When one looks back upon the fifteen hundred years that are the life span of the English language, he should be able to notice a number of significant truths. The history of our language has always been a history of constant change—at times a slow, almost imperceptible change, at other times a violent collision between two languages. Our language has always been a living growing organism, it has never been static. Another significant truth that emerges from such a study is that language at all times has been the possession not of one class or group but of many. At one extreme it has been the property of the common, ignorant folk, who have used it in the daily business of their living, much as they have used their animals or the kitchen pots and pans.         At the other extreme it has been the treasure of those who have respected it as an instrument and a sign of civilization, and who have struggled by writing it down to give it some permanence, order, dignity, and if possible, a little beauty. 

As we consider our changing language, we should note here two developments that are of special and immediate importance to us. One is that since the time of the Anglo-Saxons there has been an almost complete reversal of the different devices for showing the relationship of words in a sentence. Anglo-Saxon (old English) was a language of many inflections. Modern English has few inflections. We must now depend largely on word order and function words to convey the meanings that the older language did by means of changes in the forms of words. Function words, you should understand, are words such as prepositions, conjunctions, and a few others that are used primarily to show relationships among other words. A few inflections, however, have survived. And when some word inflections come into conflict with word order, there may be trouble for the users of the language, as we shall see later when we turn our attention to such maters as WHO or WHOM and ME or I. The second fact we must consider is that as language itself changes, our attitudes toward language forms change also. The eighteenth century, for example, produced from various sources a tendency to fix the language into patterns not always set in and grew, until at the present time there is a strong tendency to restudy and re-evaluate language practices in terms of the ways in which people speak and write.

1．In contrast to the earlier linguists, at present, more and more attention is paid to_________.

A. the standardization of the language 

B. language practices in terms of current speech rather than standards or proper patterns 

C. the improvement of the language than its history 

D. the rules of the language usage 

2．From the study we know that language is ________.

A. a possession of upper class. 

B. a possession of lower class. 

C. a possession of the whole society. 

D. the only property of those who treasure it much. 

3．Which of the following statements is NOT mentioned in the passage? 

A. It is generally believed that the year 1500 can be set as the beginning of the Modern English.

B. Some other languages had great influence on the English language in its development. 

C. The English language has been and still in a state of relatively constant change. 

D. Many classes or groups have contributed to the development of the English language. 

4．The author of these paragraphs is probably a(an) _________. 

A. writer specially interested in English                   

B. person who pays much attention to people of lower classs          

C. teacher who teaches the English language             

D. expert in studying languages 

5．Which of the following can be best used as the title of the passage? 

A. The history of the English language. 

B. Our changing attitude towards the English language. 

C. Our changing language. 

D. Some characteristics of modern English.

This is the letter that Mr. White wrote before his death about his three books for children:
Dear Reader:
I receive many letters from children and can't answer them all -- there wouldn't be time enough in a day. That is why I am sending you this printed reply to your letter. I'll try to answer some of the questions that are commonly asked.
Where did I get the idea for Stuart Little and for Charlotte's Web? Well, many years ago I went to bed one night in a railway sleeping car, and during the night I dreamed about a tiny boy who acted rather like a mouse. That's how the story of Stuart Little got started.
As for Charlotte's Web, I like animals and my barn（谷仓） is a very pleasant place to be, at all hours. One day when I was on my way to feed the pig, I began feeling sorry for the pig because, like most pigs, he was doomed to die. This made me sad. So I started thinking of ways to save a pig's life. I had been watching a big grey spider at her work and was impressed by how clever she was at weaving. Gradually I worked the spider into the story that you know, a story of friendship and salvation（拯救） on a farm. Three years after I started writing it, it was published. (I am not a fast worker, as you can see.)
Sometimes I'm asked how old I was when I started to write, and what made me want to write. I started early -- as soon as I could spell. In fact, I can't remember any time in my life when I wasn't busy writing. I don't know what caused me to do it, or why I enjoyed it, but I think children often find pleasure and satisfaction is trying to set their thoughts down on paper, either in words or in pictures. I was no good at drawing, so I used words instead. As I grew older, I found that writing can be a way of earning a living.
Some of my readers want me to visit their school. Some want me to send a picture, or an autograph, or a book. And some ask questions about my family and my animals and my pets. Much as I'd like to, I can't go visiting. I can't send books, either -- you can find them in a bookstore or a library. Many children assume that a writer owns (or even makes) his own books. This is not true -- books are made by the publisher. If a writer wants a copy, he must buy it. That's why I can't send books. And I do not send autographs（亲笔签名，手稿） -- I leave that to the movie stars. I live most of the year in the country, in New England. From our windows we can look out at the sea and the mountains. I live near my married son and three grandchildren.
Are my stories true, you ask? No, they are imaginary tales, containing fantastic characters and events. In real life, a family doesn't have a child who looks like a mouse; in real life, a spider doesn't spin words in her web. In real life, a swan doesn't blow a trumpet（喇叭，小号） . But real life is only one kind of life -- there is also the life of the imagination. And although my stories are imaginary, I like to think that there is some truth in them, too -- truth about the way people and animals feel and think and act.
Yours sincerely,
E.B. White
【小题1】What does the author do?

