Three armed robbers stole two Pablo Picasso prints from an art museum in downtown Sao

Paulo on Thursday, which was the city’s second high-profile art theft in less than a year. The bandits also took two oil paintings by well-know Brazilian artists Emiliano Di Cavalcanti and Lasar Segall, said Carla Regina, a spokeswoman for the Pinacoteca do Estado museum.

The Picasso prints stolen were "The Painter and the Model" from 1963 and "Minotaur, Drinker and Women" from 1933, according to a statement from the Sao Paulo Secretary of State for Culture, which oversees the museum. The prints and paintings have a combined value of $612,000, the statement and a museum official said.

About noon, three armed men paid the $2.45 entrance fee and immediately went to the second-floor gallery where the works were being exhibited, bypassing more valuable pieces, authorities said. "This indicates to us that they probably received an order" to take those specific works, Youssef Abou Chain, head of Sao Paulo's organized crime unit, told reporters at a news conference. The assailants overpowered three unarmed museum guards and grabbed the works, officials said. The robbery took about 10 minutes and the museum was nearly empty at the time. The assailants took the pieces — frames and all — out of the museum in two bags. The institution has no metal detectors.

In December, Picasso's "Portrait of Suzanne Bloch" and "O Lavrador de Cafe" by Candido Portinari, an influential Brazilian artist, were stolen from the Sao Paulo Museum of Art by three men who used a crowbar（铁撬棍）and car jack to force open one of the museum's steel doors. The framed paintings were found Jan. 8, covered in plastic and leaning against a wall in a house on the outskirts of Sao Paulo, South America's largest city. One of the suspects in that robbery — a former TV chef — turned himself over to police in January, who already had two suspects in custody（监禁）.

What did the armed men steal on Thursday?

         A．Two prints by Pablo Picasso

        B．Two oil painting by Brazilian artists

        C．Two prints by Pablo Picasso and two oil paintings by two Brazilian artists.

        D．Two prints by two Brazilian artists and two oil paintings by Picasso Pablo.

Why didn't the thieves take other more valuable works?

        A．Because they didn't know that the other pieces were worth more.

        B．Probably because they had received an order for the prints that they took.

        C．Because they didn't have enough time.

        D．Because they were in such a hurry that they couldn’t get them all.

How many people were in the museum during the robbery?

        A．A lot. The museum was crowded.

        B．Not too many. It was almost empty.

        C．There were a lot of people outside the museum.

        D．Only three of them.

According to the passage, which of the followings is TRUE?

        A．In December, "Portrait of Suzanne Bloch" and "O Lavrador de Cafe" painted by Candido

Portinari were stolen.

        B．There are steel doors and no detectors in Sao Paulo Museum of Art.

        C．Three robbers defeated three armed museum guards and took away the works on Thursday.

        D．Three suspects in the first high-profile art theft in less than a year were arrested.

D
　　Beyond two or three days，the world’s best weather forecasts are doubtful, and beyond six or seven they are worthless.
　　The Butterfly Effect is the reason. For small pieces of weather—to a global forecaster，small can mean thunder—storms and blizzards（暴风雪）—any prediction becomes worse rapidly. Errors and uncertainties increase，from dust devils and storms up to continent-size eddies（旋涡）that only satellites can see.
　　The modern weather models work with net-like points sixty miles apart，and even so，some starting data have to be guessed，since ground stations and satellites cannot see everywhere. But suppose the earth could be covered with sensors placed one foot apart，rising at one-foot intervals all the way to the top of the atmosphere. Suppose every sensor gives perfectly accurate readings of temperature，pressure，humidity（温度）, and any other data a weatherman would want. Exactly at noon a powerful computer takes all the data and calculates what will happen at each point at 12.01, then 12.02，then 12.03…the computer will still be unable to predict whether Princeton will have sun or rain one month away. At noon the spaces between the sensors will hide fluctuations（波动）that the computer will not know about. By 12.01，those fluctuations will already have created small errors one foot away. Soon the errors will have added to the ten-foot scale，and so on up to the size of the globe.
63．A weather forecast ____________ in the world.
A．is reliable within one or two days
B．is doubtful beyond 24 hours
C．becomes useless beyond two or three days
D．is still worthwhile in seven days
64．Usually there is a weather sub-station____________.
A．in every city 　　　　　　　　　　B．every 60 miles
C．between two cities 　　　　　　　 D．every one foot
65．Which of the following statements is true？
A．People have not placed sensors one foot apart in the atmosphere.
B．Scientists have already put sensors one foot apart in the world.
C．Every sensor gives perfectly accurate data a weatherman wants.
D．Ground weather stations and satellites can see every place on earth.
66．Our computer will not be able to know about fluctuations because ____________.
A．the sensors are not good enough
B．they are hidden by the spaces between the sensors
C．they are too far away
D．they move very fast

