题目内容



Many famous museums throughout the world can offer you good chances to admire art. Washington, D.C has the National Gallery of Art,Paris has the Louver, London, the British Museum. Florida International University(FIU) in Miami also shows art for people to see. And it does so without a building, or even a wall for its drawings and paintings.
FIU has opened what it says is the first computer art museum in the United States. You don’t have to visit the University to see the art. What you need is just a computer linked to a telephone. That’s enough.
You can call the telephone number of a University computer and connect your own computer to it. All of the art is stored in the school computer. It is computer art, produced electronically by artists on their own computers. In only a few minutes, your computer can receive and copy all the pictures and drawings.
Robert Shostak is director of the new computer museum. He says he started the museum because computer artists had no place to show their work.
A computer artist could only record his pictures electronically and send the records, or floppy discs, to others to see on their computers. He could also put his pictures on paper. But to print good pictures on paper, the computer artist will have  to need a very expensive laser printer.
Robert Shostak says the electronic museum is mostly for art or computer students at schools and universities. Many of the pictures in the museum are made by students. Mr Shostak said the FIU museum will make computer art more fun for computer artists because more people can see it. He says artists enjoy their work much more if they have an audience. And the great number of home computers in America could mean a huge audience for the electronic museum.
【小题1】The main purpose of this text is to give information about____________.

A.famous museums throughout the world
B.an electronic art museum in Miami, U.S.A
C.art exhibitions in Florida International University
D.the latest development in computer art in the USA
【小题2】To see the art in FIU museum, which of the following should you have at first?
A.some records or floppy discs
B.a computer and a printer
C.your own pictures and drawings
D.a computer connected by telephone line
【小题3】_________ are stored in the electronic museum in FIU.
A.Paintings drawn by computer
B.Different styles of paintings
C.Some very traditional paintings
D.Drawings done by students of FIU
【小题4】The museum was started when ___________.
A.FIU wanted to encourage computer scientists
B.Robert Shostak decided to help computer artists
C.art students needed a place to show their works
D.computer scientists wanted to do something about art
【小题5】The words “an audience” in the last paragraph refers to ___________.
A.art students
B.computer owners
C.exhibits in the museum
D.those who will enjoy art


【小题1】B
【小题2】D
【小题3】A
【小题4】B
【小题5】D

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Have you ever been at a meeting while someone was making a speech and realized suddenly that your mind was a million miles away? You probably felt sorry and made up your mind to pay attention and always have been told that daydreaming is a waste of time. 
“On the contrary,” says L. Giambra, an expert in psychology, “daydreaming is quite necessary. Without it, the mind couldn’t get done all the thinking it has to do during a normal day. You can’t possibly do all your thinking with a conscious(有意识)mind. Instead, your unconscious mind is working out problems all the time. Daydreaming then may be one way that the unconscious and conscious states of mind have silent dialogues.”
Early experts in psychology paid no attention to the importance of daydreams or even considered them harmful. At one time daydreaming was thought to be a cause of some mental illnesses. They did not have a better understanding of daydreams until the late 1980s. Eric Klinger, a professor of psychology, is the writer of the book Daydreaming. Klinger says, “We know now that daydreaming is one of the main ways that we organize our lives, learn from our experiences, and plan for our futures. Daydreams really are a window on the things we fear and the things we long for in life.”
Daydreams are usually very simple and direct, quite unlike sleep dreams, which may be hard to understand. It’s easier to gain a deep understanding of your life by paying close attention to your daydreams than by trying to examine your sleep dreams carefully. Daydreams help you recognize the difficult situations in your life and find out a possible way of dealing with them.
Daydreams cannot be predicated(预料). They move off in unexpected directions which may be creative and full of ideas. For many famous artists and scientists, daydreams were and are a main source of creative energy.
72.The writer of this passage considers daydreams         .
A.hard to understand B.important and helpful
C.harmful and unimportant D.the same as sleep dreams
73.The writer quoted(引用)L. Giambra and Eric Klinger to         .
A.point out the wrong ideas of early experts   B.list two different ideas
C.support his own idea                    D.report the latest research on daydreams
74.Which of the following is TRUE?
A.An unconscious mind can work all the problems out.
B.Daydreaming can give artists and scientists ideas for creation.
C.Professor Eric Klinger has a better idea than L. Giambra.
D.Early experts fully understood what daydreams were.
75.What is the main difference between daydreams and sleep dreams?
A.People have daydreams and sleep dreams at different times.
B.Daydreams are the result of unconscious mind while sleep dreams are that of conscious
mind.
C.Daydreams are more harmful.  D.Daydreams are more helpful in solving problems.

