We suddenly saw the bus about to leave and had to run to catch it. A. hardly B. awkwardly C. hard D. strongly 题目和参考答案——青夏教育精英家教网—

Twenty-first century humanity has mapped oceans and mountains, visited the moon, and surveyed the planets．But for all the progress, people still don’t know one another very well.

That brings about Theodore Zeldin’s “feast of conversation”－events where individuals pair with persons they don’t know for three hours of guided talk designed to get the past “Where are you from?”

Mr．Zeldin, an Oxford University professor, heads Oxford Muse, a 10-year-old foundation based on the idea that what people need is not more information, but more inspiration and encouragement.

The “feast” in London looks not at politics or events, but at how people have felt about work, relations among the sexes, hopes and fears, enemies and authority, the shape of their lives．The “menu of conversation” includes topics like “How have your priorities changed over the years?” Or, “What have you rebelled against the past?”

As participants gathered, Zeldin opened with a speech: that despite instant communications in a globalized age, issues of human heart remain．Many people are lonely, or in routines that discourage knowing the depth of one another．“We are trapped in shallow conversations and the whole point now is to think, which is sometimes painful,” he says．“But thinking interaction is what separates us from other species, except maybe dogs…who do have generations of human interactions.”

The main rules of the “feast”: Don’t pair with someone you know or ask questions you would not answer．The only awkward moment came when the multi-racial crowd of young adults to seniors, in sun hats, ties and dresses, looked to see whom with for hours．But 15 minutes later, everyone was seated and talking. They would be ‘intimate’, continuing full force until organizers interrupted them 180 minutes later.

“It’s encouraging to see the world is not just a place of oppression and distance from each other,” Zeldin summed up．“What we did is not ordinary, but it can’t be madder than the world already is.”

Some said they felt “liberated” to talk on sensitive topics. Thirty-something Peter, from East London, said that “it might take weeks or months to get to the level of interaction we suddenly opened up.”

What can the “conversations” be best described as?

A. Deep and one-on-one. B. Sensitive and mad.

C. Instant and inspiring. D. Ordinary and encouraging.

In a “feast of conversations”, participants ________.

A. pair freely with anyone they like

B. have a guided talk for a set of period of time

C. ask questions they themselves would not answer

D. wear clothes reflecting multi-racial features．

In paragraph 6, “they would be ‘intimate’” is closest in meaning to “________”.

A. they would have physical contact B. they would have in-depth talk

C. they would be close friends D. they would exchange basic information

According to Zeldin, what prevents many people thoroughly knowing one another?

A. Loneliness or routines. B. Shallow conversations.

C. Unwillingness to think. D. The fear for awkward moment.

From the passage, we can conclude that what Zeldin does is _________.

A. an attempt to promote thinking interaction

B. one of the maddest activities ever conducted

C. a try to liberate people from old-fashioned ideas

D. an effort to give people a chance of talking freely

Twenty-first century humanity has mapped oceans and mountains, visited the moon, and surveyed the planets. But for all the progress, people still don’t know one another very well.

That brings about Theodore Zeldin’s “feast of conversation”－events where individuals pair with persons they don’t know for three hours of guided talk designed to get the past “Where are you from?”

Mr.Zeldin, an Oxford University professor, heads Oxford Muse, a 10-year-old foundation based on the idea that what people need is not more information, but more inspiration and encouragement.

The “feast” in London looks not at politics or events, but at how people have felt about work, relations among the sexes, hopes and fears, enemies and authority, the shape of their lives. The “menu of conversation” includes topics like “How have your priorities changed over the years?” Or, “What have you rebelled against the past?”

As participants gathered, Zeldin opened with a speech: that despite instant communications in a globalized age, issues of human heart remain. Many people are lonely, or in routines that discourage knowing the depth of one another. “We are trapped in shallow conversations and the whole point now is to think, which is sometimes painful,” he says. “But thinking interaction is what separates us from other species, except maybe dogs…who do have generations of human interactions.”

The main rules of the “feast”: Don’t pair with someone you know or ask questions you would not answer. The only awkward moment came when the multi-racial crowd of young adults to seniors, in sun hats, ties and dresses, looked to see whom with for hours. But 15 minutes later, everyone was seated and talking, continuing full force until organizers interrupted them 180 minutes later.

“It’s encouraging to see the world is not just a place of oppression and distance from each other,” Zeldin summed up. “What we did is not ordinary, but it can’t be madder than the world already is.”

Some said they felt “liberated” to talk on sensitive topics. Thirty-something Peter, from East London, said that “it might take weeks or months to get to the level of interaction we suddenly opened up.”

What can the “conversations” be best described as?

A. Deep and one-on-one. B. Sensitive and mad.

C. Instant and inspiring. D. Ordinary and encouraging.

In a “feast of conversations”, participants ______.

A. pair freely with anyone they like

B. have a guided talk for a set of period of time

C. ask questions they themselves would not answer

D. wear clothes reflecting multi-racial features.

From the passage, we can conclude that what Zeldin does is ______.