D
　Stonehenge（巨石阵）may have been a prehistoric health center rather than a site for observing stars or a temple in honor of the dead, scientists said yesterday. New evidence unearthed at the World Heritage Site in more than 40 years suggests that the monument was a place where the diseased and injured went in groups, seeking cures.
After a two-week dig, scientists have concluded that Stonehenge was “the ancient healthcare centre of southern England” because of the existence of “bluestones”---the smaller columns of dolerite（辉绿岩）that formed an earlier stone structure.
By dating pieces of remains to around 7330BC, Tim Darvill, of Bournemouth University, and Goff Wainwright, of the Society of Amtiquaries have found that hunter-gatherers were at the site on Salisbury Plain 4,000 years earlier than thought. The first stage of Stonehenge, a round earthwork structure, was built around 3000BC. Professor Wainwright added: “I did not expect the degree of complexity we discovered. We’re able to say so much more about when Stonehenge was built and why---all of which changes our previous understanding of the monument.”
The research reveals the importance of the henge’s famous bluestones. Hundreds of bluestone chips gathered at the site have led the team to conclude that the bluestones were valued for their curing effects---the key reason that about 80 of them, each weighing up to 4 tons and a half, were dragged more than 150 miles from the Preseli Hills to Wiltshire. After years of research, Professors Darvill and Wainwright have concluded that, for thousands of years, the Preseli mountain range was home to magical health centers and holy wells.
Even today there are those who believe in the curing powers of the springs for coughs and heart disease, and people who use crystals and bluestones for self-curing. Radiocarbon tests have also revealed that the construction of the original bluestone circle took place around 2300BC, three centuries later than originally thought. Interestingly, on the same day died the “Amesbury Archer”---a sick traveler from the Swiss or German Alps who had an infected knee---whose remains were discovered about five miles from Stonehenge. The professors believe that he was a devoted religious person who was hoping to benefit from the curing powers of the monument.
63．Stonehenge is recently believed to be a place for people           .
A．to recover from poor health    B．to observe star movements
C．to hold religious ceremonies   D．to gather huge bluestones
64．What can be inferred about Stonehenge from the passage?
A．The springs could cure coughs and heart disease best.
B．The new discovery was the same as what had been expected.
C．Some huge bluestones were not produced at Stonehenge.
D．The original bluestone circle was thought to be constructed around 2000BC.
65．The sick traveler in the passage is supposed to be           .
A．a devoted religious person from Stonehenge
B．one of the earliest discoverers of Stonehenge
C．the first explorer to test the magical power of bluestones
D．a patient trying to cure his infection at Stonehenge
66．Which of the following might be the best title for the passage?
A．Stonehenge: A New Place of Interest     B．Stonehenge: Still Making News
C．Stonehenge: Heaven for Adventurers     D．Stonehenge: Still Curing Patients

