题目内容

The young man arrived on the Massachusetts beach early carrying a radio, a shovel(铁锹), and a strange set of tools: a brick layer’s trowel, a palette knife, spatulas, spoons, and a spray bottle.

He walked down near the water — the tide(潮水) was out — and switched on the radio to listen to soft rock. Then he shoveled wet sand into a pile nearly four feet high and as many feet across. Then he created a square shape.

After that, he set to work with palette knife, spatulas, and spoons. He shaped a splendid tower, topped walls, fashioned beautiful bay windows, and carved (雕刻)out a big front gate.

The man knew his sand. He smoothly finished some surfaces and carved artistic designs on others. As the shapes began to dry, he gently kept them slightly wet with water from the spray bottle, in case they might break in the wind.

All this took hours. People gathered. At last he stood back, obviously satisfied with a castle worthy of the Austrian countryside or Disneyland.

Then he gathered his tools and radio and moved them up to drier sand. He had known for a while what many in the crowd still ignored: the tide was coming in. Not only had he practiced his art with confidence and style, he also had done so against a powerful, irresistible(不可抵抗的) deadline.

As the crowd looked on, water came at the base of the castle. In minutes it was surrounded. Then the rising flood began to eat into the base, walls fell, the tower fell, and finally the gate fell. More minutes passed, and small waves erased bay windows — soon no more than a small part was left.

Many in the crowd looked terribly sad; some voiced fear and discouragement. But the man remained calm. He had, after all, had a wonderful day, making beauty out of nothing, and watching it return to nothing as time and tide moved on.

1.In this passage, why did the young man start early in the day?

A.He needed the sun to help dry the sand.

B.It gave plenty of time for the crowd to gather.

C.He knew the tide was out on this particular morning.

D.It was easier to begin his work with only a few people around.

2.In this passage, what does the incoming tide signal?

A.It is time to begin working.

B.It is the end of a day’s work.

C.It is the busiest time of the day.

D.It is time for lookers-on to leave.

3.How did the lookers-on react when the tide began to come in?

A.They were disappointed to see the art ruined.

B.They tried their best to save the sand castle.

C.They were nervous about their own belongings.

D.They helped the artist finish the castle.

4.We can tell that the young man’s reward for his work is ___________.

A.payment for his work

B.personal satisfaction

C.popularity as an artist

D.attention from the crowd

 

1.C

2.B

3.A

4.B

【解析】试题分析:文章大意:一位年轻人来到沙滩上做沙雕,潮水袭来,美丽的沙雕被冲吞噬。人们感叹沙雕就这样没了,但年轻人并不悲观,因为他见证了沙雕从无到有,从有到无的过程。

1.

2.

3.

4.

考点:考查记叙文阅读。

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Another cultural aspect of nonverbal communication is one that you might not think about: space. Every person perceives himself to have a sort of invisible shield surrounding his physical body. When someone comes too close, he feels uncomfortable. When he bumps onto someone, he feels obligated to apologize. But the size of a person’s “comfort zone” depends on his cultural ethnic origin. For example, in casual conversation, many Americans stand about four feet apart. In other words, they like to keep each other “at arm’s length”, people in Latin or Arab cultures, in contrast, stand very close to each other, and touch each other often. If someone from one of those cultures stands too close to an American while in conversation, the American may feel uncomfortable and back away.

When Americans are talking, they expect others to respond to what they are saying. To Americans, polite conversationalists empathize by displaying expressions of excitement or disgust, shock or sadness. People with a “poker face”, whose emotions are hidden by a deadpan expression, are looked upon with suspicion. Americans also indicate their attentiveness in a conversation by raising their eyebrows, nodding, smiling politely and maintaining good eye contact. Whereas some cultures view direct eye contact as impolite or threatening, Americans see it as a sign of genuineness and honesty. If a person doesn’t look you in the eye, American might say, you should question his motives—or assume that he doesn’t like you. Yet with all the concern for eye contact, Americans still consider staring—especially at strangers—to be rude.

1. What the author discussed in the previous section is most probably about __________.

A. classification of nonverbal communication

B. the reasons why people should think about space

C. the relationship between communication and space

D. some other cultural aspects of nonverbal communication

2. How far people keep to each other while talking is closely associated with their ______.

A. origin B. culture C. custom D. nationality

3.When an Italian talks to an Arabian on informal occasions, ______.

A. he stands about four feet away

B. "comfort zone" does not exist

C. keeping close enough is preferred

D. communication barriers may emerge

4.A "poker face" (Line 3, Para. 2) refers to a face which is ______.

A. attentive B. emotional

C. suspicious D. expressionless

5.In a conversation between friends, Americans regard it as sincere and truthful to ______.

A. maintain direct eye contact

B. hide emotions with a deadpan expression

C. display excitement or disgust, shock or sadness

D. raise their eyebrows, nod and smile politely

 

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