题目内容

It’s 5pm on a Friday and I'm standing in a coffee shop above Shibuya crossing - one of the most busiest place in Japan where more than a thousand of Tokyo’s smartly dressed people gather at eight points, ready to cross - then rush straight for each other. It looks like they must bump into each other, but It’s amazing that they all manage to reach the other side safely.

But the real reason I'm here is that I want to see people crash. I want businessmen to knock into each other, their umbrellas flying off their arms, and uniformed schoolchildren hitting grannies. Why may I see this now, but wouldn't have had the chance even a year ago? It’s very simple - smartphones.

Smartphone use is booming in Japan. In 2012, only about a quarter of Japanese used them, most being perfectly happy with their everyday mobiles. But now more than half of all Japanese now own a smartphone and the number is rising fast. But with that rise has grown another phenomenon - the smartphone walk. Those people who're staring at a phone screen adopt this kind of pace- their head down, arms outreached, looking like zombies(僵尸)trying to find human prey(猎食).

Surprisingly, an American named Michael Cucek who has lived here for more than 20 years told me smartphone walk probably wouldn’t be a long-term problem. Japanese phone manner is in fact better than anywhere else in the world - hardly anyone speaks on their phones on trains, and teenagers wouldn't dare broadcast music out of one. If things got truly bad at Shibuya, the police would just start shouting at people to look up.

But really, is the smartphone walk such an annoying problem? There's only one way to find out. So I leave the coffee shop, head down to the crossing and start typing an email, promising myself I won't look up until I get to the other side. When they start walking past me, it's my time to cross. As I step forward, the experience quickly becomes nervous - legs jump in and out of my vision without warning, while shopping bags fly towards my face before being pulled away at the last moment. I'm sure I'm going to get hit, but after a few seconds I relax. It’s OK. Everyone's reacting for me.

I expect to see two smartphone walkers just like me. But instead I find a young couple, very much in love and very much refusing to let each other’s hands go just to give way to a fool on his smartphone. The girl gives me such a look of dislike that I quickly apologize and rush round them. That look was enough to ensure I'll never be smartphone walking again.

1. From paragraph 1, we can know _____________.

A. people at Shibuya crossing always bump into each other.

B. more than a thousand of people gather at Shibuya crossing every day.

C. more than a thousand of people are ready to rush in a competition every day.

D. more than a thousand of people at Shibuya crossing make it a busy one in Japan.

2.Why does the author stand in a coffee shop above Shibuya crossing?

A. Because he is waiting for somebody.

B. Because he can have a good view from there.

C. Because he wants to see what would happen because of smartphones.

D. Because it’s interesting to see businessmen’s umbrellas flying off their arms

3. How does Michael Cucek find smartphone walk in Japan?

A. He found it by accident when he lives here.

B. Japanese pay much attention to their phone manner in public.

C. The police in Shibuya are too strict with people’s phone manner.

D. Smartphone walk in Japan has a deep root.

4. How does the author confirm whether smartphone walk is annoying or not?

A. By personal experimenting

B. By comparing with other way of walk

C. By giving example.

D. By explaining the traffic rules patiently

5.After smartphone walking himself, the author thinks___________.

A. it’s exciting to walk while sending emails

B. it’s really dangerous to walk while sending emails

C. there are some others smartphone walking like him

D. other passers-by give way to him although they dislike.

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When I left home for college, I sought to escape the limited world of farmers, small towns, and country life. I long for the excitement of the city, for the fast pace that rural life lacked, for adventure beyond the horizon. I dreamed of exploring the city, living within a new culture and landscape, and becoming part of the pulse of an urban jungle.

Yet some of my best times were driving home, leaving the city behind and slipping back into the valley. As city life disappeared and traffic thinned, I could see the faces of the other drivers relax. Then, around a bend in the highway, the grassland of the valley would come into being, offering a view of gentle rolling hills. The land seemed permanent. I felt as if I had stepped back in time.

I took comfort in the stability of the valley. Driving through small farm communities, I imagined the founding families still rooted in their grand homes, generations working the same lands, neighbors remaining neighbors for generations. I allowed familiar farmhouse landmarks to guide me.

Close to home, I often turned off the main highway and took a different, getting familiar farms again and testing my memory. Friends lived in those houses. I had eaten meals and spent time there; I had worked on some of these farms, lending a hand during a peak harvest, helping a family friend for a day or two. The houses and lands looked the same, and I could picture the gentle faces and hear familiar voices as if little had been changed. As I eased into our driveway I’d returned to old ways, becoming a son once again, a child on the family farm. My feelings were honest and real. How I longed for a land where life stood still and my memories could be relived. When I left the farm for college, I could only return as visitor to the valley, a traveler looking for home.