A. an attempt to promote thinking interaction

B. one of the maddest activities ever conducted

C. a try to liberate people from old-fashioned ideas

D. an effort to give people a chance of talking freely

We were on tour a few summers ago, driving through Chicago, when right outside of the city, we got pulled over. A middle-aged policeman came up to the car and was really being troublesome at first. Lecturing us, he said, "You were speeding. Where are you going in such a hurry?" Our guitarist, Tim, told him that we were on our way to Wisconsin to play a show. His way towards us totally changed. He asked, "Oh, so you boys are in a band (乐队)?”We told him that we were. He then asked all the usual broad questions about the type of music we played, and how long we had been at it. Suddenly, he stopped and said, "Tim, you want to get out of this ticket, don't you?" Tim said, "Yes." So the officer asked him to step out of the car. The rest of us, inside the car, didn't know what to think as we watched the policeman talk to Tim. Next thing we knew, the policeman was putting Tim in the back of the police car he had parked in front of us. With that, he threw the car into reverse(倒车), stopping a few feet in back of our car. Now we suddenly felt frightened. We didn't know if we were all going to prison, or if the policeman was going to sell Tim on the black market or something. All of a sudden, the pollen's voice came over in a loudspeaker. He said, "Ladies and gentlemen, for the first time ever, we have Tim here singing on Route 90.” Turns out, the policeman had told Tim that the only way he was getting out of the ticket was if he sang part of one of our songs over the loudspeaker in the police car. Seconds later, Tim started screaming into the receiver. The policeman enjoyed the performance, and sent us on our way without a ticket.

56. The policeman stopped the boys to ______.

A. put them into prison B. give them a ticket

C. enjoy their performance D. ask some band questions

57. The policeman became friendly to the boys when ha knew they ____

A. had long been at the band B. played the music he loved

C. were driving for a show D. promised into a performance

58. The boys probably felt ______ when they drove off.

A, joyful B. calm C. nervous D. frightened

Twenty-first century humanity has mapped oceans and mountains, visited the moon, and surveyed the planets. But for all the progress, people __1 don’t know one another very well.

That brings about Theodore Zeldin’s “ 2 of conversation” — events 3 individuals sit in pairs with persons they don’ t know for three hours of 4 talk designed to help people know better about each other.

Mr. Zeldin heads Oxford Muse, a l0-year-old foundation based on the _5 that what people need is not more information, but more inspiration and encouragement.

The “feast” in London looks 6 at politics or events, but at how people have felt about work, relations among the sexes, hopes 7 fears, enemies and authority, the shape of their lives. The “menu of _8 ” includes topics like “How have your concerns changed 9 the years?” Or, “What have you done against the past?”

As participants gathered, Zeldin opened with a speech: that despite _10 communications like QQ and MSN in a globalized age, issues of human heart 11 . Many people are lonely, or occupied in dealing with their daily businesses that discourage knowing the _ 12 _ of one another. “We are trapped in _ 13 _ conversations and the whole point now is to think, which is sometimes painful,”he says. “But 14 _ interaction is what separates us from other species, __15 maybe dogs that do have interactions with humans.”

The main rules of the “feast”: Don’t 16 _ with someone you know or ask questions you would not answer. The only awkward moment came when the multi-racial crowd of people of different ages, in sun hats, ties and __17_, looked to see 18 they would talk with for hours. 19 15 minutes later, everyone was seated and talking, continuing full force until organizers interrupted them 180 minutes later.

Some said they felt free to talk on 20 topics. Thirty-something Peter, from East London, said that “it might take weeks or months to get to the level of interaction we suddenly opened up.”

1. A．still B．already C．even D．yet

2. A．topic B．subject C．idea D．feast

3. A．what B．when C．that D．where

4. A．free B．organized C．guided D．random

5. A．theory B．idea C．opinion D．fact

6. A．not B．not only C．never D．ever

7. A．but B．and C．or D．with

8. A．talk B．speech C．conversation D．communication

9. A．during B．over C．for D．within

10. A．convenient B．accessible C．immediate D．instant

11. A．leave B．appear C．disappear D．remain

12. A．depth B．well C．truth D．good

13. A．small B．daily C．deep D．shallow

14. A．thinking B．talking C．communicating D．lecturing

15. A．with B．besides C．except D．from

16. A．talk B．pair C．involve D．sit

17. A．dresses B．skirts C．T-shirts D．coats

18. A．which B．whom C．who D．that

19. A．So B．And C．But D．Then

20. A．hot B．popular C．sensitive D．private

We were on tour a few summers ago, driving through Chicago, when right outside of the city, we got pulled over(被迫停车). A middle-aged policeman came up to the ear and was really being troublesome at first. He said, "You were speeding. Where are you going in such a hurry?" Our guitarist, Tim, told him that we were on our way to Wisconsin to play a show. Then his way towards us totally changed. He asked, "Oh, so you boys are in a band?" We told him that we were. He then asked all the usual band questions about the type of music we played, and how long we had been at it.

Suddenly, he stopped and said, "Tim, you want to get out of this ticket, don't you?" Tim said, "Yes. " So the officer asked him to step out of the car. The rest of us, inside the car, didn' t know what to think as we watched the policeman talk to Tim. Then the policeman put Tim in the back of the police car and threw the car into reverse(倒车), stopping a few feet in back of our car.

Now we suddenly felt frightened. We didn't know if we were all going to prison. Suddenly, the policeman's voice came over in a loudspeaker. He said, "Ladies and gentlemen, for the first time ever, we have Tim here singing on Route 90." Later we knew, the policeman had told Tim that if he sang one of our songs over the loudspeaker in the police car, we would get out of the ticket. Seconds later, Tim started screaming into the receiver. The policeman enjoyed the performance, and sent us on our way without a ticket.

1.Why did the policeman stop the boys?

A. Because they drove too fast.

B. Because they were late for their show.

C. Because they didn't see the policeman.

D. Because they had to answer the band questions.

2.The policeman became friendly to the boys when he knew they ______.

A. had long been at the band

B. played the music he loved

C. were driving for a show

D. promised him a performance

3.The underlined word "ticket" in paragraph 2 means "a piece of paper that ______".

A. allows you to enter a cinema

B. shows the price or size in a shop

C. shows that you have paid to travel on a bus

D. orders you to pay money because you have done something wrong

4.How did the boys probably feel when they went on their way again?

A. Happy.

B. Calm.

C. Angry.

D. Frightened.

试题分类