- The film bored me to death. How do you find it? - I wish I hadn’t gone to see it. A．I didn’t get that. B．I have no idea. C．I couldn’t agree with you more. D．It’s totally fascinating. 题目和参考答案——青夏教育精英家教网—

题目内容

— The film bored me to death. How do you find it?

— 　　　 I wish I hadn’t gone to see it.

A．I didn’t get that. B．I have no idea.

C．I couldn’t agree with you more. D．It’s totally fascinating.

【答案】

【解析】

试题分析：考查交际用语。A我没有懂；B我不知道；C我非常同意你；D真是太迷人了；句意：—我认为这部电影很让我感觉厌倦，你认为它怎么样？—我非常同意。我多么希望我没有去看啊！根据句意说明C正确。

考点：考查交际用语

点评：情景交际的考查关键在于理解上下文语境，同时要注意辨析选项的意思，平时多熟记交际用语，尤其是一些与汉语相差较大的表达。做这类试题，要求同学们按照所给的情景，选择最佳问句或答句，完成题目。要想做好这类题目，关键是平时要养成讲英语的良好习惯，努力提高口语水平，熟练掌握日常会话项目中常用的问答语。

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文中共有10处语言错误，每句中最多有两处。每处错误仅涉及一个单词的增加、删除或修改。

增加：在缺词处加一个漏字符号（∧），并在其下面写出该加的词。

删除：把多余的词用斜线〔\〕划掉。

修改：在错的词下划一横线，并在该词下面写出修改后的词。

注意：1.每处错误及其修改均仅限一词；

2.只允许修改10处，多者（从第11处起）不计分。

I went to see film after supper. On my way to the cinema, I met an old Englishwoman,

she had lost her way. I gave up the chance to see the film, walking towards her and

took her to her hotel. While go there, I told her great change had been taken place in the past few years and she told me something about Britain and her family. Though I missed the film, however I felt very happy, for I not only helped the old lady out from trouble but also practise my spoken English. If I hadn’t worked hard at English, I would have been able to help her

18．——would you like to go and see the film with me this evening?

——I am sorry, I can’t because I ________my homework.

A．does

B．did

C．am doing

D．has done

When you watch a movie in the cinema, you may wonder how “the moving pictures” is made and where the voices, and noises and music come from. Now here is the answer.

In modern times, the middle part of a cinema film has lots of small photographs, each one of which is different from the one before it. Each photograph is brought in front of a strong light, and there it stops for a very small part of a second. This photograph, therefore, appears on the screen, and we see it. Then the light is covered and the next photograph is moved to the position in the front of the strong light. Meanwhile, the metal cover turns away from the light. Thus, the second photograph is shown on the screen. This is done again and again, twenty-four times a second, and we think we are watching a moving picture on the screen. But nothing on the screen actually moves. ”The moving picture” is in fact made up of a lot of bits. We see about 86,000 different pictures every hour, but none of them moves.

The voices, noises and music are recorded on the side of the cinema film. The record looks like marks of strange shapes. The side of the film passes in front of another light, and the rays of light which pass through change as the marks change. These marks have been made from the voices and other sounds of the people and events in front of the cinema when the film is being made. The marks may be considered as “printed sounds”.

1. When a cinema film is shown, how long does each photograph appear on the screen?

A. One twenty-third of a second.

B. One twenty-fourth of a second

C. A few seconds

D. One thirty-fifth of a second.

2. Why can we see pictures moving on the screen?

A. We see about 86,000 different pictures every hour.

B. Each picture is a little different from the former.

C. Photographs change quickly.

D. Both B and C.

3. What is a cinema film made up of?

A. Small photographs and a strong light.

B. Small photographs and the sounds.

C. A lot of bits.

D. Voices and photographs.

4. Which is the true about the sound record?

A. It sounds strange.

B. It looks as irregular marks.

C. It is printed in the middle of a film.

D. It is made while the film is being shown on the screen.

Bobby Moresco grew up in New York's Hell's Kitchen, a tough working-class neighborhood on Manhattan's West Side. But Hell's Kitchen lies right next door to Broadway, and the bright lights attracted Bobby from the time he was a teen. Being stage-struck was hardly what a street kid could admit to his partners. Fearing their ridicule, he told no one, not even his girlfriend, when he started taking acting lessons at age 17. If you were a kid from the neighborhood, you became a cop, construction worker, longshoreman or criminal. Not an actor.

