题目内容


B
For a song to become popular, people need to bear it.  In order for people to hear it, the program directors at radio stations have to play it on the air. A song’s popularity is directly related to how often it is played. That is a big responsibility for program directors. How do they decide what gets played and what doesn’t?
In the past, disc jockeys(音乐节目主持人) decided what music was played on the radio. These DJs had an ear for music and an understanding of what their audience wanted to hear. Today, that is all changing. Most major radio stations are owned by a few large national businesses. The decision of what gets played on the radio is made by executives(主管) who have little or no interest in music. They do, however, know how to run a business, and they know what sells. So, the music industry designs and creates pop entertainers, and executives in the radio industry make sure that their music is played on the radio. This explains why you do not often hear anything new and fresh on the radio. The executives do not want to give air time to music that has not been tested on the market. It is too risky. They prefer to go with music that they already know will sell. They know it will sell because it sold last week and last month and last year. They just have to change it a little.
One of the most criticized(批评) practices in the music industry is the practice of “payola”. This is when record companies pay radio stations to play the music of a given artist. This practice makes many people lose trust in the music industry and is therefore against the law. A radio station can accept money in exchange for air time of a song, but they have to make it clear that the song is being played because its air time was paid for. They cannot present the song as if it were part of the normal play schedule(时刻表).
Payola affects both artists and audiences. The artists who work with small record companies that cannot pay a lot of money to radio stations have a much harder time getting exposure. It creates an unfair playing field. Music lovers suffer because they are not able to hear all the music that is available.
60. According to the passage, most major radio stations belong to       .
A. national businesses                      B. program directors   
C. pop entertainers                         D. record companies
61. “Payola” is the practice of        .
A. artists paying radio stations to play their songs
B. record companies buying air time for certain music
C. radio station paying record company for new songs
D. program directors deciding what music gets played
62. Who can make the largest profits from payola?
A. Disc Jockeys.                               B. The given artists.
C.  Business executives.                        D. Program directors.
63. It can be concluded from the passage that the author        .
A. has a positive attitude towards the practice of “payola”
B. is dissatisfied with the present situation in music industry
C. is calling for a change in the normal play schedule
D. thinks that the radio stations are doing the right thing


60-63: ABCB 

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Then she asked me the same question.

"I have been playing for 8 years now," I answered.

"Then you must play a song for me before you leave," she requested.

I   22   she was kidding and I simply smiled. At the end of the   23  of the vitamins, she 24  me of our musical "  25 ". She then showed me to an old upright piano in the living room and asked me to play a song for her. I thought   26   and decided to play David Lanz's "Return to the Heart", since she had so much passion for    27  , and it was my soul-searching song.

I played the song to the best of my  28 , and with my emotions pouring into it as possible. She loved it.  29 I was about to step out of the door, I heard a weak voice calling out, "Young man!"

I turned around. And there was an old lady   30 one little step at a time with the help of another woman. "I wanted to come out to   31 you for the beautiful song that you played. I have been very sick, and it's very hard for me to  32  my bed, but I really wanted to thank you for the song. It made me feel good..." she said. With that, she turned around and walked   33  back to her room.

I was deeply touched by her  34  and felt a deeper understanding for the song. It served its purpose beautifully, returning to one's   35  for peace and joy.

1.                A.observed       B.watched        C.noticed   D.caught

 

2.                A.on            B.at             C.over D.against

 

3.                A.player          B.learner         C.composer D.starter

 

4.                A.giving          B.attending       C.teaching  D.learning

 

5.                A.interesting      B.exciting         C.aggressive D.impressive

 

6.                A.passion         B.interest         C.hobbies  D.emotions

 

7.                A.found          B.felt            C.hoped    D.thought

 

8.                A.charge         B.purchase        C.bargain   D.obtaining

 

9.                A.warned         B.required        C.asked    D.reminded

 

10.               A.deal           B.contract        C.discussion D.debate

 

11.                                A.for the moment  B.at the moment

C.for a moment                     D.at a moment

 

12.               A.music          B.me            C.the piano  D.vitamins

 

13.               A.knowledge      B.attitude        C.mind D.ability

 

14.               A.Since          B.As             C.While D.Because

 

15.               A.taking          B.making         C.having D.moving

 

16.               A.thank          B.praise          C.admire    D.respect

 

17.               A.get on         B.get up          C.get off D.get down

 

18.               A.quickly         B.calmly          C.happily    D.slowly

 

19.               A.approval        B.appreciation     C.joy   D.thanks

 

20.               A.heart          B.world          C.soul  D.dream

 

 

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