题目内容
Beyonce, a leading _____in the music industry, gave birth to a daughter on Saturday.
A. statue?????????? B. figure??????????? C. brand?????????? D. attraction
D
【解析】
试题分析：本题考察的是名词辨析A雕像，塑像；B人物，数据；C品牌；D n.吸引；[物]引力；魅力；引人注意的东西，有趣的东西；句义：碧昂斯，音乐界的一个很有魅力的歌星，在星期六生下了一个女儿。本句中的attraction指的是一个很有魅力的，引人注意的人。故D正确。
考点：考察名词词义辨析
提分百分百检测卷系列答案Like any awards ceremony of its age, the Oscars, now in its 85th year, has been trying hard to change.
So how did that go this year? When host Seth MacFarlane noted in his opening speech that it was the first time the Academy Awards had a theme, I thought: “well, that’s a good start.”
But when he revealed that the theme was a tribute to(向…致敬) musicals, I was less sure. After all, it’s not the first time that musicals have featured at the Oscars.
In 2007, the cast of Dream-girls gave a special performance directed by movie director and musical veteran(经验丰富的老手) Bill Condon. Then there was the memorable 2009 show hosted by Hugh Jackman, who screams musicals. With Beyonce Knowles and Anne Hathaway, he performed several hit songs from move musical. And in 2010, how did Neil Patrick Harris introduce the hosts? By performing a musical number.
So I guess the Oscars could have done better this year. But I must admit, there were more music performances in the three-and-a –half-hour show than ever before. This suggests the Oscars has dropped some of its arrogance and wants to offer audiences more entertainment.
It’s a timely move as the Golden Globes, also known as the “big party,” has become a threat to the Oscars, stealing viewers and even its reputation. Just look at the Oscars’ winning list this year.
You can’t blame the academy for wanting to stick it to the Golden Globes. While they hired Tina Fey and Amy Poehler to host the show—certainly more audience-friendly than MacFarlane— and Bill Clinton was invited as a presenter, who did viewers get at the Oscars? The First Lady of the US, Michelle Obama.
Way to go, Oscar! We know you’re struggling to look fresh and young, but don’t lose the pride and dignity that made you one biggest honor in the movie industry. Don’t ever let that change.
【小题1】Examples are given in Para.4 to show that__________.
| A．the Oscars has been trying hard to change |
| B．the Oscars’ theme is a tribute to musicals |
| C．it is not the first time that the Oscars has had a theme |
| D．musicals are not a new feature this year |
| A．the Oscars didn’t invite Bill Clinton as a presenter |
| B．the show took as long as three and a half hours |
| C．the Oscars has lost some pride and dignity to cater to the audiences |
| D．the Oscars is no longer fresh and young |
| A．It gave an award to the First Lady of the US, Michelle Obama. |
| B．Its host and hostess had better reputation. |
| C．It has become highly competitive with the Academy Awards. |
| D．It is more friendly to the audience. |
| A．Nothing new, but well done |
| B．So old, still young |
| C．New start, good change |
| D．Too old to change |
Last week Adele's second album, 21, sold 257,000 copies in the UK, a sales figure that would look incredible as an opening sales week for any album by any global superstar. The fact that the album was celebrating its 10th week at No.1, and that each of the previous nine weeks it had sold over 100,000 copies, makes what Adele has achieved look miraculous. The last female singer to spend that long at No.1 in the UK was Madonna in 1990 with her greatest hits compilation, The Immaculate Collection.
For Adele, the success of 21 is part of a perfect storm of talent, timing and a connection that went beyond gender, age and credibility. But what does it say about the state of the music industry? Does Adele's success signal a return to the MOR(适合大众口味的音乐) musical depression, when the likes of James Blunt dominated the charts? Her success may well lead to a great many similar acts aiming for an MOR audience, but that's more the fault of an industry desperate to recreate any kind of success by creating poor copies until the world shouts "stop now".
What seems to have set Adele apart is her apparent ordinariness, besides that incredible voice. While Gaga parades around in a dress made of meat and Beyonce orbits a world out of touch to the majority of most human beings, Adele's chain-smoking, girl-you'd-like-to-go-to-the-pub-with persona stands out. Even for a British act, her ordinariness goes against trend, with fellow Jessie J adopting a very American habit of over-emoting, talking about a "journey" and making the idea of being a pop star seem fairly difficult.
It's this universality and broad appeal that's helped her translate talent into sales. While the first single from 21, Rolling in the Deep, appealed to Radio 1 listeners and bloggers, the second single, Someone Like You, is so successful that silenced the grand O2 Arena during this year's Brit Awards. The press can write pages and pages in that there's enough of a connection of musicians – Rick Rubin worked on the album, there's a cover of the Cure, Mumford & Sons were an influence – while the gossip magazines have been excited by the fact that the album is one long break-up record, eager to find the ex.
In 1990, Madonna was a global superstar with a back catalogue of era-defining hits to her name. She was untouchable and, tellingly, unknowable. She was (and still is) a megastar, but a megastar of a different age. These days, we want to know a bit more about our artists; that they have relationship problems, walk their dog. Her selling point and appeal is precisely the fact that she exists at the point between everyday ordinariness and pop star.
For now, Adele's success should be celebrated, especially for becoming an unlikely global star on her own terms. The danger is that we're headed for a lot of fairly boring pop, a situation that led to the "birth" of Gaga a few years back. Pop goes in cycles and it feels like we're headed back towards the very middle of MOR.
【小题1】Adele’s achievement seems unbelievable for the reason that ____________.
| A．the sales of her second album achieved an incredible success last week in the UK |
| B．her second album ranked first in a row with the incredible average sales per week |
| C．Madonna was the last female singer in the UK to stay at No. 1 as long as she did |
| D．she is such an ordinary singer with so fascinating a voice in the music industry |
| A．to a large extent depends on her apparent talent for music |
| B．is because of her extraordinariness and the wonderful voice |
| C．lies in gift, timing and something beyond sex, age and trust |
| D．is largely due to the state of the music industry currently |
| A．She stands out in a totally different way from Gaga and Beyonce. |
| B．She and Madonna are contemporary megastars in music. |
| C．Only she and Madonna spent that long at No.1 in the UK. |
| D．Jessie J and she both have an American habit of expressing themselves. |
| A．Her musical talent. |
| B．The joint work of musicians in the album. |
| C．Her incredible voice. |
| D．Her universality and broad appeal. |
| A．satisfying | B．disappointing | C．dangerous | D．desperate |