 The Great Fire of London started in the very early hours of 2 September 1666. In four days it destroyed more than three-quarters of the old city, where most of the houses were wooden and close together. One hundred thousand people became homeless, but only a few lost their lives.
The fire started on Sunday morning in the house of the King's baker(面包师) in Pudding Lane. The baker, with his wife and family, was able to get out through a window in the roof. A strong wind blew the fire from the bakery (面包房) into a small hotel next door. Then it spread quickly into Thames Street. That was the beginning.
By eight o'clock three hundred houses were on fire. On Monday nearly a kilometer of the city was burning along the River Thames. Tuesday was the worst day. The fire destroyed many well-known buildings, old St Paul's and the Guildhall along them.
Samuel Peyps, the famous writer, wrote about the fire. People threw their things into the river. Many poor people stayed in their houses until the last moment. Birds fell out of the air because of the heat.
The fire stopped only when the King finally ordered people to destroy hundreds of buildings in the path of the fire. With nothing left to burn, the fire became weak and finally died out.
After the fire, Christopher Wren, the architect (建筑师), wanted a city with wider streets and fine new houses of stone, In fact, the streets are still narrow, but he did build more than fifty churches, among them the new St Paul's.
The fire caused great pain and loss, but after it London was a better place: a city for the future and not just of the past.
【小题1】It seems that the writer of the text was most sorry for the fact that______.

A.some people lost their lives
B.the birds in the sky were killed by the fire
C.many famous buildings were destroyed
D.the King's bakery was burned down
【小题2】 Why did the writer cite (引用) Samuel Pepys?
A.Because Pepys was among those putting out the fire.
B.Because Pepys also wrote about the fire.
C.To show that poor people suffered most.
D.To give the reader a clearer picture of the fire.
【小题3】 How was the fire put out according to the text?
A.The King and his soldiers came to help.
B.All the wooden houses in the city were destroyed.
C.People managed to get enough water from the river.
D.Houses standing in the direction of the fire were pulled down.
【小题4】 Which of the following were reasons for the rapid spread of the big fire?______.
(a) There was a strong wind.                         (b) The streets were very narrow. 
(c) Many houses were made of wood.           (d) There was not enough water in the city.     
(e) people did not discover the fire earlier.
A. (a), (b)      B. (a), (b), (C)     C. (a), (b), (d)       D. (b), (c) (e)

He was 11 years old and went fishing every chance he got from the dock at his family’s   cabin on an island in the middle of a New Hampshire lake.
   On the day before the bass season opened, he and his father were fishing early in the evening, catching sunfish and perch (鲈鱼)  with worms. Then he tied on a small silver lure(鱼饵) and practiced casting. The lure struck the water and caused colored ripples in the sunset, then silver ripples as the moon rose over the lake.
  When his peapole doubled over, he knew something huge was on the other end. His father watched with admiration as the boy skillfully worked the fish alongside the dock.
  Finally, he very gingerly lifted the exhausted fish from the water. It was the largest one he had ever seen, but it was a bass. The boy and his father looked at the handsome fish, gills playing back and forth in the moonlight. The father lit a match and looked at his watch. It was 10 P.M.-- two hours before the season opened. He looked at the fish, then at the boy.
  “You’ll have to put it back, son,” he said.
  “Dad!” cried the boy.
  “There will be other fish,” said his father.
  “Not as big as this one,” cried the boy.
  He looked around the lake. No other fishermen or boats were anywhere around in the moonlight. He looked again at his father. Even though no one had seen them, nor could anyone ever know what time he caught the fish, the boy could tell by the clarity of his father’s voice that the decision was not negotiable(可协商的). He slowly worked the hook out of the lip of the huge bass and lowered it into the black water.
  The creature swished its powerful body and disappeared. The boy suspected that he would never again see such a great fish.
  That was 34 years ago. Today, the boy is a successful architect in New York City. His father’s cabin is still there on the island in the middle of the lake. He takes his own son and daughters fishing from the same dock.
  And he was right. He has never again caught such a magnificent fish as the one he landed that night long ago. But he does see that same fish-again and again-every time he comes up against a question of ethics (道德规范).
【小题1】 Why did the father ask his son to put the perch back?