This is the letter that Mr. White wrote before his death about his three books for children:

Dear Reader:

I receive many letters from children and can't answer them all -- there wouldn't be time enough in a day. That is why I am sending you this printed reply to your letter. I'll try to answer some of the questions that are commonly asked.

Where did I get the idea for Stuart Little and for Charlotte's Web? Well, many years ago I went to bed one night in a railway sleeping car, and during the night I dreamed about a tiny boy who acted rather like a mouse. That's how the story of Stuart Little got started.

As for Charlotte's Web, I like animals and my barn（谷仓） is a very pleasant place to be, at all hours. One day when I was on my way to feed the pig, I began feeling sorry for the pig because, like most pigs, he was doomed to die. This made me sad. So I started thinking of ways to save a pig's life. I had been watching a big grey spider at her work and was impressed by how clever she was at weaving. Gradually I worked the spider into the story that you know, a story of friendship and salvation（拯救） on a farm. Three years after I started writing it, it was published. (I am not a fast worker, as you can see.)

Sometimes I'm asked how old I was when I started to write, and what made me want to write. I started early -- as soon as I could spell. In fact, I can't remember any time in my life when I wasn't busy writing. I don't know what caused me to do it, or why I enjoyed it, but I think children often find pleasure and satisfaction is trying to set their thoughts down on paper, either in words or in pictures. I was no good at drawing, so I used words instead. As I grew older, I found that writing can be a way of earning a living.

Some of my readers want me to visit their school. Some want me to send a picture, or an autograph, or a book. And some ask questions about my family and my animals and my pets. Much as I'd like to, I can't go visiting. I can't send books, either -- you can find them in a bookstore or a library. Many children assume that a writer owns (or even makes) his own books. This is not true -- books are made by the publisher. If a writer wants a copy, he must buy it. That's why I can't send books. And I do not send autographs（亲笔签名，手稿） -- I leave that to the movie stars. I live most of the year in the country, in New England. From our windows we can look out at the sea and the mountains. I live near my married son and three grandchildren.

Are my stories true, you ask? No, they are imaginary tales, containing fantastic characters and events. In real life, a family doesn't have a child who looks like a mouse; in real life, a spider doesn't spin words in her web. In real life, a swan doesn't blow a trumpet（喇叭，小号） . But real life is only one kind of life -- there is also the life of the imagination. And although my stories are imaginary, I like to think that there is some truth in them, too -- truth about the way people and animals feel and think and act.

Yours sincerely,

E.B. White

1.What does the author do?

2.What caused the author start to write?

3.Why does the author think he can’t seng his autographs?

4.How long had the author been writing the story of Chariotte’s web?

This is the letter that Mr. White wrote before his death about his three books for children:
Dear Reader:
I receive many letters from children and can't answer them all -- there wouldn't be time enough in a day. That is why I am sending you this printed reply to your letter. I'll try to answer some of the questions that are commonly asked.
Where did I get the idea for Stuart Little and for Charlotte's Web? Well, many years ago I went to bed one night in a railway sleeping car, and during the night I dreamed about a tiny boy who acted rather like a mouse. That's how the story of Stuart Little got started.
As for Charlotte's Web, I like animals and my barn（谷仓） is a very pleasant place to be, at all hours. One day when I was on my way to feed the pig, I began feeling sorry for the pig because, like most pigs, he was doomed to die. This made me sad. So I started thinking of ways to save a pig's life. I had been watching a big grey spider at her work and was impressed by how clever she was at weaving. Gradually I worked the spider into the story that you know, a story of friendship and salvation（拯救） on a farm. Three years after I started writing it, it was published. (I am not a fast worker, as you can see.)
Sometimes I'm asked how old I was when I started to write, and what made me want to write. I started early -- as soon as I could spell. In fact, I can't remember any time in my life when I wasn't busy writing. I don't know what caused me to do it, or why I enjoyed it, but I think children often find pleasure and satisfaction is trying to set their thoughts down on paper, either in words or in pictures. I was no good at drawing, so I used words instead. As I grew older, I found that writing can be a way of earning a living.
Some of my readers want me to visit their school. Some want me to send a picture, or an autograph, or a book. And some ask questions about my family and my animals and my pets. Much as I'd like to, I can't go visiting. I can't send books, either -- you can find them in a bookstore or a library. Many children assume that a writer owns (or even makes) his own books. This is not true -- books are made by the publisher. If a writer wants a copy, he must buy it. That's why I can't send books. And I do not send autographs（亲笔签名，手稿） -- I leave that to the movie stars. I live most of the year in the country, in New England. From our windows we can look out at the sea and the mountains. I live near my married son and three grandchildren.
Are my stories true, you ask? No, they are imaginary tales, containing fantastic characters and events. In real life, a family doesn't have a child who looks like a mouse; in real life, a spider doesn't spin words in her web. In real life, a swan doesn't blow a trumpet（喇叭，小号） . But real life is only one kind of life -- there is also the life of the imagination. And although my stories are imaginary, I like to think that there is some truth in them, too -- truth about the way people and animals feel and think and act.
Yours sincerely,
E.B. White

