题目内容
I am a writer. I spend a great deal of my time thinking about the power of language — the way it can evoke（唤起） an emotion, a visual image, a complex idea, or a simple truth. Language is the tool of my trade. And I use them all — all the Englishes I grew up with.
Born into a Chinese family that had recently arrived in California, I've been giving more thought to the kind of English my mother speaks. Like others, I have described it to people as "broken" English. But I feel embarrassed to say that. It has always bothered me that I can think of no way to describe it other than "broken", as if it were damaged and needed to be fixed, as if it lacked certain wholeness. I've heard other terms used, "limited English," for example. But they seem just as bad, as if everything is limited, including people's perceptions(认识) of the limited English speaker.
I know this for a fact, because when I was growing up, my mother's "limited" English limited my perception of her. I was ashamed of her English. I believed that her English reflected the quality of what she had to say. That is, because she expressed them imperfectly her thoughts were imperfect. And I had plenty of evidence to support me: the fact that people in department stores, at banks, and at restaurants did not take her seriously, did not give her good service, pretended not to understand her, or even acted as if they did not hear her.
I started writing fiction in 1985. And for reasons I won't get into today, I began to write stories using all the Englishes I grew up with: the English she used with me, which for a lack of a better term might be described as "broken", and what I imagine to be her translation of her Chinese, her internal (内在的) language, and for that I sought to preserve the essence, but neither an English nor a Chinese structure: I wanted to catch what language ability tests can never show; her intention, her feelings, the rhythms of her speech and the nature of her thoughts.
46. By saying "Language is the tool of my trade", the author means that ______.
A. she uses English in foreign trade B. she is fascinated by languages
C. she works as a translator D. she is a writer by profession
47. The author used to think of her mother's English as ______.
A. impolite B. amusing C. imperfect D. practical
48. Which of the following is TRUE according to Paragraph 3?
A. Americans do not understand broken English.
B. The author's mother was not respected sometimes.
C. The author' mother had positive influence on her.
D. Broken English always reflects imperfect thoughts.
49. The author gradually realizes her mother's English is _____.
A. well structured B. in the old style
C. easy to translate D. rich in meaning
50. What is the passage mainly about?
A. The changes of the author's attitude to her mother's English.
B. The limitation of the author's perception of her mother.
C. The author's misunderstanding of "limited" English.
D. The author's experiences of using broken English.
The other day I heard a few local musicians talking： “I hate all the terrible pianos in this town. I hate that rubbish they play on the radio. They can’t even understand a bit of music.” “I’m never playing in that club again. Too many drunks and nobody listens to us.”
But, one younger musician said, “There are a few clubs that book my band a few nights a month, and I’m trying to find other places to play. I’m also looking to book a few summer festivals this year.”
I’ve heard that you are the average of the five people whom you spend the most time with, or to put it another way, you are who your friends are.
Attitudes are important. Whether they’re positive or negative, they’re rubbing off on you. If you’re around people who complain about lack of work and about other musicians, or blame others, and you play the role of victim, chances are you will start to as well. So it’s time to take a look at the people you call “friends”.
This is an easy exercise: Make a list of the people who you hang out with, and simply stop spending time with the negative people on your list. Set a new standard (标准) for yourself and don’t become friends with people who fall below that standard.
Keep successful people around you and your own chances for success will be much better. Ask them how they do it. Ask if they will help you get the work you’re looking for, or maybe give you some advice to help you on your career path.
Which of the following would be the best title for this passage?
A. A friend in need is a friend indeed B. How to make friendship last for ever
C. You are who your friends are D. Friends are the most important in one’s success
The underlined sentence “they’re rubbing off on you” in Paragraph 6 means ______.
A. they’ll push you ahead B. they’ll influence you
C. they’ll cover your shortcomings D. they’ll help you achieve your goal
The musicians’ words at the beginning are written mainly to show ______.
A. the musicians’ living conditions are quite poor
B. people have poor taste in music
C. people have different attitudes towards the same thing
D. young people have greater chances of doing things well
By taking the exercise mentioned in Paragraph 7, you can ______.
A. improve a lot in making more friends B. come to the right way of making friends
C. develop a better relationship with your friends D. arrange the time with your friends properly
. (2010·江西名校模拟) —I’ve heard they went skiing in the mountains last winter.
—It ______ true because there was so little snow there then.
A. may not be B. won’t be C. couldn’t be D. mustn’t be
—I’ve heard that he is seriously injured in the accident.
— . He’s being treated in hospital.
A．I hope not B．I’m sure C．I don’t think so D．I’m afraid so
I am a writer. I spend a great deal of my time thinking about the power of language—the way it can evoke（唤起） an emotion, a visual image, a complex idea, or a simple truth. Language is the tool of my trade. And I use them all—all the Englishes I grew up with.
Born into a Chinese family that had recently arrived in California, I’ve been giving more thought to the kind of English my mother speaks. Like others, I have described it to people as “broken” English. But feel embarrassed to say that. It has always bothered me that I can think of no way to describe it other than “broken”, as if it were damaged and needed to be fixed, as if it lacked a certain wholeness. I’ve heard other terms used, “limited English,” for example. But they seem just as bad, as if everything is limited, including people’s perceptions（认识）of the limited English speaker.
I know this for a fact, because when I was growing up, my mother’s “limited” English limited my perception of her. I was ashamed of her English. I believed that her English reflected the quality of what she had to say. That is ,because she expressed them imperfectly her thoughts were imperfect. And I had plenty of evidence to support me: the fact that people in department stores, at banks, and at restaurants did not take her seriously, did not give her good service, pretended not to understand her, or even acted as if they did not hear her.
I started writing fiction in 1985. And for reasons I won’t get into today, I began to write stories using all the Englishes I grew up with: the English she used with me, which for lack of a better term might be described as “broken”, and what I imagine to be her translation of her Chinese, her internal（内在的） language, and for that I sought to preserve the essence, but neither an English nor a Chinese structure: I wanted to catch what language ability tests can never show; her intention, her feelings, the rhythms of her speech and the nature of her thoughts.
46. By saying “Language is the tool of my trade”, the author means that ______.
47. The author used to think of her mother’s English as ______.
A. impolite B. Amusing C. imperfect D. practical
B. The author’s mother was not respected sometimes.
C. The author’ mother had positive influence on her.
49. The author gradually realizes her mother’s English is _____.
A. well structured B. in the old style C. easy to translate D. rich in meaning
A. The changes of the author’s attitude to her mother’s English.
B. The limitation of the author’s perception of her mother.
C. The author’s misunderstanding of “limited” English.
D. The author’s experiences of using broken English.