Moresco struggled to make that long walk a few blocks east. He studied acting, turned out for all the cattle calls -- and during the decade of the 1970s made a total of $2,000. "I wasn't a good actor, but I had a driving need to do something different with my life," he says.

He moved to Hollywood, where he drove a cab and worked as a bartender. "My father said, 'Stop this craziness and get a job; you have a wife and daughter.' “But Moresco kept working at his chosen craft.

Then in 1983 his younger brother Thomas was murdered in a mob-linked killing. Moresco moved back to his old neighborhood and started writing as a way to explore the pain and the patrimony of Hell's Kitchen. Half-Deserted Streets, based on his brother's killing, opened at a small Off-Broadway theater in 1988. A Hollywood producer saw it and asked him to work on a screenplay.

His reputation grew, and he got enough assignments to move back to Hollywood. By 2003, he was again out of work and out of cash when he got a call from Paul Haggis, a director who had befriended him. Haggis wanted help writing a film about the country after September 11. The two worked on the writing, but every studio in town turned it down. They kept pitching it. Studio executives, however, thought no one wanted to see a severe, honest vision of race and fear and lives in collision in modern America.

Moresco believed so strongly in the script that he borrowed money, sold his house. He and Haggis kept pushing. At last the writers found an independent film producer who would take a chance, but the upfront money was too little, Moresco delayed his salary.

Crash slipped into the theaters in May 2005, and quietly became both a hit and a critical success. It was nominated for six Academy Awards and won three -- Best Picture, Best Film Editing and Best Writing (Original Screenplay) by Paul Haggis and the kid from Hell's Kitchen.

At age 54, Bobby Moresco became an overnight success. "If you have something you want to do in life, don't think about the problems," he says, "think about other ways to get it done."

1. Rearrange the following statements in terms of time order:

a. His work Half-Deserted Streets drew attention as it opened at a small Off-Broadway theater

b. Unexpectedly Crash became both a hit and a huge success.

c. He moved to Hollywood to be a taxi driver and a waiter.

d. He started learn acting in spite of hardness with the belief of doing something diiferent.

e. His younger brother Thomas was killed in conflict among bullies.

A. d; c; e; a; b B. d; e; c; b; a C. c; d; e; a; b D. c; e; d; b; a

2.Why Bobby Moresco did not tell anyone that he started taking lessons at age 17?

A. He wnted to give his girlfriend a surprise.

B. His girlfriend did not allow him to do this.

C. He was afraid of being laughed at.

D. He had no talent for acting.

3.Which of the following sentences is NOT true?

A. His father did not support his work as a bartender.

B. Before he became an overnight success, his life experienced ups and downs.

C. His brother’s death inspired his writing Half-Deserted Streets.

D. Moresco grew up in New York's Hell's Kitchen which is a few blocks east of Broadway.

4.The Studio executives turned the script Crash down because ______________.

A. they thought the script would not be popular.

B. the script was not well written.

C. they had no money to make the film based on the script.

D. they thought Moresco was not famous.

5.What’s the best title of the article?

A. The Road to Success B. Try It a Different Way

C. A Talented man—Moresco D. Moresco’s Perseverance

6.Which of the following can best describe Bobby Moresco?

A. initiative (主动) and persistent B. shy but hardworking

C. caring and brave D. aggressive and modest

The film “Let the Bullets Fly” ______ a great success and ______ a large profit to the cinema.

A. appreciated; took up B. enjoyed; brought in

C. won; accounted for D. seized; cut down

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