认真阅读下列短文,并根据所读内容在文章后表格中的空格里填入最恰当的单词。注意:每空格只填一个单词。
Ticket tax fuels Indian cinema strike
Cinemas in Mumbai, Bollywood’s homeland are striking against high taxes on ticket sales.
Owners of Mumbai’s single-screen theatres will keep their shutters (百叶窗) down until Friday to protest about taxes, which they say are driving them out of business.
More than a third of single-screen cinemas in the state of Maharashtra have closed down in the last five years. According to the Cinema and Exhibitors Association of India, just 700 are still in operation. The association blames the closing down on Maharashtra’s high rate of entertainment tax. Its president, R V Vidhani, says that cinemas must pay a tax for every ticket sold, which is 45%, and this makes it hard to break even. It’s the highest of all states across India. The majority of the states in India pay zero entertainment tax. Mr Vidhani says his members had decided to go ahead with a one-week closure after getting no response from the state government on the matter.
It is not just a high tax rate contributing to the shrinking(收缩)number of traditional cinemas, however. Large costs and declining box office takings also make times tougher.
Mr Vidhani has run the New Excelsior Theatre in South Mumbai since 1974. Last week a screening of Bollywood movie Tanu Weds Manu sold just 71 tickets despite a capacity of more than 1,000. Whether it’s a full house or an empty screening, running costs are more or less the same. “Air conditioning, regular business — every expenditure (支出) is the same, but the income has stopped.”
The cricket (板球) World Cup is not helping matters, according to Mr Vidhani. “The World Cup is creating the biggest problem,” he says. “These people are crazy so far as the cricket is concerned. When India is playing, occupancy in the theatre is just 15%.”
Mumbai’s city centre is dotted with empty cinemas.
So after remaining empty for six years, the Novelty theatre is perhaps more fortunate than its neighbours: it is to be reborn as a four-screen multiplex cinema.
Over the last decade the number of multiplexes in India has risen sharply. Despite higher ticket prices, with more choice on offer and typically newer facilities they pose fierce competition to the traditional single-screen theatres.
“Competition from the multiplexes is really tough,” Mr Vidhani says. “Then there is competition from the movie window being narrow. Movies are being released much quicker on television than they used to be so people can pretty much watch movies for free at home.
“With rising incomes, everyone’s going out and buying DVD players or VCD players. Content is available for the asking whether it is official or pirated(盗版).”
Unless single-screen theatres can become special destinations in their own right, while also offering up-to-date facilities, Jehil Thakkar thinks the decline is a trend that will continue, especially as multiplex cinemas spread to smaller towns.
“They are large corporate chains,” he says. “They have the ability to spend money on branding and advertising, so to a large extent the small cinema guys are fighting a losing battle.”
Ticket tax fuels Indian cinema strike

The current (1)    of cinema business in Mumbai
●  Many single-screen cinemas are (2)  .
The causes of the closing down of cinemas
Cinemas in Mumbai have to pay a tax (3)  than any other places in India.
It costs a lot to (4)  a cinema whether it’s a full house or an empty screening.
The occupancy is (5)  by people’s enthusiasm for cricket.
Single-screen cinemas are (6)   with competition from multiplex cinemas, which offer more choices and (7)  facilities.
A quicker release of movies on television is to (8)  .
People prefer to watch DVD or VCD rather than go to the cinema.
The (9)  of single-screen cinemas
The trend of decline will continue.
Single-screen cinemas are  certain to (10)  the battle.
 

 Interest in pursuing international careers has soared (increased sharply) in recent years, enhanced by chronic (lasting) personnel shortages that are causing companies to search beyond their home borders for talents.

Professionals seek career experience outside of their home countries for a variety of reasons. They may feel the need to recharge their batteries with a new challenge. They may want a position with more responsibility that encourages creativity and initiative. Or they may wish to expose their children to another culture, and the opportunity to learn a second language.

    When applying for a job, one usually has to submit (present—v.) a resume or curriculum vitae (CV). The two terms generally mean the same thing: a one-or two-page document describing one's educational qualifications and professional experience. However, guidelines for preparing a resume are constantly changing. The best advice is to find out what is appropriate regarding the corporate (company) culture, the country culture, and the culture of the person making the hiring decision. The challenge will be to embrace (include) two or more cultures in one document. The following list is a good place to start.

● "Educational requirements differ from country to country. In almost every case of 'cross-border' job hunting, just stating the title of your degree will not mean adequate description. Provide the reader with details about your studies and any related experience."

●Pay attention to the resume format you use—chronological or reverse-chronological order. Chronological order means listing your 'oldest' work experience first. Reverse-chronological order means listing your current or most recent experience first. Most countries have preferences about which format is most acceptable. If you find no specific guidelines, the general preference is for the reverse-chronological format.

