题目内容


B
When TV news programs report wars or disasters, the editors rarely use the most horrifying pictures of dead or wounded victims because they don’t want to upset their viewers. Even so, viewers are usually warned in advance that they may find some of these scenes disturbing, so they can look away if they choose. But the men and women whose job is to record those scenes-the TV cameramen-have no such choice. It is their duty to witness the horrors of the world and record them, no matter how terrible and unpleasant they may be. Consequently, it is one of the most dangerous, exposed and emotionally taxing jobs the world has to offer.
Today, the demand for their work is rising. The explosion of satellite broadcasting and 24-hour news in recent years has created an almost insatiable (贪得无厌的) demand for TV information. But major broadcasters and the TV news agencies—such as Reuters and WTN-have never had enough staff to meet the worldwide demand for up-to-date pictures, so increasingly they turn to “freelance” TV cameramen.
These freelance cameramen are independent operators tied to no particular organization. They will work for any company which hires them, be it for just a few hours or for several weeks in a war zone. But if the freelance cameraman is injured in the course of the job, the TV company is not responsible for him. The freelancer must survive on his own.
TV will always need hard, vivid moving pictures which are fresh, but these companies feel uncomfortable with large numbers of employees on their books, explains Nick Growing, once foreign editor for Britain Channel 4 News and now a BBC news presenter.
By hiring freelancers, they can buy in the skills they need only when they need them. It also enables them to contract out the risk, he says.
69. The freelance cameramen             .
A. have better skills than other cameramen
B. are tied to many TV news agencies
C. have to take tremendous(巨大的) risks in the course of work
D. need to contract out risks of work for TV companies
70. It is implied in the passage that          .
A. TV cameramen have to witness disasters and killing whether they like them or not
B. TV cameramen are a special group of people who enjoy horrifying pictures
C. TV cameramen should be given greater choice of work
D. the development of TV resulted in the growing demand for TV cameramen’s work
71. According to this passage, some major broadcasters and TV news agencies            .
A. have employed enough cameramen
B. are not willing to employ many cameramen
C. are very mean to freelancers
D. are responsible for the freelancer if he is injured
72. The author of this passage shows his           the freelance cameramen.
A. respect for      B. sympathy to       C. anger to        D. admiration to


69---72CDBB  

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Where: ABC-TV, New York City

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Name: Sam Champion
Hot job: TV Weatherman
Where: ABC-TV, New York City
When you were a child, did you plan to forecast wind, rain, and snow on TV?
I wanted to be a foreign journalist. I took courses in weather science at Eastern Kentucky University, but I majored in broadcasting news.
How did you finally become a weatherman?
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Name: Sam Champion

Hot job: TV Weatherman

Where: ABC-TV, New York City

When you were a child, did you plan to forecast wind, rain, and snow on TV?

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Back then, how did you forecast weather?

Independent companies collected computer information that showed, for example, how a single weather system might split into snow or snow mixed with rain. The information was often opposite and the job of a weatherman was to study the information and make the best educated guess about the storm.

Has weather forecasting changed much with new technology?

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