A.Because the father disliked the perch.
B.Because the father was afraid of being fined
C.Because the ethics must be obeyed.
D.Because the son was more experienced in fishing than his father.
【小题2】When does the architect (the father’s son) think of that perch put back?
A.When he takes his own and son and daughters fishing from the same dock.
B.When he builds many famous buildings.
C.When he pays a visit to his old father.
D.When he faces some problems about ethics.
【小题3】Which word can not be used to describe the boy’s father?
A.honestB.noble-mindedC.caringD.generous

Born in a fishing village in Japan, Fujiyama, 25, recalls a childhood dominated by health concerns. Doctors told his parents that he had a hole in his heart and “they didn’t think I had a lot longer to live”. But during a later visit to the doctor, his family learned the hole had closed. “Somehow I was cured and I became a normal kid,” Fujiyama says. “And I had a second chance.”

During his second year at the University of Mary Washington, he volunteered in Honduras with a campus group and was struck by the extreme poverty he saw—barefoot children collecting cans and sleeping in the streets. Fujiyama realized he could help give other children their own second chance.

Today, his organization, Students Helping Honduras, brings education and community projects to children and families in need.

He started by telling his friends about his experience and collecting spare change at his two campus jobs. “When I had my very first meeting, only two people showed up,” he says. “I knew I had to keep fighting.” He persuaded his younger sister, Cosmo, to join the cause. “She’s dynamite,.” He says. “When she talks in front of a crowd, she can move mountains. Knowing that she was behind it, I knew I could do anything.” Since 2006, the siblings organization has grown to 25 campuses and raised more than $750,000 to fund projects, including the construction of two schools and the establishment of scholarships to help young women attend college.

Fujiyama says students are deeply committed to the organization. They raise money and then travel to Honduras to help building houses. While Fujiyama spends his summers in Honduras working alongside volunteers, he spends a large portion of the year on the road visiting colleges to raise funds. Cosmo Fujiyama, 23, lives in Honduras full time to coordinate(协调)the group’s building efforts on the ground.

Students Helping Honduras is working with community members of Siete de Abril to build a new village. Many of the families lost their belongings in Hurricane Mitch in 1998. A lot of them didn’t have access to clean water or health care, and they didn’t have a school. Fujiyama’s group helped build 44 homes in the village named “Sunshine Village”. The organization is also raising funds to build a water tower, an eco-friendly sanitation system and a library.

1.At the beginning of his organization, ________.

  A. Fujiyama was supported by many friends     B. things didn’t go on smoothly

C. Fujiyama had little idea of Honduras         D. many famous people joined in

2.We can infer that Fujiyama is a _______ man.

  A. diligent         B. mean           C. sympathetic        D. cheerful

3.The underlined word “siblings’ ” can be replaced by __________.

  A. brothers’        B. brother and sister’s        C. friends’        D. couple’s

4.Which of the following is the best title for the passage?

  A. Help the people in need

B. Students lend a hand in America

C. Fujiyama helps build “Sunshine Village”

D. Fujiyama gives poor people in Honduras a second chance

 

任务型阅读  (共10小题; 每小题1分, 满分10分)

One of the most well-known directors of our time is Stephen Spielberg. He was born in Cincinnati on 18 December 1946. His father was an electric engineer and his mother was a performing pianist. His sister, Anne Spielberg, became a screenwriter who wrote the stories for many famous films.

Stephen had always wanted to be a director ever since he was a young boy. When he was just 13 years old, he made a 40-minute film. It won a local competition. Three years later, he produced a film called Firelight, which made one hundred dollars’ profit at the cinema in his hometown. Many of the ideas from this film were later used for one of his most famous films called Close Encounters of the Third Kind.

When he was 18 years old, he wanted to go to film school so that he could improve his skills and become an even better director. Unluckily, he was unsuccessful in getting a place at this school so he went to a university in California to study English. Even though he had failed to get into the school he wanted to go to, he didn’t let this stop him following his dream to become a great director.

Stephen Spielberg has directed many films since his first major film in 1976. He now owns many different businesses, most of which are involved in the film industry.

Year

                  What happened

1946

Stephen Spielberg   1    2  in Cincinnati.

1959

Stephen Spielberg made a   3  film and it   4  a local competition.

1962

Stephen Spielberg produced a film called   5 , from which many   6 

were later used for Close Encounters of the Third Kind.

_ 7

Though he   8  to get into the film school he wanted to go to, Stephen

Spielberg didn’t give up his dream to become a great director.

1976

Stephen Spielberg   9_  his   10  major film.

 

 

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