题目内容

1.I'm sitting at my mother's desk,a mahogany (红木) one with rows of tiny drawers-even a sliding secret compartment (隔间).I've (41)B it since I was just tall enough to see things (42)C it as Mother sat doing letters.Standing by her chair,staring at the ink bottle,pens,and smooth white paper,I(43)A that the act of writing must be the most (44)D thing in the world.
Years later,during her final illness,Mother (45)C various items for my sister and brother."But the desk,"she'd repeat,"is for Elizabeth."I sensed Mother communicating with this gift,a communication I'd craved(渴望) for 50years.
My mother was(46)A in the Victorian belief that emotions were(47)D.I never saw her angry,never saw her cry.I knew she loved me;she expressed it in (48)B.But as a teenager I (49)D heart-to-heart talks between mother and daughter.They never happened.And a gulf(鸿沟) opened between us.
As (50)C  passed and I raised my own family,I began to understand her.Forgive me,I wrote,for having been critical.In(51)A words,I asked her to let me know in any way she chose that she did forgive me.
I mailed the letter and waited (52)B for her reply.None came.Eagerness turned to disappointment,then acceptance and,finally,(53)C.I couldn't be sure that the letter had even got to mother.I only knew that I had written it.I could stop trying to make her into(54)A she was not.For the last 15years of her life we enjoyed a relationship on her   light,caring,cheerful.
Now the(55)B of her desk told me,as she'd never been able to,that she was pleased that (56)D was my chosen work.
The desk stayed in our attic (阁楼) for nearly a year before we turned a bedroom into a study.(57)Bat last I brought the desk down,it was dusty from months of storage.(58)A,I polished the drawers.Pulling out the secret compartment,I found papers inside.And a one-page letter,(59)C and  refolded many times.
Send me a reply,my letter asks,in any way you choose.Mother,you(60)D chose the act that speaks louder than words.
41.A.enviedB.lovedC.madeD.studied
42.A.belowB.behindC.aboveD.inside
43.A.decidedB.doubtedC.deniedD.hoped
44.A.reliableB.cleverC.specialD.delightful
45.A.boughtB.receivedC.reservedD.ordered
46.A.brought upB.picked upC.dressed upD.given up
47.A.trueB.strongC.importantD.private
48.A.wordsB.actionC.tearsD.secret
49.A.turned downB.sank intoC.stuck toD.longed for
50.A.morningsB.centuriesC.yearsD.times
51.A.carefulB.directC.humorousD.rude
52.A.patientlyB.eagerlyC.quietlyD.calmly
53.A.sadnessB.curiosityC.peaceD.anger
54.A.someoneB.anyoneC.everybodyD.anybody
55.A.storyB.giftC.colorD.act
56.A.singingB.designingC.paintingD.writing
57.A.WhileB.WhenC.AfterD.Since
58.A.LovinglyB.LuckilyC.ExcitedlyD.Carelessly
59.A.readB.hiddenC.foldedD.enjoyed
60.A.seldomB.usuallyC.oftenD.always

分析 母亲的书桌我自小就深深喜爱,终于我长大后母亲把它遗留给了我,作为激励我写作生涯的礼物.在岁月流逝中我终于意识到母亲对我的爱,领悟到了行动永远胜于任何语言.

