题目内容

     Coral Polge is a person who has provided comfort to thousands. She has a remarkable talent which may prove the survival of the human spirit after death, for Coral is a medium who draws the portraits of spirits who contact her.

      Coral, whose parents were spiritualists, was brought up in Harrow, North London, where she attended a local spiritualist church. She studied art at the local college, where she specialized in textile design. Even though, at the time, she wasn’t very good at drawing portraits, she met a medium who told her she would be a psychic(通灵的) artist.

      She doesn’t actually see the dead nor are her hands controlled by the spirits; instead she ‘feels’ them coming through. Early in her career she drew the portraits of ‘spirit guides’ from whom she had received help. These portraits of guides, who included Red Indians, nuns and monks, were remarkable, yet could have been attributed to the working of a strong imagination. She also drew portraits by holding on to letters that had been written by people who had since died.

      Coral says, ‘I know exactly what to draw without thinking about it. It’s involuntary, like breathing or walking.’ Not only are her portraits a good likeness but she sketches her subjects in clothes they would have worn in life.

      Coral has displayed her talent at public meetings around the world. At one gathering there was a woman whose grandfather had just died. Her name was Phyllis Timms. Coral made a sketch of a man who had a long moustache and Phyllis recognized the man as her grandfather. However, she was reluctant to acknowledge the portrait without extra proof. Coral then said that the colour green was a link with the man whom she had drawn. Mrs Timms, whose maiden name had been Green, understood the significance of the comment and claimed the portrait.

      There are some people for whom this is evidence of survival from beyond the grave. Others, who have their reservations, may put it down to an extraordinary kind of extrasensory perception(超感知觉). Whatever the reason, it remains a gift impossible to explain away and we should try to keep an open mind.

55. Coral draws the portrait of spirits in order to _________.

A. prove the existence of the human spirit.

B. help those people who miss the dead.

C. show off her special talent.

D. inspire people who believe in ghosts.

56. According to the passage, Coral can draw the spirits most probably because ________.

A. she could see the spirits.

B. she learned it from college.

C. she had a strong imagination.

D. she was gifted to feel the spirits.

57. In the example of Phyllis Timms, _________________.

A. Coral failed to draw the portrait of the dead.

B. Phyllis eventually admitted the portrait was right about her grandfather.

C. Coral knew green was a name.

D. Phyllis didn’t prove Coral’s talent.

58. What we can infer from the last paragraph is that ______________________.

A. people should believe in the spirits.

B. science can explain what happened to Coral.

C. people can learn supernatural powers.

D. some mysteries on human beings haven’t been solved yet.

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Illegal removal of coral (珊瑚) along Sri Lanka’s coastline increased the amount of destruction on the island by last December’s tsunami, say researchers.

Harindra Fernando, a fluid dynamicist (力学家) at Arizona State University in Tempe, made the connection after a visit to his native Sri Lanka earlier this year. While serving as a scientific expert and translator for a BBC-documentary team, he chatted with locals who said they saw the tsunami turn sideways when it hit coral—which would have made it less powerful than in coral-free areas. Fernando linked this to trucks he had seen last year carrying piles of coral away from the sea.

Using the eyewitness reports, estimates (估算) of wave heights, and a series of divers to check the presence or absence of corals, Fernando and his colleagues produced a map of coral gaps and wave flooding along Sri Lanka’s southwest coast.

The tsunami reached significantly farther inland through the gaps: in one instance, the water traveled 1.5 kilometres long and knocked a passenger train off its tracks, killing 1,700. But only a few kilometers away, where the coral was still undamaged, the wave travelled just 50 metres inland and caused no deaths.

There is a similar phenomenon. In Nicaragua in 1992, a tsunami poured through a break in the coral reef made to let boats through. “Within this passage, water went one kilometre inland,” says Fernando. “But nearby, where the coral was undamaged, there were still beach umbrellas standing.”

In Sri Lanka, coral is illegally mined to provide souvenirs for tourists, or to be used in house paint. Coral harvesters sometimes blow it up with dynamite (炸药) in order to collect fish at the same time. Often, the reefs in the best shape are those in front of hotels, as the hotel owners maintain them for the tourists. Fernando hopes that his findings will encourage the Sri Lankan government to enforce (实施) its laws against coral mining.

Harindra Fernando did all the following EXCEPT ________.

A. serving as a translator for a BBC-documentary team

B. helping the Sri Lankan government enforce its laws against coral mining

C. producing a map of coral gaps along Sri Lanka’s southwest coast

D. linking the coral removal with the destruction of Tsunami

The main idea of Paragraph 5 is that________.

A. undamaged coral can greatly decrease tsunami damage

B. coral-free area is a danger to passenger trains

C. in general, water travels 30 times farther inland in a coral-free area

D. it is urgent to enforce laws against coral mining

Which of the following may NOT be the cause of coral gaps?

A. Boat passages.                         B. Tourists’ sightseeing.   

C. Fish collecting.                         D. Tourists’ souvenirs.

Which of the following would be the best title for the passage?

