题目内容
Photos that you might have found down the back of your sofa are now big business!
In 2005, the American artist Richard Prince’s photograph of a photograph, Untitled (Cowboy), was sold for $ 1, 248, 000.
Prince is certainly not the only contemporary artist to have worked with so-called “found photographs”―a loose term given to everything from discarded(丢弃的) prints discovered in a junk shop to old advertisements or amateur photographs from a stranger’s family album. The German artist Joachim Schmid, who believes “basically everything is worth looking at”, has gathered discarded photographs, postcards and newspaper images since 1982. In his on-going project, Archiv, he groups photographs of family life according to themes: people with dogs; teams; new cars; dinner with the family; and so on.
Like Schmid, the editors of several self-published art magazines also champion (捍卫) found photographs. One of them, called simply Found, was born one snowy night in Chicago, when Davy Rothbard returned to his car to find under his wiper(雨刷) an angry note intended for someone else: “Why’s your car HERE at HER place?” The note became the starting point for Rothbard’s addictive publication, which features found photographs sent in by readers, such a poster discovered in our drawer.
The whole found-photograph phenomenon has raised some questions. Perhaps one of the most difficult is: can these images really be considered as art? And if so, whose art? Yet found photographs produced by artists, such Richard Prince, may riding his horse hurriedly to meet someone? Or how did Prince create this photograph? It’s anyone’s guess. In addition, as we imagine the back-story to the people in the found photographs artists, like Schmid, have collated (整理), we also turn toward our own photographic albums. Why is memory so important to us? Why do we all seek to freeze in time the faces of our children, our parents, our lovers, and ourselves? Will they mean anything to anyone after we’ve gone?
In the absence of established facts, the vast collections of found photographs give our minds an opportunity to wander freely. That, above all, is why they are so fascinating.
64. The first paragraph of the passage is used to _________.
A. remind readers of found photographs B. advise reader to start a new kind of business
C. ask readers to find photographs behind sofa D. show readers the value of found photographs
65. According to the passage, Joachim Schmid _________.
A. is fond of collecting family life photographs B. found a complaining not under his car wiper
C. is working for several self-published magazines
D. wondered at the artistic nature of found photographs
66. The underlined word “them” in Para 4 refers to __________.
A. the readers B. the editors
C. the found photographs D. the self-published magazines
67. By asking a series of questions in Para 5, the author mainly intends to indicate that ________.
A. memory of the past is very important to people
B. found photographs allow people to think freely
C. the back-story of found photographs is puzzling
D. the real value of found photographs is questionable
68. The author’s attitude towards found photographs can be described as _________.
A. critical B. doubtful C. optimistic D. satisfied
64. D
解析：从下面的一段就可以知道。
65. A
解析：第三段倒数第一句：he groups photographs of family life according to themes: people with dogs; teams; new cars; dinner with the family; and so on.
66. D
解析：根据其后的说明called simply Found及find under his wiper(雨刷) an angry note。
67. B
解析：最后一段作出结论。the vast collections of found photographs give our minds an opportunity to wander freely.
68.C
解析：最后一段
I had not seen my parents for a long time. Last Saturday I drove a long way to visit them, 36 neither of them was at home. So I waited patiently at their home 37 their return. Not seeing them made me really 38 .
As I was walking around their bedroom, I 39 little reminders of them. Some Christmas gifts were still 40 in boxes. There were 41 on the wall, which I guess must have a 42 meaning to them. What took my breath away was seeing my dad’s emblems（徽章）from his military service of our country 43 he was young. My father never 44 to us about the Korean Wars. As I looked at those emblems hanging 45 with all the photos that he treasures, I 46 that this was an important part of his life, but I never spent the 47 in talking with him about them. The photos of my mom with her close 48 made me realize her life before she was my mom. I had been so 49 running my business to raise my own family that I 50 the chance to know about their past and experience.
We sometimes don’t realize something is 51 for us until we have lost it, so it’s not too late for us to talk to our parents about their past. I am writing my story to 52 everyone who is fortunate to still have their parents 53 to invest some time to learn about them. I am grateful to have 54 of my parents. So I still have time to talk with them. I hope that readers will 55 from my story and find the time to talk about those things in their life that mean so much to their parents.
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Photos that you might have found down the back of your sofa are now big business!
In 2005,the American artist Richard Prince’s photograph of a photograph,Untitled (Cowboy),was sold for $1 248 000.
