题目内容
Most artists care more for the ________ success of their research than their physical conditions．
- A.cultural
- B.commercial
- C.classical
- D.academic
Photos that you might have found down the back of your sofa are now big business!
In 2005,the American artist Richard Prince’s photograph of a photograph,Untitled (Cowboy),was sold for $1 248 000.
Prince is certainly not the only contemporary artist to have worked with so-called “found photographs”—a loose term given to everything from discarded(丢弃的)prints discovered in a junk shop to old advertisements or amateur photographs from a stranger’s family album.The German artist Joachim Schmid,who believes “basically everything is worth looking at”,has gathered discarded photographs,postcards and newspaper images since 1982.In his on-going project,Archiv,he groups photographs of family life according to themes:people with dogs;teams;new cars;dinner with the family;and so on.
Like Schmid,the editors of several self-published art magazines also champion(捍卫)found photographs.One of them,called simply Found,was born one snowy night in Chicago,when Davy Rothbard returned to his car to find under his wiper(雨刷)an angry note intended for someone else:“Why’s your car HERE at HER place?”The note became the starting point for Rothbard’s addictive publication,which features found photographs sent in by readers,such as a poster discovered in your drawer.
The whole found-photograph phenomenon has raised some questions.Perhaps one of the most difficult is:can these images really be considered as art?And,if so,whose art?Yet found photographs produced by artists,such as Richard Prince,may raise endless possibilities.What was the cowboy in Prince’s Untitled doing?Was he riding his horse hurriedly to meet someone?Or how did Prince create this photograph?It’s anyone’s guess.In addition,as we imagine the back-story to the people in the found photographs artists,like Schmid,have collated(整理),we also turn toward our own photographic albums.Why is memory so important to us?Why do we all seek to freeze in time the faces of our children,our parents,our lovers,and ourselves?Will they mean anything to anyone after we’ve gone?
In the absence of established facts,the vast collections of found photographs give our minds an opportunity to wander freely.That,above all,is why they are so fascinating.
【小题1】The first paragraph of the passage is used to_______.
| A．remind readers of found photographs |
| B．advise readers to start a new kind of business |
| C．ask readers to find photographs behind sofas |
| D．show readers the value of found photographs |
| A．is fond of collecting family life photographs |
| B．found a complaining note under his car wiper |
| C．is working for several self-published art magazines |
| D．wondered at the artistic nature of found photographs |
| A．the readers |
| B．the editors |
| C．the found photographs |
| D．the self-published magazines |
| A．memory of the past is very important to people |
| B．found photographs allow people to think freely |
| C．the back-story of found photographs is puzzling |
| D．the real value of found photographs is questionable |
| A．critical | B．doubtful |
| C．optimistic | D．satisfied |
Photos that you might have found down the back of your sofa are now big business!
In 2005, the American artist Richard Prince’s photograph of a photograph, Untitled (Cowboy）, was sold for $ 1, 248, 000.
Prince is certainly not the only contemporary artist to have worked with so-called “found photographs”—a loose term given to everything from discarded(丢弃的） prints discovered in a junk shop to old advertisements or amateur photographs from a stranger’s family album. The German artist Joachim Schmid, who believes “basically everything is worth looking at”, has gathered discarded photographs, postcards and newspaper images since 1982. In his on-going project, Archiv, he groups photographs of family life according to themes: people with dogs; teams; new cars; dinner with the family; and so on.
Like Schmid, the editors of several self-published art magazines also champion (捍卫) found photographs. One of them, called simply Found, was born one snowy night in Chicago, when Davy Rothbard returned to his car to find under his wiper(雨刷） an angry note intended for some else: “Why’s your car HERE at HER place?” The note became the starting point for Rothbard’s addictive publication, which features found photographs sent in by readers, such a poster discovered in our drawer.
The whole found-photograph phenomenon has raised some questions. Perhaps one of the most difficult is: can these images really be considered as art? And if so, whose art? Yet found photographs produced by artists, such Richard Prince, may riding his horse hurriedly to meet someone? Or how did Prince create this photograph? It's anyone's guess. In addition, as we imagine the back-story to the people in the found photographs artists, like Schmid, have collated (整理）, we also turn toward our own photographic albums. Why is memory so important to us? Why do we all seek to freeze in time the faces of our children, our parents, our lovers, and ourselves? Will they mean anything to anyone after we've gone?
In the absence of established facts, the vast collections of found photographs give our minds an opportunity to wander freely. That, above all, is why they are so fascinating.
【小题1】The first paragraph of the passage is used to _________.
| A．remind readers of found photographs |
| B．advise reader to start a new kind of business |
| C．ask readers to find photographs behind sofa |
| D．show readers the value of found photographs |
| A．is fond of collecting family life photographs |
| B．found a complaining not under his car wiper |
| C．is working for several self-published magazines |
| D．wondered at the artistic nature of found photographs |
| A．the readers | B．the editors |
| C．the found photographs | D．the self-published magazines |
| A．memory of the past is very important to people |
| B．found photographs allow people to think freely |
| C．the back-story of found photographs is puzzling |
| D．the real value of found photographs is questionable |
| A．critical | B．doubtful | C．optimistic | D．satisfied |
Photos that you might have found down the back of your sofa are now big business!
In 2005, the American artist Richard Prince’s photograph of a photograph, entitled (Cowboy), was sold for $ 1, 248, 000.