A. Harindra Fernando, a Great Environment Protector

B. Stop Using Coral as Souvenirs

C. Coral Cried “Help! Help!”

D. Coral Mining Enhanced (加剧) Tsunami Damage

Disney’s cartoon, Finding Nemo, tells a touching story of a father called Martin and his son Nemo.

Martin loses his wife and an entire family of unhatched eggs to a huge shark. Only one fish egg remains, Nemo. Martin promises his dead wife that he will protect his young son at any cost. So, Martin becomes fearful of almost everything in the ocean. That makes him over protective-he hopes to keep his kid safe from the challenges that life presents. Martin’s nagging(唠叨)makes Nemo feel that he doesn’t need his dad telling him what to do.

 So on his first day of school, Nemo and some friends swim to the edge of their coral reef, a place Martin always thinks is very dangerous. When Martin shouts at Nemo come back, Nemo refuses to listen to him and swim out to a boat in the distance. Suddenly, he gets caught by some divers. So begins Martin’s journey to find Nemo, who ends up in an aquarium in an office in Australia. Soon the worried father runs into Dory, a forgetful blue fish, who helps Martin find his son. Meanwhile, Nemo misses his father terribly. He soon hears that he will be given to an eight-year-old girl who likes to kill fish.

Can Martin find his son before it is too late?

Finding Nemo is a physical and mental journey. Martin overcomes his shyness and anxieties and Nemo discovers his own and his father’s hidden strengths. It celebrates the relationship between fathers and their sons.

The cartoon paints a sea world that is alive with color. All the characters are very human-like and have their own personalities.

Finding Nemo was released in the US on may 30, earning about US $70.6 million in just three days, it has set a new opening records for a cartoon.

11. What is the passage mainly about?

How a father finds his son.

How to get home when getting lost.

A brief introduction to a cartoon film.

The love between a father and his son.

12. Which of the following statements is True according to the second paragraph?

Martin’s wife and most of his children died because of disease.

Martin is a coward(胆小鬼)that he is afraid of everything.

Nemo has grown up and doesn’t need his father’s protection any longer.

Martin loves his son so much that he becomes so protective.

13. It can be concluded according to the cartoon that ________.

Nemo has a wonderful journey after leaving his father.

Martin has met a lot of difficulties finding his son.

Nemo is really independent after leaving his father.

Nemo never needs any protection from his father.

14. What is the theme of the cartoon?

We should always listen to our parents.

Parents should let their children have an independent life.

Parent should take care of their children in case they get lost.

Parental love is the greatest love in the world.

15. In which section of a newspaper can you probably find this article?

A. Entertainment    B. News     C. Society       D. Advertisement 

     Coral Polge is a person who has provided comfort to thousands. She has a remarkable talent which may prove the survival of the human spirit after death, for Coral is a medium who draws the portraits of spirits who contact her.

      Coral, whose parents were spiritualists, was brought up in Harrow, North London, where she attended a local spiritualist church. She studied art at the local college, where she specialized in textile design. Even though, at the time, she wasn’t very good at drawing portraits, she met a medium who told her she would be a psychic(通灵的) artist.

      She doesn’t actually see the dead nor are her hands controlled by the spirits; instead she ‘feels’ them coming through. Early in her career she drew the portraits of ‘spirit guides’ from whom she had received help. These portraits of guides, who included Red Indians, nuns and monks, were remarkable, yet could have been attributed to the working of a strong imagination. She also drew portraits by holding on to letters that had been written by people who had since died.

      Coral says, ‘I know exactly what to draw without thinking about it. It’s involuntary, like breathing or walking.’ Not only are her portraits a good likeness but she sketches her subjects in clothes they would have worn in life.

      Coral has displayed her talent at public meetings around the world. At one gathering there was a woman whose grandfather had just died. Her name was Phyllis Timms. Coral made a sketch of a man who had a long moustache and Phyllis recognized the man as her grandfather. However, she was reluctant to acknowledge the portrait without extra proof. Coral then said that the colour green was a link with the man whom she had drawn. Mrs Timms, whose maiden name had been Green, understood the significance of the comment and claimed the portrait.

      There are some people for whom this is evidence of survival from beyond the grave. Others, who have their reservations, may put it down to an extraordinary kind of extrasensory perception(超感知觉). Whatever the reason, it remains a gift impossible to explain away and we should try to keep an open mind.

55. Coral draws the portrait of spirits in order to _________.

A. prove the existence of the human spirit.

B. help those people who miss the dead.

C. show off her special talent.

D. inspire people who believe in ghosts.

56. According to the passage, Coral can draw the spirits most probably because ________.

A. she could see the spirits.

B. she learned it from college.

C. she had a strong imagination.

D. she was gifted to feel the spirits.

57. In the example of Phyllis Timms, _________________.

A. Coral failed to draw the portrait of the dead.

B. Phyllis eventually admitted the portrait was right about her grandfather.

C. Coral knew green was a name.

D. Phyllis didn’t prove Coral’s talent.

58. What we can infer from the last paragraph is that ______________________.

A. people should believe in the spirits.

B. science can explain what happened to Coral.

C. people can learn supernatural powers.

D. some mysteries on human beings haven’t been solved yet.

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