Though war is something people hate, Director Feng Xiaoning often exposes his audience to it.“If we don’t impress the audience, who are without the painful experience of war, with the cruel injury t 题目和参考答案——青夏教育精英家教网—

题目内容

Though war is something people hate, Director Feng Xiaoning often exposes his audience to it.
“If we don’t impress the audience, who are without the painful experience of war, with the cruel injury to life and human nature war causes, how can we bring them a love of peace and objection to war?” asked the director with a glance in his eyes.
After Red River Valley and Lover’s Grief over the Yellow River, both of which star Chinese model and actress Ning Jing, Feng drew a satisfactory full stop to his war trilogy (三部曲) last month with Purple Sunset.
The film tells a story which took place in 1945, at the very moment when World War II was drawing to an end. A Chinese peasant and a Soviet woman soldier flee into a forest, where they seize a Japanese girl. They follow the girl in the hope that she will take them out of the forest, but instead they arrive in a Japanese base. Humanity (人道主义) prevents them from killing the young, innocent (无辜的) victim of Japanese militarism. This humanity, the longing for peace and eagerness to survive, make the three unite.
“If people are touched by justice, tolerance and unselfishness, I think I have achieved my goal,” Feng said. Feng admits that there are violent and bloody scenes in the film, such as tanks fighting and Japanese burning Chinese people alive, to show the cruelty of the war. But that’s never his personal preference, he says.
“Everyone who has watched my films can tell how much I hate war,” he said. “I wrote all the things for my war films by myself. Whenever I finished one, I felt as though I had suffered great pain.”
Feng regards every one of his productions as an opportunity to learn about human nature and humanity. In spite of violent scenes which frighten and sicken the audience, a balance is sought with beautiful scenery. Just like the snowy mountains in Red River Valley and the grand plateau (高原) in Lover’s Grief over the Yellow River, a beautiful vast grassland appears in this film. “I used to study art, and I appreciate beautiful things,” Feng said. “I believe that films should offer the audience a chance to enjoy beauty.”
【小题1】Director Feng Xiaoning shot war film because _____.

A．he was deeply interested in such a topic

B．he wanted to give the audience the painful experience of war

C．he hoped to arouse people’s love of peace and objection to war

D．he dreamed of becoming a world-famous director

【小题2】All of the following belong to Feng’s war trilogy except _____.

A．Red River Valley	B．Lover’s Grief over the Yellow River
C．Purple Sunset	D．In the Mood for Love

【小题3】A Chinese peasant and a Soviet woman solider seized a Japanese girl so that _____.

A．they could find the Japanese base easily

B．she could take them out of the forest

C．they could kill her for revenge

D．it would cause the Japanese militarism to give in

【小题4】Scenes of Japanese burning Chinese people alive i

n the film are to ______.

A．show that war is cruel

B．attract people’s interest

C．show Feng’s personal preference in dealing with details

D．make the film moving and interesting

【小题1】C
【小题1】D
【小题1】B
【小题1】A

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I stood up and walked between the tables. When I came to the biggest computer, I saw a thin, small man   40 in front of it. “ I’m Steve, ” he finally answered after I asked him a couple of times what his name was. “ I can’t talk with you. I’m 41 ,” he said. He was chatting online and, 42 , he was playing a computer game –a war game. I was 43 .
Why didn’t Steve want to talk with me? I tried 44 to speak to that computer geek（怪人）, 45 not a word came out of his mouth. I touched his shoulder, but no reaction（反应）. I was   46 . I put my hand in front of the monitor, and he started to shout “ 47 ! ”
I took a few steps back, wondering if all those people in the cafe were looking at me. I   48 , and saw nobody showed any interest.
49 , I realized that the people there were having a nice conversation with their machines, not with people. They were more   50 having a relationship with the   51 , particularly Steve. I wouldn’t want to  52 the future of human beings if they preferred sharing their lives with machines   53 with people.
I was worried and sank in my thoughts. I didn’t even   54  that the coffee was bad, 55 Steve didn’t notice there was a person next to him.

