题目内容

In my experience, one of the greatest reasons of unhappiness is the difficulty we have in accepting things as they are.When we see something we don’t like, we wish it could be different–we cry out for something better.That may be human nature, or perhaps it’s something that has been grown in our culture.

The root of the unhappiness isn’t that we want things to be different, however, it’s that we decided we didn’t like it in the first place.We’ve judged it as bad, rather than saying, “It’s not bad or good, but it just is.”

Here is an example.I have written a paper, A Beautiful Method to Find Peace of Mind.Quite a few people think it bad after reading it because I think people should expect things to go differently than you planned, and that you should accept that, instead of encouraging people to change themselves or the environment as much as possible.You could accept it as the way the world works–as the way things actually are.And try to understand why that is, and follow it, as it is.

This can be useful to whatever you do: whether it be how other people act at work, how politics works and how depressing the news media can be.Accept these things as they are, and try to understand why they’re that way.

It’ll save you a lot of sadness because you’ll no longer say, “Oh, I wish things didn’t go bad!”

If you really understand what I mean, you can try a different way to live in this world:accept, and understand.It might lead to some interesting results.

1.What is the major reason why we feel unhappy in the writer’s opinion?

A.We are never satisfied with ourselves and the environment around us.

B.When we see something that makes us unhappy, we don’t know what to do.

C.We feel hard to accept the way things happen themselves.

D.No matter how happy we are, we never want to be happy.

2.What do you think the writer may say to himself when he meets something unhappy?

A.How could I have made such a stupid mistake?

B.I should have done better.It’s all my fault.

C.Why is it all against my plan? It can’t be so bad.

D.Well, I know all is what it is meant to be.Take it easy.

3.Why do some people think badly of the writer’s new paper after reading it?

A.The writer hasn’t shown an encouraging attitude in his paper.

B.The writer asks people to try to make things better.

C.The writer reminds the people that things will go exactly as you’ve planned.

D.The writer doesn’t think it a good idea to accept the things go naturally.

4.The statements below are based on the writer’s points of view, EXCEPT_______

A.Unhappiness may be caused by human nature that we always want things to be better.

B.Why we don’t like the thing is that we have regard it as bad in the beginning.

C.The news media shouldn’t be so depressing if the reporters worked harder.

D.The best way to avoid feeling unhappy is to accept the things as they are.

【小题1】C

【小题2】D

【小题3】A

【小题4】C

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3D films are fun一of course they are, even the bad ones. But these movies are still in their infancy. The question is whether 3D filmmakers can do better.

I have no doubt they will, but I believe they will achieve cosmetic changes around the edges rather than revolutionary breakthroughs. 3D filmmakers don't realize, or at least have not sufficiently taken to heart, that the medium they're working in is binocular (同时用双目的)film, not merely 3D film. And once one realizes this, it is possible to see that whole fields of potential film experi?ence have been left entirely untapped.

When we say 3D movies, we are referring to stereopisis (立体视觉). But binocular vision refers to the use of two eyes for vision, whereas stereopsis is just one of the functions binocular vision gives us.

Why do we have such a large binocular vision field in the first place? I have argued in my book,The Vision Revolution,that we have forward-facing eyes in order to see well in cluttered forest habitats. Our large binocular field evolved for seeing past layers of clutter( 一堆杂乱的东西),and integrating two different views of a scene into a single combined view. I call this function of binocu?lar vision “X-ray vision” because it allows us to see the clutter as semi-transparent, something through which to see the scene beyond.

If 3D filmmakers are going to throw binocular images at our big binocular field, then they should be sending us views of the kind that field evolved to process : views within cluttered environ?ments ,whether leafy forests or spider-web-filled rooms. In this light, 3D film ought to put the viewer into the bodies and eyes of characters in the story,placing him or her into the interactions between the characters and their surroundings. This would allow viewers to truly see out of the eyes of others, to experience other worlds, and yet not have the views of the scenes beyond blocked out, just as in real life. A simple first step forward is to begin calling them binocular movies ,not 3D movies.

47. The underlined word "cosmetic" in the second paragraph is closest in meaning to “.

A. seeming      B. welcome          C. unnecessary     A, thorough

48.According to the author, why have 3D filmmakers not made a breakthrough?

A. They are short of resources.

B. They are satisfied with what they have achieved.

C. They don't know how 3D really works.

D. They don't know what 3D technology can really achieve.

49.What would binocular movies be able to do?

A. Take advantage of X-rays.

B. Make use of cluttered images.

C. Place viewers within real cluttered environments during movies.

D. See the surrounding world through the eyes of other viewers.

50 . What is the main idea of the text?

A. The evolution of binocular vision.

B. The problems 3D filmmakers face.

C. How binocular vision can be exploited in 3D films.

D. The differences between binocular films and 3D films.

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