Prince is certainly not the only contemporary artist to have worked with so-called “found photographs”—a loose term given to everything from discarded(丢弃的)prints discovered in a junk shop to old advertisements or amateur photographs from a stranger’s family album.The German artist Joachim Schmid,who believes “basically everything is worth looking at”,has gathered discarded photographs,postcards and newspaper images since 1982.In his on-going project,Archiv,he groups photographs of family life according to themes:people with dogs;teams;new cars;dinner with the family;and so on.
Like Schmid,the editors of several self-published art magazines also champion(捍卫)found photographs.One of them,called simply Found,was born one snowy night in Chicago,when Davy Rothbard returned to his car to find under his wiper(雨刷)an angry note intended for someone else:“Why’s your car HERE at HER place?”The note became the starting point for Rothbard’s addictive publication,which features found photographs sent in by readers,such as a poster discovered in your drawer.
The whole found-photograph phenomenon has raised some questions.Perhaps one of the most difficult is:can these images really be considered as art?And,if so,whose art?Yet found photographs produced by artists,such as Richard Prince,may raise endless possibilities.What was the cowboy in Prince’s Untitled doing?Was he riding his horse hurriedly to meet someone?Or how did Prince create this photograph?It’s anyone’s guess.In addition,as we imagine the back-story to the people in the found photographs artists,like Schmid,have collated(整理),we also turn toward our own photographic albums.Why is memory so important to us?Why do we all seek to freeze in time the faces of our children,our parents,our lovers,and ourselves?Will they mean anything to anyone after we’ve gone?
In the absence of established facts,the vast collections of found photographs give our minds an opportunity to wander freely.That,above all,is why they are so fascinating.
【小题1】The first paragraph of the passage is used to_______.
| A．remind readers of found photographs |
| B．advise readers to start a new kind of business |
| C．ask readers to find photographs behind sofas |
| D．show readers the value of found photographs |
| A．is fond of collecting family life photographs |
| B．found a complaining note under his car wiper |
| C．is working for several self-published art magazines |
| D．wondered at the artistic nature of found photographs |
| A．the readers |
| B．the editors |
| C．the found photographs |
| D．the self-published magazines |
| A．memory of the past is very important to people |
| B．found photographs allow people to think freely |
| C．the back-story of found photographs is puzzling |
| D．the real value of found photographs is questionable |
| A．critical | B．doubtful |
| C．optimistic | D．satisfied |
Photos that you might have found down the back of your sofa are now big business!
In 2005, the American artist Richard Prince’s photograph of a photograph, entitled (Cowboy), was sold for $ 1, 248, 000.
Prince is certainly not the only contemporary artist to have worked with so-called “found photographs”—a loose term given to everything from discarded(丢弃的) prints discovered in a junk shop to old advertisements or amateur photographs from a stranger’s family album. The German artist Joachim Schmid, who believes “basically everything is worth looking at”, has gathered discarded photographs, postcards and newspaper images since 1982. In his on-going project, Archiv, he groups photographs of family life according to themes: people with dogs; teams; new cars; dinner with the family; and so on.
Like Schmid, the editors of several self-published art magazines also champion (捍卫) found photographs. One of them, called simply Found, was born one snowy night in Chicago, when Davy Rothbard returned to his car to find under his wiper(雨刷) an angry note intended for someone else: “Why’s your car HERE at HER place?” The note became the starting point for Rothbard’s addictive publication, which features found photographs sent in by readers, such as a poster discovered in your drawer.
The whole found-photograph phenomenon has raised some questions. Perhaps one of the most difficult is: can these images really be considered as art? And if so, whose art? Yet found photographs produced by artists, such as Richard Prince, may raise endless possibilities. What was the cowboy in Prince’s Untitled doing? Was he riding his horse hurriedly to meet someone? Or how did Prince create this photograph? It’s anyone’s guess. In addition, as we imagine the back-story to the people in the found photographs artists, like Schmid, have collated (整理), we also turn toward our own photographic albums. Why is memory so important to us? Why do we all seek to freeze in time the faces of our children, our parents, our lovers, and ourselves? Will they mean anything to anyone after we’ve gone?
In the absence of established facts, the vast collections of found photographs give our minds an opportunity to wander freely. That, above all, is why they are so fascinating.