1. 1.

   What does the author do?

   1. A.
      a writer
   2. B.
      a reporter
   3. C.
      a doctor
   4. D.
      a teacher
2. 2.

   What caused the author start to write?

   1. A.
      His parents’ encuoragement
   2. B.
      His talent in writing
   3. C.
      Not mentioned in the passage
   4. D.
      A writer in the early time
3. 3.

   Why does the author think he can’t seng his autographs?

   1. A.
      Because he thinks it should be dong by movie stars.
   2. B.
      Because he thinks his writing is not good enough
   3. C.
      Because he has no much time
   4. D.
      Because he hates writing
4. 4.

   How long had the author been writing the story of Chariotte’s web?

   1. A.
      3 minths
   2. B.
      2 years
   3. C.
      3 years
   4. D.
      5 years

Increasingly, Americans are becoming their own doctors, by going online to diagnose their symptoms, order home health tests or medical devices, or even self-treat their illnesses with drugs from Internet pharmacies(药店). Some avoid doctors because of the high cost of medical care,especially if they lack health insurance. Or they may stay because they find it embarrassing to discuss their weight, alcohol consumption or couch potato habits. Patients may a1so fear what they might learn about their health, or they distrust physicians because of negative experiences in the past. But p1aying doctor can also be a deadly game.

Every day, more than six million Americans turn to the Internet for medical answers -most of them aren't nearly skeptical enough of What they find. A 2002 survey by the Pew Internet & American Life Project found that 72 percent of those surveyed believe all or most of what they read on health websites. They shouldn't. Look up “headache”, and the chances of finding reliable and complete information, free from a motivation for commercial gain, are only one in ten, reports an April 2005 Brown Medical School study. Of the l69 websites the researchers rated, only l6 scored as “high quality”. Recent studies found faulty facts about all sorts of other disorders,causing one research team to warn that a large amount of incomplete, inaccurate and even dangerous information exists on the Internet.

The problem is that most people don't know the safe way to surf the Web.“They use a search engine 1ike Google, get l8 trillion choices and start clicking. But that's risky, because almost anybody can put up a site that looks authoritative(权威的), so it's hard to know Whether What you're reading is reasonable or not,” says Dr.Sarah Bass from the National Cancer Institute.

61. According to the text, an increasing number of Americans          .

A. are suffering from mental disorders     

B. turn to Internet pharmacies for help

C. like to play deadly games with doctors  

D. are skeptical about surfing medical websites

62. Some Americans stay away from doctors because they        .

A. find medical devices easy to operate     

B. prefer to be diagnosed online by doctors

C. are afraid to face the truth of their health 

 D. are afraid to misuse their health insurance

63. According to the study of Brown Medical School,           .

A. more than 6 million Americans distrust doctors    

 B. only 1/l0 of medical websites aim to make a profit

C. about l/10 of the websites surveyed are of high quality

D. 72% of health websites offer incomplete and faulty facts

64. Which of the following is the author's main argument?

A. It's cheap to se1f-treat your own illness. 

B. It's embarrassing to discuss your bad habits.

C. It's reasonable to put up a medical website. 

D. It's dangerous to be your own doctor.

65. According to Dr.Sarah Bass, what is the problem with the people turning to the Internet for medical help?

A. They have no idea what search engines are safe.   

B. They always c1ick too many authoritative sites.

C. They are eager to apply what they read on the net.

D. They are in fact not sure about the information they read.