题目内容

Stop wasting your time thinking of reasons for your failures and shortcomings. Instead, realize that the seeds of success were planted within you when you were born. Only you have the power to make those seeds grow.

The seeds, and the power to grow them, are contained in the most awesome machine ever created: the human mind. Success is a choice and not a chance. You were born a winner. You were born rich. You can be a success if only you make the right choice.

You cannot be successful without first developing your self-esteem (自信心). Your level of self-esteem is always based on the degree of control that you are able to exercise over yourself, and thus over your life. People with low self-esteem are people who do not believe that they have any power, or responsibility for their lives. They are always victims. They are leaves tossed (摇摆) by the winds of chance blown about with any sudden change in the weather.

You can exercise control over your life only to the degree that you believe you are responsible for everything that happens in your life. Failures think that everything happens by accident and chance. Successful people realize that they are responsible.

Everything happens as a result of something. If we can identify the cause, we can control the effect. We are responsible for what we choose to think and believe. One generally rises to the level that one expects. We are responsible for setting our expectations. Our success is dependent upon our level of confidence.

If you associate with positive-thinking people, you are definitely going to achieve success. On the contrary, the opposite happens. We are responsible for finding, planting, and nurturing (培育) the seeds that contain future victory, born from setbacks (挫折).

In short, in all areas of your life, whether they are financial, physical, emotional, or spiritual, you are responsible. Once you recognize this, accept it, and firmly believe it. You are on the road to success.

1.People with low self-esteem are compared to leaves because they ________.

A. can’t exercise control over themselves

B. are easily affected by windy weather

C. don’t have the power to face their fate

D. are ready to change their minds

2.Losers would think that ________.

A. success is the result of hard work

B. working hard will lead to success

C. they fail only because of bad luck

D. they don’t make efforts to succeed

3.It can be inferred from the fifth paragraph that ________.

A. setting our expectations is essential before taking action

B. knowing cause and effect is the key to future success

C. thoughts and beliefs are the result of creative mind

D. whether we will succeed depends on our attitudes

4.The last paragraph serves as ________.

A. the proof of the author’s points

B. the conclusion of the argument

C. an introduction to another topic

D. a comparison between two views

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No one can deny that buttons are an important clothing device. But, can they rise to the level of art? Organizers of an exhibit in New York think so.

Peter Souleo Wright organized “The Button Show” at Rush Arts Gallery in the Chelsea neighborhood of Manhattan. Eleven artists used the small, ordinary objects to create sculptures, portraits and wearable art. Some of the works are political, some are personal and others are just fun.

Wright said each artist reimagines and repurposes the buttons to make art. “What I tried to do with this show,” he said , “was to look at artists who were promoting that level of craft.”

He said he wanted the button art to be comparable to a painting “because of the amount of detail and precision in the work”.

Artist Beau McCall produced “A Harlem Hangover”. It looks like a wine bottle that fell over on a table. A stream of connected red buttons hang over the side, like wine flowing down. Similar red buttons form a small pool on the floor.

McCall layers buttons of different shapes and sizes to create the bottle. The stitching that holds them together is also part of the artistic design.

For San Francisco-based artist Lisa Kokin, buttons are highly personal. After her father died in 2001, she created a portrait of him using only buttons. That memorial to her father led to other button portraits, including those of activists Rosa Parks and Cesar Chavez.

Others use buttons for details. Artist Amalia Amaki of Tuscaloosa, Alabama, placed them on and around old photographs. Los Angeles artist Camilla Taylor attached buttons to three large sculptures that look like headless animals with long , narrow legs.

“The Button Show” ends at March 12. The Rush Philanthropic Arts Foundation paid for the exhibition. The foundation was created in 1995 by the Simmons brothers: artist Danny, hip-hop producer Russell and rapper Rev. Run. The foundation seeks to bring the artists to urban youth and to provide support for new artists.

1.Why did Wright organize “The Button Show”?

A. To show the importance of buttons.

B. To support the new artists.

C. To raise the button show to the level of art.

D. To create sculptures and portraits.

2.Whose works are personal?

A. Peter Souleo Wright.B. Beau McCall.

C. Lisa Kokin.D. Amalia Amaki.

3.If you want to see “The Button Show”, you should ________.

A. buy tickets before March 12

B. phone Peter Souleo Wright before March 12

C. go to Rush Arts Gallery

D. go to the Rush Philanthropic Arts Foundationn

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