where。故what改为where

8.考查动词时态。此处陈述客观事实应用一般现在时,主语为program,谓语动词应用第三人称单数。故told改为tells

9.考查冠词。句意:正如节目所告诉我们的,父母在孩子的成长中扮演着重要的角色。结合句意表示“在……扮演重要角色/起重要作用”短语为play an important role in。故play后添加an

10.考查介词。句意:我感谢我的父母尽心尽力的陪伴我。名词devotion与介词to搭配,后跟动词-ing形式。故of改为to

练习册系列答案
相关题目

【题目】 Ever wonder how this season’s celebrations affect the environment? Guest blogger Krista Fairles takes an amusing look at this very topic:

The holidays are a wonderful, cheerful time when most people wait for Santa to bring them presents. But I’m not like most people. I spend my time wondering just what the environmental impacts of Santa Claus and his reindeer are, and more importantly, how I can calculate those impacts.

Lately I’ve been particularly curious as to whether Santa’s old sled is a clean green flying machine, or if he should be replacing his 8 reindeer with an environmentally-friendly car.

I should mention that, surprisingly, I was unable to find statistics specific to Santa’s magical flying reindeer, so these calculations use numbers from various sources and may not represent actual pollution caused by Santa and his animals. In other words, don’t complain to the government about the damage Santa is causing to the environment based on this article.

Santa’s yearly trip around the globe is 44,000km long, twice the average of a North American driver. If we assume that the magic provides the altitude for this trip, then reindeer power only needs to push Santa’s sled forward. To complete the trip in 12 hours, I estimate they must travel at a speed of about 3100km/h. To travel at this speed, for this length of time, the reindeer need to eat an incredible 980 million calories each!

So the next question is: how much food is in 980 million calories? Well, if they’re eating corn, they’d need to eat 16,500 lbs each - or 1.6 acres of food. Growing 12.8 acres of corn has its own implications for the environment that we’ll leave for another calculation.

We now need to consider that during the global trip the reindeer are “letting out” some of that corn in the form of methane (甲烷,沼气). A resting cow produces 110 kg of methane per year, so flying reindeer would each let out about 4.8 tons. With methane causing 20 times the global warming damage of CO2, and the altitude increasing that damage by 1000% that another 20 times, we can put Santa’s round-trip emissions at 15,488 tons. This is much more than the 100 tons an environmentally-friendly car would release on the same trip!

Bad Santa.

1Which aspect does the writer NOT mention in her analyses about reindeer’s influence on environment?

A.Distance covered.B.Money spent on food.

C.Tons of waste let out.D.Calories consumed.

2According to the passage, how many acres of corn would Santa need to feed 12 reindeer?

A.12.8.B.16.C.19.2.D.128.

3Which of the following words best describes the tone of the passage?

A.Humorous and concerned.B.Cheerful and friendly.

C.Academic and formal.D.Serious and boring.

4Which of the following is the best title for this passage?

A.Santa, watch where you’re going!B.Let’s reduce waste on Christmas celebrations!

C.Santa Claus is coming to town!D.Is Santa driving clean and green?

【题目】Directions: Fill in each blank with a proper word chosen from the box. Each word can be used only once. Note that there is one word more than you need.

A Peking Opera Legend That Redefined Female Roles

When it comes to Peking Opera, a few key things come to mind for most Chinese: its quintessential connection to the history and traditions of China; the richness of its dazzling costumes with their 1 colors and patterns; and the bold work of its facial make-up. Some may even be able to hum a few lines or talk about their favorite artists, but for the vast majority of people, traditional Chinese opera remains a classic art form that is far 2 from everyday life.

However, only a century ago, Peking Opera was no less 3 to the regular populace than is today’s pop music. The performers were admired by a large number of fans who were willing to spend a fortune on a ticket to their performances. Throughout the history of Peking Opera, there have 4 many renowned masters of the form. But MeiLanfang (1894 - 1961) was arguable the most outstanding figure of this craft, who was famous for his portrayal of the female lead roles (dan)

5 as one of the “four famed dan,” Mei was so much more than even this. He brought forth a number of new ideas to several aspects of Peking Opera: make-up (he was the first to war lipstick), music (his productions first 6 the erhu in shows), choreography(编舞艺术)(his iconic sword dance in Farewell My Concubine《霸王别姬》) and, most importantly characterization.

At a time when actual women were banned from performing, Mei 7 the dan to starring roles. He combined elements of the qingyi (elegant lady), huadan (young woman) and daomadan (female warrior) into a new huashan character that excelled in singing, dancing and martial arts. The techniques he introduced led to the development of the “Mei School”, which was considered one of the three major dramatic performing art systems in the world at the time.

“My father broke the 8 between almost all the different types of female role,” Mei Baojiu, the youngest child of Mei Lanfang who followed his father into dan acting, was quoted as saying.

Thanks to Mei’s 9 innovations, even those who know little about traditional Chinese opera can easily see the beauty of the art form the moment performers take the stage. “His make-up, the overlay of carmines(胭脂红) and darker tones, is the most beautiful I have ever seen in a theater,” wrote U.S. playwright Stark Young after watching Mei Lanfang’s performance in New York in 1930.

But the true beauty of Peking Opera is not solely about visual aesthetics. “For veteran artists, even their performances without make-up can be just as 10 as full-on stage performances,” Mei wrote in his 1958 memoir, Forty Years of Life on the stage. Just as Peking Opera has become an icon of Chinese culture, Mei has come to be acknowledge on the grand stage of the world as its quintessential performer.

违法和不良信息举报电话:027-86699610 举报邮箱:58377363@163.com

精英家教网