解答 41.B.考查动词辨析.A.envied羡慕,B.loved爱,C.made制造,D.studied学习.句意,当我个头刚高过桌面时,看到母亲坐在书桌上做文案工作,就深深爱上了这张书桌.故选B.
42.C.考查介词辨析.由句意母亲在书桌上做文案,应当用above 在…之上,故选B.
43.A.考查动词辨析.句意,站在母亲的椅子边,好奇地盯着桌子摆放的墨水瓶、钢笔和光滑洁白的纸张,我就
想伏案写作一定是世界上最惬意的事了.故选A.
44.D.考查形容词辨析.句意同上,D选项delightful高兴的,故选D.
45.C.考查动词辨析.许多年以后,在母亲患病的最后日子里,她嘱咐留下好些物品给姐姐、哥哥作纪念."但是那张书桌",她多次说道,"是要留给伊丽莎白的."received保存,故选C.
46.A.考查短语辨析.A.brought up抚养B.picked up捡起C.dressed up化妆D.given up放弃.句意,母亲是在维多利亚式的信仰下长大的.他们信奉:人的感情应该是含蓄的,故选A.
47.D.形容词辨析.由句意人的感情应该是含蓄的,可知应选private私人的.故选A.
48.B.名词辨析.A.words语言B.action行动C.tears眼泪D.secret秘密,我知道她爱我,但那是一种将点点滴滴都溶进了行动中的爱.故选B.
49.D.考查动词短语辨析.A.turned down拒绝B.sank into下沉C.stuck to坚持D.longed for渴望.句意,而正值豆蔻年华的我却渴望母女间有一种推心置腹的倾心交谈. 故选D.
50.C.考查名词辨析.句意,岁月流逝,我也有了自己的孩子.故选C.
51.A.形容词辨析.句意,我谨慎措词,请求母亲以她喜欢的方式来告诉我她确实原谅了我. A选项careful小心的,故选A.
52.B.副词辨析.句意,信寄出去了,我急切地盼着回音.故选B,eagerly迫切地.
53.C.名词辨析.A.sadness悲伤B.curiosity好奇C.peace平静D.anger生气.句意,热切的盼望终成失望,无奈之下我只有听之任之,最后竟也心平气和了.故选C.
54.A.考查代词辨析.句意,我不再会拼命地想要改变母亲,使她成为一个失去个性的人.故选A,someone.
55.B.由句意,现在,母亲把这张书桌作为礼物送给我.故选B,gift.
56.D.由句意,母亲对我选择写作生涯很满意,故选D.writing,写作.
57.B.连词辨析.句意,我终于把书桌搬下来了.好几个月的闲置使得它灰尘厚积.A.While尽管 B.When当…时 C.After 在…之后 D.Since自从.故选B.
58.A.副词辨析.句意,心中充溢着爱的温暖,我仔细地将抽屉和书橱擦得光洁如新.故选A.
59.C.动词辨析.A.read阅读B.hidden隐藏C.folded折叠D.enjoyed享受.句意,拉开那个暗隔间,我发现里面放了些文件:一张父亲的照片,家庭成员的结婚公告,还有一封展读多次、仅一页纸内容的信. 故选C.
60.D.副词辨析.句意,行动一直胜于任何语言.D.always,总是.故选D.

点评 对于完形填空类阅读,考生千万不要急于下笔,必须先通读全文,了解文章大意后再进行解题.当遇到难以判断的情况时,先不要着急,回头看看前面的文章,或者接着往下读,仔细揣摩一下前因后果、逻辑关系、作者思路等,总能找到相应的线索帮助解题.