【小题1】The first paragraph of the passage is used to _________.
| A．remind readers of found photographs |
| B．advise reader to start a new kind of business |
| C．ask readers to find photographs behind sofa |
| D．show readers the value of found photographs |
| A．the readers | B．the editors |
| C．the found photographs | D．the self-published magazines |
| A．memory of the past is very important to people |
| B．found photographs allow people to think freely |
| C．the back-story of found photographs is puzzling |
| D．the real value of found photographs is questionable |
| A．critical | B．doubtful | C．optimistic | D．satisfied |
On the first day of school I brought my camera to school. I gave the students a piece of 8 ×11 cardboard(纸板), and asked them to write their names on both sides. As they finished, I asked them to get into groups of three to four students and took photographs of them holding their name cards.
After school, I developed the film and printed two sets of photos. That evening, I started to match the names with the faces. I kept one set of pictures at home for about a week so that I could review their names each night. On the second day of school, I put up the other set of photos as a bulletin board (公布栏), with a title such as "Presenting Room 108, ..."
The kids loved it! After I had learned all of their names I brought the second set back to school and stuck them onto an 8 ×11 sheet of paper. I placed it in the classroom for other teachers.
The cardboard name cards that were made on the first day were collected and put on a shelf. From time to time, they were given back to the students and placed on their desks so that guests or supply teachers (代课老师) could identify all of the students.
I’ve been doing this with my grade 7 students for the last nine years and they liked it. It’s fun to bring the photos out again at the end of the school year to see how much they have all changed in ten months.
【小题1】The cardboards were used to ______.
| A．play some kind of game | B．decorate the classroom |
| C．identify the students | D．print the photos on |
| A．head teacher | B．monitor | C．photographer | D．supply teacher |
| A．To memorize the students’ names at home. | B．To make cardboard name cards for supply teachers. |
| C．To make a bulletin board in the classroom. | D．To match the students’ names with their faces |
| A．The students didn’t have to use the cardboard name cards to identify each other. |
| B．Other teachers couldn’t identify the students without the cardboard name cards. |
| C．The writer kept the cardboard name cards as a souvenir for nine years. |
| D．The guests will know the students’ names by reading the cardboard name cards. |
| A．a method of identifying students | B．a method of decorating classrooms |
| C．the development of photography | D．the importance of cardboard name cards |
Workplaces all over the UK are preparing for Christmas and all the traditions and customs that come with it. But will this Christmas be a cause of happiness and celebration, or of disappointment and embarrassment?
At this time of year, colleges show their appreciation of each other by doing a “Secret Santa”. Secret Santa involves people who work together buying gifts for each other without saying who they are from.
Co-workers all write their names on pieces of paper, then organize a lottery in which each worker picks a colleague’s name at random. He then has to buy a present for that colleague, usually on a small budget of five or ten pounds.
Since the givers are unknown, the quality of presents can vary greatly. In an Internet survey of Secret Santa presents, the gifts that people received range from tickets to the opera to an air freshener for a car.
Another common workplace tradition is the office Christmas party, at which workmates put on their best clothes and enjoy lots of free wine.
Most parties go without a hitch, but sometimes the alcohol cause party-goers to behave in a way that they later regret.
The BBC invited people to share their most embarrassing Christmas office party stories, and received hundreds of funny ones. For example, a man split his trousers while dancing; a drunken lady spent the whole night with the edge of her dress folded into her pants, and later looked at photos that proved it at work.
But the funniest story must be that of Stuart Vanies, who got so drunk that he put his boss’s head into the toilet. Unsurprisingly, he was fired the very next day.
1. How many Christmas traditions are mentioned?
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A．One. |
B．Two. |
C．Three. |
D．Four. |
2. We learn from this article that for Christmas ____________________.
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A．few people buy presents for their colleagues in Britain |
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B．British workers write their names on the presents they give their colleagues |
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C．people usually give their colleagues presents of high quality |
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D．British workers buy their presents based on an agreed budget |
3.The underlined phrase “without a hitch” in the sixth paragraph means _______________.
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A．quite smoothly |
B．without a result |
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C．with some difficulty |
D．quite unexpectedly |
4.The examples in the last two paragraphs are to ______________________.
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A．show that most British people enjoy drinking wine |
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B．advise readers not to drink wine at parties |
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C．prove that funny things often happen at office Christmas parties |
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D．criticize the bad habits of the British |