A．walked about	B．walked out
C．raised my hand	D．raised my head

A plane crash in Western Russian killed Polish President Lech Kaczynski and the other 96 political and military officials on board on April 10. The accident has led to huge national mourning in Poland. But it may provide an opportunity for reconciliation (和解) between Poland and Russia, countries that have a troubled relationship.
Many from the political elite were lost in the crash. Beside the president, the dead include the army chief of Staff, the head of National Security Bureau, the national bank president, the deputy foreign minister and other members of parliament.
The Polish delegation was heading to Russia to mark the 70 th anniversary of the Katyn Massacre (屠杀) when the accident occurred. In 1940, about 22,000 Polish soldiers, intellectuals, and officials captured after the Soviet Army invaded Poland in 1939, were killed secretly by Soviet police in the forest of Russia’s Katyn.
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①The Katyn Massacre
②Poland switched to capitalism.
③Russia divided Poland with Austria and Prussia.
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A．③①④⑤② B．③⑤①④② C．①③⑤④② D．①⑤②④③
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A．Flags were lowed to half – mast in the capital city of Russia.
B．Russia threatened to aim missiles at Poland.
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A．The Katyn Massacre was the very beginning of Poland and Russia’s trouble relationship.
B．In 1939 about 22,000 Polish soldiers, intellectuals, and officials were killed by Soviet police in the forest of Russia’s Katyn.
C．Altogether 96 political and military officials were killed in the accident.
D．The relationship between Poland and Russia has not always been tense since the three carve – ups of Poland in the 18 th century.
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D．Poland will forgive Russians, for they showed great sympathy after the accident.
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A. encourage the oil companies to discover new oil sources

B. prevent oil companies employing people from northern Norway

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Though war is something people hate, Director Feng Xiaoning often exposes his audience to it.

“If we don’t impress the audience, who are without the painful experience of war, with the cruel injury to life and human nature war causes, how can we bring them a love of peace and objection to war?” asked the director with a glance in his eyes.

After Red River Valley and Lover’s Grief over the Yellow River, both of which star Chinese model and actress Ning Jing, Feng drew a satisfactory full stop to his war trilogy (三部曲) last month with Purple Sunset.

The film tells a story which took place in 1945, at the very moment when World War II was drawing to an end. A Chinese peasant and a Soviet woman soldier flee into a forest, where they seize a Japanese girl. They follow the girl in the hope that she will take them out of the forest, but instead they arrive in a Japanese base. Humanity (人道主义) prevents them from killing the young, innocent (无辜的) victim of Japanese militarism. This humanity, the longing for peace and eagerness to survive, make the three unite.

“If people are touched by justice, tolerance and unselfishness, I think I have achieved my goal,” Feng said. Feng admits that there are violent and bloody scenes in the film, such as tanks fighting and Japanese burning Chinese people alive, to show the cruelty of the war. But that’s never his personal preference, he says.

“Everyone who has watched my films can tell how much I hate war,” he said. “I wrote all the things for my war films by myself. Whenever I finished one, I felt as though I had suffered great pain.”

Feng regards every one of his productions as an opportunity to learn about human nature and humanity. In spite of violent scenes which frighten and sicken the audience, a balance is sought with beautiful scenery. Just like the snowy mountains in Red River Valley and the grand plateau (高原) in Lover’s Grief over the Yellow River, a beautiful vast grassland appears in this film. “I used to study art, and I appreciate beautiful things,” Feng said. “I believe that films should offer the audience a chance to enjoy beauty.”

1.Director Feng Xiaoning shot war film because _____.

A. he was deeply interested in such a topic

B. he wanted to give the audience the painful experience of war

C. he hoped to arouse people’s love of peace and objection to war

D. he dreamed of becoming a world-famous director

2.All of the following belong to Feng’s war trilogy except _____.

A. Red River Valley B. Lover’s Grief over the Yellow River

C. Purple Sunset D. In the Mood for Love

3.A Chinese peasant and a Soviet woman solider seized a Japanese girl so that _____.

A. they could find the Japanese base easily

B. she could take them out of the forest

C. they could kill her for revenge

D. it would cause the Japanese militarism to give in

4.Scenes of Japanese burning Chinese people alive in the film are to ______.

A. show that war is cruel

B. attract people’s interest

C. show Feng’s personal preference in dealing with details

D. make the film moving and interesting

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