练习册系列答案
相关题目
16.The London Eye 4D Film Experience started in August and is included in the London Eye ticket price.It is a fantastic 4D film to entertain you before your trip on the London Eye.The 4D effects are great.
No Extra Cost to You
That's right; you buy your ticket for the London Eye and 4D cinema experience.Merlin Entertainments,the London Eye owners,spent 5million creating the film and building the 4D cinema and wanted to improve the value for money of the London Eye.
What to Expect
The 4D Cinema entrance is in the ticket hall.So after buying your ticket,go straight to it,where you'll be given a pair of glasses.About 160visitors will pass through the 4D cinema every 8minutes so don't worry about waiting time.People in the bright pink cinema are all standing on four levels.The top level is designed for wheelchairs.
London Eye 4D Film
Put on your glasses and enjoy yourself.The story is about a little girl visiting London with her father and she wants to be higher to get a better view so she comes to the London Eye.It differs from watching the 3D film for all your senses are involved.When it snows on screen,you feel it snows in the cinema.And when you watch the fireworks,you can really smell them.
For a short film,less than four minutes,before the main attraction you think you've come for,you are going to love this free extra.I stood there with my mouth wide open at the end as many others did.It's fantastic!The effects are the Hollywood standard as no expense is spared.I was lucky enough to try the film three times on the first day and I still want to go back again.
36.What does the author mainly tell us in this passage?A
A.He mainly introduces the 4D film of Merlin Entertainments.
B.He mainly introduces the London Eye entertainment centre.
C.He mainly tells us his experiences while creating the 4D film.
D.He mainly introduces to us how to take part in the 4D film.
37.Why did the Merlin Entertainments build the 4D film cinema?B
A.Because it wanted to attract more visitors to London.
B.Because it wanted to increase the value of the London Eye.
C.Because it could provide more entertainments for visitors.
D.Because it could earn more money from the public in the UK.
38.Where could people get into the 4D film cinema?C
A.Under the London Eye.
B.In the Hollywood.
C.In the ticket hall.
D.In the ticket centre.
39.While seeing a 4D film,people will feelD.
A.greatly frightened   
B.much worried
C.sweet smell 
D.as if they were on the scene
40.According to the passage,a 4D film probably lasts aboutC.
A.4seconds  
B.8seconds
C.4minutes  
D.8minutes.
16.It is widely known that any English conversation begins with The Weather.Such a fixation with the we ather finds expression in Dr.Johnson's famous comment that"When two English meet,their first talk is of weather."Though Johnson's observation is as accurate now as it was over two hundred years ago,most commentators fail to come up with a convincing explanation for this English weather-speak.
   Bill Bryson,for example,concludes that,as the English weather is not at all exciting,the obsession with it can hardly be understood.He argues that"To an outsider,the most striking thing about the English weather is that there is not very much of it."Simply,the reason is that the unusual and unpredictable weather is almost unknown in the British Isles.
  Jeremy Paxman,however,disagrees with Bryson,arguing that the English weather is by nature attractive.Bryson is wrong,he says,because the English preference for the weather has nothing to do with the natural phenomena."The interest is less in the phenomena themselves,but in uncertainty."According to him,the weather in England is very changeable and uncertain and it attracts the En glish as well as the outsider.
  Bryson and Paxman stand for common misconceptions about the weather-speak among the English.Both commentators,somehow,are missing the point.The English weather conversation is not really about the weather at all.English weather-speak is a system of signs,which is developed to help the speakers overcome the natural reserve and actually talk to each other.Everyone knows conversations starting with weather-speak are not requests for weather data.Rather,they are routine greetings,conversation starters or the blank"fillers".In other words,English weather-speak is a means of social bonding.
32.The author mentions Dr.Johnson's comment to show thatD.
A.most commentators agree with Dr.Johnson
B.Dr.Johnson is famous for his weather observation
C.the comment was accurate two hundred years ago
D.English conversations usually start with the weather
33.What does the underlined word"obsession"most probably refer to?B
A.A social trend.
B.An emoti onal state.
C.A historical concept.
D.An unknown phenomenon.
34.According to the passage,Jeremy Paxman believes thatD.
A.Bill Bryson has little knowledge of the weather
B.there is nothing special about the English weather
C.the English weather attracts people to the British Isles
D.English people talk about the weather for its uncertainty
35.What is the author's main purpose of writing the passage?A
A.To explain what English weather-speak is about.
B.To analyze misconceptions about the English weather.
C.To find fault with both Bill Bryson and Jeremy Paxman.
D.To convince people that the English weather is changeable.
2.Scriptwriters love to complain.They are disrespected by producers,regarded dispensable (可有可无的) by directors,not duly credited by critics,treated like employees by actors-although few complain about being historically and chronically overpaid.Another thing they don't complain about is"the exhaustion of narrative",though it weighs very much on their minds.For scriptwriters to complain about the insufficiency of original ideas would be like a salesman complaining about a lack of inventory.It's not good for business.