●If you are submitting your resume in English, find out if the recipient uses British English or American English because there are variations between the two versions. For example, university education is often referred to as 'tertiary education' in the United Kingdom, but this term is almost never used in the United States. A reader who is unfamiliar with these variations may assume that your resume contains errors.

1.Companies are hiring more foreign employees because ________.     

A. they have difficulty finding qualified personnel at home

B. they find foreign employees are usually more talented

C. they need original ideas from employees hired overseas

D. they want to expand their business beyond home borders

2.The author believes that an individual who applies to work overseas ________.    

A. is usually creative and full of initiative

B. aims to improve his foreign language skills

C. seeks either his own or his children's development

D is dissatisfied with his own life at home

3.When it comes to resume writing, it is best to ________.     

A. learn about the company's hiring process

B. follow appropriate guidelines for job hunting

C. take cultural factors into consideration

D. know the employer's personal likes and dislikes

4.According to the author's last piece of advice, the applicants should be aware of ________.

A. the different educational systems in the US and the UK        

B. the recipient's preference with regard to the format

C. the distinctive features of American and British cultures

D. the differences between the varieties of English

 

认真阅读下列短文,并根据所读内容在文章后表格中的空格里填入最恰当的单词。注意:每空格只填一个单词。

Ticket tax fuels Indian cinema strike

Cinemas in Mumbai, Bollywood’s homeland are striking against high taxes on ticket sales.

Owners of Mumbai’s single-screen theatres will keep their shutters (百叶窗) down until Friday to protest about taxes, which they say are driving them out of business.

More than a third of single-screen cinemas in the state of Maharashtra have closed down in the last five years. According to the Cinema and Exhibitors Association of India, just 700 are still in operation. The association blames the closing down on Maharashtra’s high rate of entertainment tax. Its president, R V Vidhani, says that cinemas must pay a tax for every ticket sold, which is 45%, and this makes it hard to break even. It’s the highest of all states across India. The majority of the states in India pay zero entertainment tax. Mr Vidhani says his members had decided to go ahead with a one-week closure after getting no response from the state government on the matter.

It is not just a high tax rate contributing to the shrinking(收缩)number of traditional cinemas, however. Large costs and declining box office takings also make times tougher.

Mr Vidhani has run the New Excelsior Theatre in South Mumbai since 1974. Last week a screening of Bollywood movie Tanu Weds Manu sold just 71 tickets despite a capacity of more than 1,000. Whether it’s a full house or an empty screening, running costs are more or less the same. “Air conditioning, regular business — every expenditure (支出) is the same, but the income has stopped.”

The cricket (板球) World Cup is not helping matters, according to Mr Vidhani. “The World Cup is creating the biggest problem,” he says. “These people are crazy so far as the cricket is concerned. When India is playing, occupancy in the theatre is just 15%.”

Mumbai’s city centre is dotted with empty cinemas.

So after remaining empty for six years, the Novelty theatre is perhaps more fortunate than its neighbours: it is to be reborn as a four-screen multiplex cinema.

Over the last decade the number of multiplexes in India has risen sharply. Despite higher ticket prices, with more choice on offer and typically newer facilities they pose fierce competition to the traditional single-screen theatres.

“Competition from the multiplexes is really tough,” Mr Vidhani says. “Then there is competition from the movie window being narrow. Movies are being released much quicker on television than they used to be so people can pretty much watch movies for free at home.

“With rising incomes, everyone’s going out and buying DVD players or VCD players. Content is available for the asking whether it is official or pirated(盗版).”

Unless single-screen theatres can become special destinations in their own right, while also offering up-to-date facilities, Jehil Thakkar thinks the decline is a trend that will continue, especially as multiplex cinemas spread to smaller towns.

“They are large corporate chains,” he says. “They have the ability to spend money on branding and advertising, so to a large extent the small cinema guys are fighting a losing battle.”

 

Ticket tax fuels Indian cinema strike

 

The current (1)     of cinema business in Mumbai

●  Many single-screen cinemas are (2)    .

The causes of the closing down of cinemas

l  Cinemas in Mumbai have to pay a tax (3)    than any other places in India.

l  It costs a lot to (4)    a cinema whether it’s a full house or an empty screening.

l  The occupancy is (5)    by people’s enthusiasm for cricket.

l  Single-screen cinemas are (6)     with competition from multiplex cinemas, which offer more choices and (7)    facilities.

l  A quicker release of movies on television is to (8)    .

l  People prefer to watch DVD or VCD rather than go to the cinema.

The (9)    of single-screen cinemas

l  The trend of decline will continue.

l  Single-screen cinemas are  certain to (10)    the battle.

 

 

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