Prince is certainly not the only contemporary artist to have worked with so-called “found photographs”—a loose term given to everything from discarded(丢弃的) prints discovered in a junk shop to old advertisements or amateur photographs from a stranger’s family album. The German artist Joachim Schmid, who believes “basically everything is worth looking at”, has gathered discarded photographs, postcards and newspaper images since 1982. In his on-going project, Archiv, he groups photographs of family life according to themes: people with dogs; teams; new cars; dinner with the family; and so on.
Like Schmid, the editors of several self-published art magazines also champion (捍卫) found photographs. One of them, called simply Found, was born one snowy night in Chicago, when Davy Rothbard returned to his car to find under his wiper(雨刷) an angry note intended for someone else: “Why’s your car HERE at HER place?” The note became the starting point for Rothbard’s addictive publication, which features found photographs sent in by readers, such as a poster discovered in your drawer.
The whole found-photograph phenomenon has raised some questions. Perhaps one of the most difficult is: can these images really be considered as art? And if so, whose art? Yet found photographs produced by artists, such as Richard Prince, may raise endless possibilities. What was the cowboy in Prince’s Untitled doing? Was he riding his horse hurriedly to meet someone? Or how did Prince create this photograph? It’s anyone’s guess. In addition, as we imagine the back-story to the people in the found photographs artists, like Schmid, have collated (整理), we also turn toward our own photographic albums. Why is memory so important to us? Why do we all seek to freeze in time the faces of our children, our parents, our lovers, and ourselves? Will they mean anything to anyone after we’ve gone?
In the absence of established facts, the vast collections of found photographs give our minds an opportunity to wander freely. That, above all, is why they are so fascinating.
【小题1】The first paragraph of the passage is used to _________.
| A．remind readers of found photographs |
| B．advise reader to start a new kind of business |
| C．ask readers to find photographs behind sofa |
| D．show readers the value of found photographs |
| A．the readers | B．the editors |
| C．the found photographs | D．the self-published magazines |
| A．memory of the past is very important to people |
| B．found photographs allow people to think freely |
| C．the back-story of found photographs is puzzling |
| D．the real value of found photographs is questionable |
| A．critical | B．doubtful | C．optimistic | D．satisfied |
Kalle Lasn was in a supermarket parking lot one afternoon when he had an experience that changed his life．In order to shop at the store, he needed to put money into the shopping cart to use it．Annoyed that he had to "pay to shop," Lasn jammed the coin into the cart so that it wouldn't work．It was an act of rebellion—the first of many—for Lasn．
Born in Estonia, Kalle Lasn moved to Australia as a young man and then later to Japan, where he founded a marketing research firm in Tokyo．Eventually, Lasn moved to Canada and for several years produced documentaries （纪录片） for public television．In the late 1980s, Lasn made an advertisement that spoke out against the logging industry and the deforestation going on in the Pacific Northwest．When he tried to show his ad on TV, though, no station in this area would give him airtime．In response, Lasn and a colleague founded Adbusters Media Foundation, a company for the "Human right to communicate．
Adbusters produces magazine, newspaper, and TV ads with a social message．Many use humor and irony to make their points: In one, for example, a man chain smokes a brand of cigarettes called "Hope"．In another, a child is dressed in an outfit used in fast-food ads．Next to the child is a note from its mother telling the restaurant to leave her child alone．
Adbusters also has a magazine and a web site, the Culture Jammers Network, whose members include students, artists, and activists as well as educators and businesspeople interested in social change．Many of these "culture jammers" are working to raise awareness about different social issues by hosting events like "Buy Nothing Day" , " No Car Day" and "TV Turnoff Week" ．Lasn and his partners hope these events will encourage people to think about questions such as;
·What kinds of things are we being encouraged to buy by the media?
·Should cars be our primary means of transportation?
·How are television and radio being used now? How could we be using them?
Some culture jammers are using other methods to challenge how people think．Some pretend to be shoppers．They move items in stores from one shelf to another making it difficult for people to find things easily．Other culture jammers break into large company well sites and jam them so that they become unusable．The goal in both cases ia to prevent "Business as usual" and to gel people to ask themselves questions such as "Why am I shopping here?" or "Why should I buy this product?"
Lasn and members of the Culture Jammers Network want to make people aware of social issues, but they also believe it's important to think of solutions, too．"A lot of people tell you everything that's wrong but they never say much about how to fix these problems," says Lasn．"But there is plenty we can do．If you start despairing, you have lost everything．"
Though many TV stations still won't show Adbusters' " uncommercials" , some cable TV stations have started to．People all over the world have joined the Culture Jammers Network and are doing their part to promote social change．
1.What does the underlined word "rebellion" in Paragraph 1 most probably mean?
|
A．argument |
B．violence |
|
C．opposition |
D．protection |
2.What's the main point of the ad for "Hope" cigarettes?
|
A．Smoking can help to remove your worries and make you hopeful． |
|
B．Hopefully, the bad taste of the cigarette can help you to quit smoking． |
|
C．You are hopeless at abandoning the habit of smoking． |
|
D．Smoking can ruin you if you are hopelessly addicted to it． |
3.Some culture jammers break into websites in order to ________．
|
A．ask people to be thoughtful consumers． |
|
B．help make the companies better known． |
|
C．encourage people to think less and buy less |
|
D．challenge how people react to sudden changes |
4.It can be inferred from the passage ________．
|
A．Adbusters Media Foundation was founded to fight against deforestation |
|
B．More and more people will know about and even become culture jammers |
|
C．The Culture Jammers Network is made up of annoying trouble makers |
|
D．People can see some of Adbusters ads on TV stations |
5.Which of the following best describes what Lasn has done?
|
A．One step at a time． |
|
B．We can and must change the world． |
|
C．Accept what you can't change． |
|
D．Everyone deserves a second chance． |