Writers have always known there are a limited number of storylines.And it is increasingly difficult to get out in front of a viewer's expectations.Almost every possible subject has not only been covered but covered exhaustively.How many hours of serial killer plot has the average viewer seen?Fifty?A hundred?This becomes painfully clear to any writer who attempts to orally tell his story (scriptwriter is closer to the oral tradition than it is to literature).Originality has always been in short supply.Does the proliferation (泛滥) of media mean that it is harder to be original today than it was 50years ago?Well,yea.Today's viewers live in a biosphere of narrative.Twenty-four-seven,multimedia,all the time.When a storyteller competes for a viewer's attention,he not only competes with simultaneously occurring narratives,he competes with the variations of his own narrative.That's real competition.This exhaustion of narrative is behind the rise of recent"counter-narrative"entertainments,such as:
1.Reality TV.Any regular viewer knows that reality television follows its own scripted formulas,but the appearance of being unscripted is essential to its appeal.Weary of so much predicable plot,the jaded viewer turns to reality.
2.Anecdotal narrative.The attraction of films such as Slacker and its mumblecore progeny (呢喃类) is the enjoyment of watching behavior impeded by the artifice of plot.It is not"fake",not"designed"(although of course it is).
3.Reenactment drama.Whether based on famous events or lesser-known ones,reenactment entertainment sells the premise that these events actually happened and were not cooked up by a staff of writers (though,again,if not actually cooked up,they were seasoned and served by writers).
4.Video games.The ability of the viewer to participate in the storytelling process creates an illusion of non-plan.
5.Mini-mini drama.Part of the appeal of three-to five-minute stories created for cellphones,YouTube and original programming is the illusion of not being crafted narratives.Just bits of life.
6.Documentaries.A staple of filmed entertainment since its beginnings,documentaries,historically the poor cousins of commercial cinema,have grown in number and viewership,an increase owed in part to the desire of viewers to look beyond predictable narratives.
Storytelling began as ceremony and evolved into ritual.It was commercialized in the medieval times,became big business in the 19th century and international industry in the 20th.The traditional concept of movies,a projected image in a dark room of viewers,feels increasingly old.Narrative will mutate (变异) and endure.Audio-visual entertainment is changing and narrative will change with it.
74.According to the author,scriptwriters seldom complain of havingB.
A.been looked down upon by producers
B.suffered the exhaustion of narrative
C.been considered unimportant by directors
D.been badly treated by actors and actresses
75.In which of the following entertainment forms can the viewers take part in its narrative process?B
A.Reenactment
B.Video games
C.Mini-mini drama
D.Documentaries.
76.Which of the following statements is TRUE to the fact?A
A.Narrative became commercialized in the middle age.
B.Storytelling became commercialized after the Middle Ages.
C.Narrative became a worldwide industry in the 19th century.
D.Storytelling grew into large business in the 20th century.
77.Which of the following statements is NOT in agreement with the author's ideas?C
A.Scriptwriting is nearer to the oral tradition than it is to literature.
B.Narrative exhaustion is responsible for the rise of anti-narrative entertainment.
C.It is less difficult to be original today than it was half a century ago.
D.The appearance of being unscripted is important to the appeal of Reality TV.
9.The television news feature about Ben Heckmann,an eighth grader from Farmington,Minn was breathless in its praise."At 14,he has accomplished something many adults can't achieve,"the reporter said."Ben is a twice-published author."But Ben's two"Velvet Black"books,describing a fictional rock band,were not picked from a pile of manuscripts(手稿) by an eagle eyed publisher.They were self-published,at a cost of﹩400 by  Ben's parents.
Over the past five years,print-on-demand technology and a growing number of self?publishing companies whose books can be sold online have inspired writers of all ages to avoid the traditional gatekeeping system for determining who could call himself a"published author."
The mothers and fathers who foot the bill say they are simply trying to encourage their children,in the same way that other parents buy equipment for a promising baseball player.But others see self-publishing as a lost opportunity to teach children about hardship and perseverance.Mr Robbins,a critic,thinks it is wonderful to start writing at a young age,but worries self-publishing sends the wrong message."There are no prodigies(神童) in literature,"he said."Literature requires experience,in a way that mathematics and music do not."Alan Rinzler,a publishing industry veteran,suggested parents hire a professional editor like him to work with their child to tear a manuscript apart and help make it better.
Ben's father,Ken,said Ben's ambitions"weren't to knock Harry Potter off the list,"but"to get that good feeling inside that you've done something."
Ajla Dizdarevic,12,who has self?published two books of poetry,has been on television and in local newspapers.Being a published author,she said,"was always a dream of mine."Her new dream:three books by age 15.

66.Which of the following is true of Ben?C
A.His manuscripts were favored by the publisher.
B.His self-published books were well received.
C.He has achieved something unusual for his age.
D.He was thought little of by the public media.
67.What makes it possible for writers of all ages to self-publish their works?D
A.The rapid increase of online readership.
B.The increasing number of publishers.
C.The immediate access to marketing agencies.
D.The development of printing and publishing.
68.Some parents pay the self-publishing bill for the purpose of.B
A.offering opportunities  B.giving encouragement
C.helping avoid hardship  D.showing love and care
69.Alan Rinzler suggests that children should.C
A.be forbidden to write books
B.start writing at an early age
C.be professionally guided
D.learn from experience
70.According to the last part,some children self-publish works just to.B
A.earn more money
B.achieve their dreams
C.gain self-confidence
D.satisfy their parents.

违法和不良信息举报电话:027-86699610 举报邮箱:58377363@163.com

精英家教网