Now the farm is once again my true home. I live in that farmhouse and work the permanent lands. My world may seem unchanged to casual observers, but they are wrong. I know this: if there’s a constant on these farms, it’s the constant of change.

The good observer will recognize the differences. A farmer replants an orchard (果园) with a new variety of peaches. Irrigation is added to block of old grapes, so I imagine the vineyard has a new owner. Occasionally the changes are clearly evident, like a FOR SALE sign. But I need to read the small print in order to make sure that a bank has taken possession of the farm. Most of the changes contain two stories. One is the physical change of the farm, the other involves the people on that land, the human story behind the change.

I’ve been back on the farm for a decade and still haven’t heard all the stories behind the changes around me. But once I add my stories to the landscape, I can call this place my home, a home that continues to evolve and changes as I add more and more of my stories.

A poet returns to the valley and says, “Little has changed in the valley, and how closed–minded you all are!” He comments about the lack of interest in sports, social and environmental issues in the poverty and inequality of our life. He was born and raised here, so he might have the right to criticize and lecture us. Yet he speaks for many who think they know the valley. How differently would others think of us if they knew the stories of a grape harvest in a wet year or a peach without a home?

1.The most important reason why the writer wanted to move to the city is that_________.

A. he did not want to work on the farm

B. he wanted to make new friends

C. he was eager for a different life there

D. there were more things to do there

2.What made the writer relax as he drove from the city to the country?

A. He could see for miles and miles.

B. The traffic moved more slowly.

C. The people he passed seemed to be calmer.

D. The land seemed familiar to him.

3.When driving through the valley the writer was guided home by________ .

A. familiar farmhouses which left him a good memory

B. houses that had sheltered generations of the same family

C. land that had been worked by a family for generations

D. large farms which stretched out right before him.

4.When he was in college, why was the writer sad when he returned to his family home?

A. He remembered how hard he used to work.

B. He realized that he was only a visitor.

C. He recognized the old housed and land.

D. He remembered his next door neighbors.

5.Which of the following most likely indicates that there is a sad human story behind a physical change on the farm?

A. A new variety of peach is being planted.

B. Irrigation is being added to a grape operation.

C. A piece of land is being sold by a bank.

D. A farm is being sold to a large corporation.

6.The fact that most upsets the writer with the poet is that________.

A. the poet prefers to live in the urban area

B. the poet thinks that the folk people are backward

C. the poet says that little has changed in the valley

D. the poet’s criticism and comments are not objective

Can food be free, fresh and easily accessible? That’s the bold (大胆) question that the city of Seattle is hoping to answer with a new experimental farm not far from the city’s downtown area that will have fruits and vegetables for anyone to harvest this fall.

On Beacon Hill, just south of central Seattle, landscape developers and a few affordable-food advocates are building an eatable food forest. Everything grown in the area will be eatable. And it’ll be open around the clock to anyone who wants to come and pick some fresh blueberries or pears.

Organizers shared with National Geographic a list of the crop offerings. Many are expected: apples, berries and tomatoes. But others are pretty far-out. A large Asian community in the area suggested things like Asian pears and honeyberries. A European influence led to the planting of medlar trees.

The concept is modeled on permaculture, a design system and school of thought emphasizing the use of renewable nature resources and the enrichment of local ecosystems. Offering people free, fresh food is one motivation, but making the land useful and ecologically enriched is the larger goal.

That being said, some potential problems come to mind. What if all of one fruit is gone the first weekend when it’s ripe? What if people pick things too early and spoil the potential for everyone?

Organizers aren’t concerned about those questions. “We’ve had many discussions about what would happen if someone comes and picks all the blueberries,” says Margarett Harrison, the landscape architect designing the project.” But that’s been considered as a good thing. We’ll just plant more.”

Anything related to agriculture and good food — in large quantities — takes time. Most of the trees won’t be mature enough for a few more years. But a few decades could make the area impressively productive.

Idealistic? Perhaps. But it’s the kind of idealism that anyone who likes to eat fresh things from time to time can get behind. And that’s the type of motivation that organizers hope will keep going.

1. Paragraph 3 is mainly about _______.

A. the crops that will be harvested this fall

B. people’s attitude towards the project

C. which communities live in the area

D. how the food selection was made

2.What’s Margarett Hrrison’s attitude towards the potential problems the forest may face?

A. Concerned. B. Cautious.

C. Optimistic. D. Uninterested

3.The text is mainly about ______.

A. Seattle’s free food experiment

B. what the future of forests will be

C. agricultural development in Seattle

D. how to keep in harmony with nature

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