Three armed robbers stole two Pablo Picasso prints from an art museum in downtown Sao
Paulo on Thursday, which was the city’s second high-profile art theft in less than a year. The bandits also took two oil paintings by well-know Brazilian artists Emiliano Di Cavalcanti and Lasar Segall, said Carla Regina, a spokeswoman for the Pinacoteca do Estado museum.
The Picasso prints stolen were "The Painter and the Model" from 1963 and "Minotaur, Drinker and Women" from 1933, according to a statement from the Sao Paulo Secretary of State for Culture, which oversees the museum. The prints and paintings have a combined value of $612,000, the statement and a museum official said.
About noon, three armed men paid the $2.45 entrance fee and immediately went to the second-floor gallery where the works were being exhibited, bypassing more valuable pieces, authorities said. "This indicates to us that they probably received an order" to take those specific works, Youssef Abou Chain, head of Sao Paulo's organized crime unit, told reporters at a news conference. The assailants overpowered three unarmed museum guards and grabbed the works, officials said. The robbery took about 10 minutes and the museum was nearly empty at the time. The assailants took the pieces — frames and all — out of the museum in two bags. The institution has no metal detectors.
In December, Picasso's "Portrait of Suzanne Bloch" and "O Lavrador de Cafe" by Candido Portinari, an influential Brazilian artist, were stolen from the Sao Paulo Museum of Art by three men who used a crowbar（铁撬棍）and car jack to force open one of the museum's steel doors. The framed paintings were found Jan. 8, covered in plastic and leaning against a wall in a house on the outskirts of Sao Paulo, South America's largest city. One of the suspects in that robbery — a former TV chef — turned himself over to police in January, who already had two suspects in custody（监禁）.
【小题1】What did the armed men steal on Thursday?

D

When Mary Moore began her high school in 1951, her mother told her, "Be sure and take a typing course so when this show business thing doesn't work out, you'll have something to rely on." Mary responded in typical teenage fashion. From that moment on, "the very last thing I ever thought about doing was taking a typing course," she recalls.

The show business thing worked out, of course. In her career, Mary won many awards. Only recently, when she began to write Growing Up Again, did she regret ignoring her mom," I don't know how to use a computer," she admits.

Unlike her 1995 autobiography, After All, her second book is less about life as an award-winning actress and more about living with diabetes (糖尿病). All the money from the book is intended for the Juvenile Diabetes Research Foundation (JDRF), an organization she serves as international chairman. "I felt there was a need for a book like this," she says." I didn't want to lecture, but I wanted other diabetics to know that things get better when we're self-controlled and do our part in managing the disease."

But she hasn't always practiced what she teaches. In her book, she describes that awful day, almost 40 years ago, when she received two pieces of life-changing news. First, she had lost the baby she was carrying, and second, tests showed that she had diabetes. In a childlike act, she left the hospital and treated herself to a box of doughnuts (甜甜圈). Years would pass before she realized she had to grow up ---again---and take control of her diabetes, not let it control her. Only then did she kick her three-pack-a-day cigarette habit, overcome her addiction to alcohol, and begin to follow a balanced diet.

Although her disease has affected her eyesight and forced her to the sidelines of the dance floor, she refuses to fall into self-pity. "Everybody on earth can ask, 'why me?' about something or other," she insists. "It doesn't do any good. No one is immune (免疫的) to heartache, pain, and disappointments. Sometimes we can make things better by helping others. I've come to realize the importance of that as I've grown up this second time. I want to speak out and be as helpful as I can be."

1.We can know that before 1995 Mary ___________.

A．had two books published

B．received many career awards

C．knew how to use a computer

D．supported the JDRF by writing

2.Mary's second book Growing Up Again is mainly about her _________.

A．living with diabetes

B．successful show business

C．service for an organization

D．remembrance of her mother

3.When Mary received the life-changing news, she __________ .

A．lost control of herself                    B．began a balanced diet

C．meant to get a treatment                  D．behaved in an adult way

4.What can we know from the last paragraph?

A．Mary feels pity for herself.

B．Mary has recovered from her disease.

C．Mary wants to help others as much as possible.

D．Mary determines to go back to the dance floor.